Life is the most versatile thing under the sun; and in the pursuit of life and character the author who works in a groove works in blinkers.

If I live for another ten years I shall probably have written all that I want to write.

That was luck: I should not then have been a conscientious objector; but I am quite sure that the abominations of war would have made me one, as soon as I got to the front.

My brother used to say that I wrote faster than he could read. He wrote two books - of poems - better than all mine put together.

Suicide is possible, but not probable; hanging, I trust, is even more unlikely; for I hope that, by the time I die, my countrymen will have become civilised enough to abolish capital punishment.

I shall not die young, for I am already near seventy: I may die old.

I had never thought of myself as a dramatist, and, for really good technical results, the thought came too late: a man of letters has become too wordy to write economically for the stage.

Life is the most versatile thing under the sun; and in the pursuit of life and character the author who works in a groove works in blinkers.

It is the sincerest thing I have written, caught by the drama of a soul struggling in the contrary toils of love and religion - death brought them into harmony.

The modern form of things had begun to appeal to me, also (as material for satire) politics, and the lives of the great and little, high up in the social scale.

It is right and natural that generous minds while in the twenties should think the books which try to reform the world's wrong the greatest of all.

I was just then going through a healthy reaction from the orthodoxy of my youth; religion had become for me not so much a possession as an obsession, which I was trying to throw off, and this iconoclastic tale of an imaginary tribe was the result.

The mere dates of my existence do not interest me, except in one connection. When the Great War started I was too old to be acceptable as a volunteer; when conscription followed I was too old to be conscripted.

I still think that if the human race, or even one nation, could only get right about its God the rest would follow.

If I loved all the world as I do you, I shouldn't write books to it: I should only write letters to it, and that would be only a clumsy stage on the way to entire telepathy.

Two more years were to go by before I knew anything about William Blake. Many years later, when his wife died, my godfather gave me the two books as a remembrance.

I have always been a writer of letters, and of long ones; so, when I first thought of writing a book in the form of letters, I knew that I could do it quickly and easily.

For the last half of my life I have had the doubtful benefit of a brother whose literary reputation is much greater than my own.

It was then, I think, that I discovered that the best way of bringing a medieval subject home to my generation was not to be medieval in its treatment.

But it has also enabled me to find my feet as a lecturer and a reader of my own plays to audiences who like to hear them; and that experience of immediate appreciation gives greater pleasure and more stimulus towards further activity than even the most laudatory of reviews.

My best chance is that, in a happy moment, I hit upon St Francis as the subject for a series of plays. Others might have written them better: but, as I have written them, the advantage will probably remain mine.

I believe absolutely in love being the central motive force of the universe.

Prosecution I have managed to avoid; but I have been arrested, charged in a police court, have refused to be bound over, and thereupon have been unconditionally released - to my great regret; for I have always wanted to know what going to prison was like.

On that other novels followed: but I still wrote fairy tales and dreamy poems of another world.

My failure, during the first five or six years of my art training, to get set in the right direction, and the disappointment which it caused me, drove me the more persistently into writing as an alternative.

The man who bears my name, and who claims to be me, was born on July 15, 1865, the sixth in a family of seven. He was an ugly child, and remained ugly till his eighteenth year, when his looks gradually improved.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow.

If you look to lead, invest at least 40% of your time managing yourself - your ethics, character, principles, purpose, motivation, and conduct. Invest at least 30% managing those with authority over you, and 15% managing your peers.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

To be a character who feels a deep emotion, one must go into the memory's vault and mix in a sad memory from one's own life.

Character is power; it makes friends, draws patronage and support and opens the way to wealth, honor and happiness.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.