I enjoy music that is commercial.

It might be a huge hit, it might not; but you learn something doing it.

I'm continuing to produce and will start a new record soon, as well.

The whole process of this record was an education for me as a musician.

There's artists that I'm working with on a new label of mine. Foxy Nova and Supa Nova.

I think that in order for music to be heard in a lot of different situations you have to always consider that.

I enjoy music that is commercial.

I don't necessarily want people to know all my intimate feelings about Tracey.

The most exciting thing for all of us is movies and movie stars.

Unfortunately, a lot of executives aren't like producers, and can't hear the diamond in the rough.

I usually prepare a track and then I work with the artist when it's time to do the vocals.

It's about finding great artists and being part of their careers.

When I was in top 40 bands, I always had to learn new material and new styles.

I don't go to that many Broadway shows, so I can't really say anything.

Commercial music, for the most part, is popular music and you always have to keep that in mind.

You can find a diamond in the rough a lot of times.

I think that whenever there's a good script we try to make that happen, but it's all based off of a good story, a good script, but I don't believe you should do it just because it's African-American.

I would say that I've been lucky. Being blessed and not really ever giving up.

I could easily not be the person that people know.

The Internet is a whole new world opening up.

There are people that bring artists to me to look at it and it's a question of whether I like their music and their look and if I think there's something they have that makes them different and commercial.

It's like spicy food - sometimes you have to tone it down so more people can enjoy it.

The reality is, some people don't want you to change or go anywhere different.

But a lot of the old fans are listening to a lot of the younger music. So I gotta keep moving forward, and they'll move forward too.

I still write the same way and have the same perspective.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.

There's an inherent thing in me where, if things are going too smooth, I'll sabotage the hell out of them, just to make the music more of a sanctuary.