I'm just thrilled to see people enjoying the music.

When the audience leaves, I'd like them to feel positive when they go.

And I think that we're more of an alternative act in that sense, and that flavor comes across to the audience.

Our show doesn't rely on the typical whistles and bells, and smoke and mirrors. It relies mostly on the music.

I'm just thrilled to see people enjoying the music.

And looking at today's music scene, I think it's cool that there are a lot of consumers and fans not limited by what radio and the record companies tell them to buy.

But these days, I get a lot more attention and airplay from the Adult Contemporary and country radio stations, and I feel comfortable saying I'm a part of that.

I've always enjoyed playing live onstage.

There's also, I think more so in the music business and especially for women, this ceiling that people put on you if you have children or a family and decide to spend time with them.

I've had the big ups and the big downs.

I've been lucky. I've had this history of having an appeal to more than one type of audience.

I'll do a cappella stuff, rock 'n' roll and swing stuff.

I like the big ups. I'm into the big ups.

I can't live off of yesterday - that's in the past.

Songs like the Buck Owens tune, for example, are very simple and straightforward, and recording it really gave me a chance to get into and get a sense of Buck's personality, a feel for that whole Bakersfield sound.

This genre of music seems to want to push people into a certain time slot, which is unfortunate.

The very fact that I've had those established me to continue on to do new music and new projects.

In between that time, I've done book narrating, you know, books on tape for Dove Audio.

I'm really fortunate that I've had some mega hits.

As you know, the business is cyclic with styles. It's no different from clothing styles.

My biggest successes were mainly in the pop market during the 80s.

I work a lot, and not just in Las Vegas.

It would be nice to garner new fans and make it a success - and success is relevant, we already know all that.

I'm not a toy boy, bellybutton band, so I don't have to worry about that. Actually, I never did.

I never stopped working, but I did let my contract run out. And I didn't really actively pursue it.

Ride Em Cowboy dont let them throw ya down.. You cant make no money if ya hit the ground Ride Em Cowboy dont let them throw ya down Youre the toughest Cowboy in town.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.