Polar Express is not an attempt to do animation. It is a technology-based film.

I had the great good fortune to interview Peggy Lee. Her memories of working with Walt Disney and his team were warm and upbeat.

A Christmas Carol is such a fool-proof story you can't louse it up.

I teach at USC. I have a big class of 360 kids, only about a fifth of whom are film majors. I don't just show the Hollywood blockbusters. I show independent films, foreign films, documentaries.

I think the people who are making Christmas-themed movies today feel that people are more cynical about Christmas. There's more of an edge.

Movie theaters still exist in spite of all of the alternatives that are available, video and video-on-demand and DVD and streaming video and all of these things.

I'm a lifelong Disney nut.

I think people in Hollywood are afraid of sentiment because they think audiences will reject it.

Shakespeare wrote great plays that we're still watching all these years later. Charlie Chaplin made great comedies and they are still as funny today as they ever were.

Dumbo... makes me cry. Every single time and in the exact same spot. I just have a special affection for Dumbo.

The last person to stand still and repeat himself was Walt Disney. He refused to repeat himself. So to think that he'd be making the same kind of film in the year 2001 that he made in 1941 is absurd.

Audiences deserve better.

Everyone is looking for the sure thing. They are looking to hedge their bet. They think the way to do that is to go with a proven quantity, a remake of something you have already seen. That is their mindset.

When Tim Allen made The Santa Clause, I thought that was a delightful film. It took a modern sensibility but layered onto it a kind of sentiment.

Polar Express is not an attempt to do animation. It is a technology-based film.

Quality survives.

While it was occasionally done here or there, nobody else had a figurehead like Walt doing it. Jack Warner wasn't on TV. Walt was the boss, but he had a real public profile and he used it to his advantage. And he became a household face.

Hollywood executives believe that money is both the be-all and end-all to the moviemaking process.

NBC anchor Brian Williams is a standup comic in disguise.

Television is what made It's a Wonderful Life the classic it is today.

Beauty and the Beast became the first animated feature ever nominated for best picture.

If I were less than honest as a critic, I think people would spot that right away, and it would destroy my credibility.

Timing in life is everything.

Los Angeles has the greatest concentration of surviving movie palaces in the United States, yet most residents have never been inside one of them.

Television is what made Its a Wonderful Life the classic it is today.

Disney had such a hold on the mind of America-they were Adolf Hitler. The whole country thought Disney was some sort of god and that animation was some sort of pure thing for children.

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.

Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.

When The Simpsons came around, there really was nothing else like it on TV. It's hard to imagine, but when Fox first took the plunge with it, it was considered controversial to put animation on prime time.

But probably for the last ten years or so, I've been fitting in animation work into my other projects.

So many plays with magic in them that would be a terrific invitation to an imaginative animation team.

Animation scripts tend to be much more descriptive and are lighter on dialogue.

I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.

The success of The Simpsons really opened doors. It showed that if you were working in animation you didn't necessarily have to be working in kids' television.

I love doing the voice of Batman because of the quality of the animation. The music is particularly incredible. Another bonus is getting the opportunity to work with some very respected actors who do not usually do voice work.

We go through, I think, six different drafts of each script. And then my shooting it is roughly, you know, fifteen percent of the total work that gets done on a show. Then it's all post-production animation after that.

Look what Disney's done to their animation department. There wasn't an animator in charge of their animation unit!

I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.

The animation of the canvas is one of the hardest problems of painting.

Animation is about creating the illusion of life. And you can't create it if you don't have one.

In animation, there's this exhilarating moment of discovery when you see the film and you say, Oh THAT'S what I was doing.

Yes, actually. Animation's a very easy thing to watch on tour.

If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story.

In the animation world, people who understand pencils and paper usually aren't computer people, and the computer people usually aren't the artistic people, so they always stand on opposite sides of the line.

Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don't know how to draw.

You don't have a face to work with, so your voice has to do all the work until you see the animation. So, a lot of it I had to pull back because it was too big.

We always thought the Tom Tom Club could change to anything, but it acquired this image, which was cartoon animation and this real light-hearted dance music.

Animation had been done before, but stories were never told.

Because good writing in a TV cartoon is so rare, I think the animation on The Simpsons is often overlooked.