It wasn't until Duotones that I felt my true voice come out.

I'm responsive to my public, but I also follow my heart.

Finally, I was no longer a student and was making music for myself.

It wasn't until Duotones that I felt my true voice come out.

The Moment is an album that contains the best music I have ever produced.

I approach everything in my life the same way; if it feels right, I know it.

I've learned that you simply can't control those bad vibes.

I've never personally criticized anyone else's music, but I know that the public's real problem is not the music I make but the perception that I play simple music for money only and for the notoriety and to increase my popularity.

What is music anyway? It's a form of communication, and that's why I play the kind of music that I think - that I hope - can communicate with people.

That's my ideal day, time with my boys.

Being a purely instrumental album, it makes a musical statement, not a religious one, and I hope that people can feel the emotion of the great melodies, even without the words.

Just because people play songs with great technique doesn't mean the records are better.

The whole rise of new adult contemporary music and smooth jazz was a nice surprise.

I really create everything I do from the heart.

I learned so much about playing and touring being on the road and in the studio with Jeff, but I'd always played a lot of gigs in Seattle even prior to joining the Fusion.

When I play live, I feel how the audience is going and follow and lead at the same time.

I don't play the traditional Charlie Parker songs. But I do improvise and I do create with my instrument, and that to me is jazz. But there are people who use the word 'jazz' only in a traditional sense, and they would be offended by that, and that's fine.

I listen to all the top 20 songs, and top 20 albums, even the rap albums. But I don't like negative messages. If somebody is putting a lot of ego out there, I don't like it. When I make my records I want it to be sincere.

I started realizing that music is the one area where I've always let go. When that saxophone goes into my mouth, I get into a space where I never think about the notes I've already played or anticipate the notes ahead.

I think everybody has to kind of decide what the word 'jazz' means to them, and that's fine.

I'm just more into playing golf. It's a great thing.

If I even lose my glasses or make a mistake. I become really disappointed in myself.

Just figure out what you think jazz is, and then if it fits into that category, it's jazz, and if it doesn't, it isn't. It's no big deal.

Maybe I'm a dreamer, but I think the ordinary guy has just as much right to say 'This is a good song' as somebody who is in the music business.

Maybe the biggest thing that I've learned musically is that anything is possible. Things can work when maybe they don't seem like they can.

There are a few countries that, for whatever reason, really enjoy listening to my music.

You can't just walk away when somebody recognizes you. You have to take some time out and talk to them. It's not a waste of time - I just love talking to people. And I don't do this to sell records. The truth is, I do what I do because I love it.

My favorite singer to this day is Nat King Cole. I've tried to emulate his phrasing. It is so absolutely beautiful to listen to his lovely voice.

I grew up in this town, my poetry was born between the hill and the river, it took its voice from the rain, and like the timber, it steeped itself in the forests.

You get a heck of a sound from the church. Can't you hear it in my voice?

The more excited the rooster gets, the higher his voice goes. He's got a little bit of a Barney Fife quality to him.

You'd have a good voice, if it ever came out of your throat.

I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.

One needs a Seer's Vision and an Angel's voice to be of any avail. I do not know of any Indian man or woman today who has those gifts in their most complete measure.

It was he who impressed, time and again, the necessity of singing as nature intended, and - I remember - he constantly warned, don't let the public know that you work. So I went slowly. I never forced the voice.

We tune down a full step when we play but I never miss a note. I've learned how to keep my voice.

While Kuwait is not a democracy, giving only half the population a voice in their government is not a policy this Congress should support and one that I am glad that Kuwait's leaders are changing.

There's plenty for me to do. There are more albums. I'll record as long as I can and as long as my voice works as well as it does now and for as long as people want to hear me.

I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.

John the Baptist was supposed to point the way to the Christ. He was just the voice, not the Messiah. So everybody's calling has dignity to it and God seems to know better than we do what is in us that needs to be called forth.

I found my voice was a reaction to all that voice stuff.

It is not the voice that commands the story: it is the ear.

When on the set of a film, you have to play natural for entire scenes in a very unnatural environment. You have to express emotions and interact with other actors and also use your voice.

That's one strength that Stevie has. She's really not a strong instrumentalist in any way. Her instrument is her voice and her words. And it keeps her focused on the very center of that.

But when they offered this little situation for me to do this voice in this special segment, I found it so incredibly humorous that I said yes, and I enjoyed it. It was fun.

If particular care and attention is not paid to the ladies, we are determined to foment a rebellion, and will not hold ourselves bound by any laws in which we have no voice, or representation.

When you're special to a cat, you're special indeed, she brings to you the gift of her preference of you, the sight of you, the sound of your voice, the touch of your hand.

I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.

I get a lot of recognition for my voice. That always surprises me.