I would just like to say that opera is no longer about fat people in breastplates shattering wine glasses.

I would just like to say that opera is no longer about fat people in breastplates shattering wine glasses.

The musical heritage of Yorkshire is deep and wide.

I'm engaging my diaphragm as I'm speaking to you right now.

And woven into the fabric of this harsh existence was music.

There are a lot of unseen elements to having a successful singing career.

I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.

As far as I was concerned the important thing was that the music was getting the attention as well as me so it was always a great way to get more of the public to connect with classical music, and opera particularly.

I don't just come from a musical family, but from a musical community.

I wouldn't want to criticise someone like Charlotte Church because she has done fantastically well, but personally I've always cared about the long term.

That was when I realised that music is the most profound, magical form of communication there is.

One of the problems that we face through the media attention that these artists receive is that there has been an awful lot of talk about opera and classical music being elite and being for an elitist group.

I do a lot of vocal hygiene.

Opera is credible drama now, and it costs less than going to a football match. What have you got to lose?

I saw The Sound of Music when I was 10 and thought that it was the most beautiful singing I had ever heard.

To tell you the truth, I never listen to opera at home.

I'm very pro presenting the best music I can to the widest audience possible.

I don't think I have ever met a single person who isn't moved by music of some kind.

Nobody inspired me more than Julie Andrews, who is a classically trained soprano herself.

What people really should be able to be confident in is that the standards of music- making that classically trained musicians present is elite, it is the best and all of us as artists should be committed to that.

It worries me that young singers think you can shortcut the training and go straight to fame and fortune, and programmes like Pop Idol have encouraged that.

I do hope that our spring will be starting shortly and we will all be able to enjoy some sunshine again.

Singing is an arduous business and it needs sacrifices.

Music is there to access those dark emotional corners that we don't normally get too close to.

Soap opera wouldn't be my first choice, but at this point in my life, I would consider a soap. It would allow me to act and still do other things with my life.

I love opera, I love writing for the voice, I love telling stories with music.

Of all the noises known to man, opera is the most expensive.

I would just like to say that opera is no longer about fat people in breastplates shattering wine glasses.

I have the absolute utmost respect for soap opera actors now. They work harder than any actor I know in any other medium. And they don't get very much approbation for it.

This is not a rock opera. This is not Tommy. I can write songs that emote, and that's it.

I was the first movie star to plunge into night-time soap opera.

In how many lives does love really play a dominant part? The average taxpayer is no more capable of a 'grand passion' than of a grand opera.

A show like Knots or any other show that can be called a soap opera does terribly in syndication because if you're a viewer and you miss a week you don't know what's going on.

Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.

I was more of a light opera singer, not really much of a lounge singer.

Above all, I am an opera singer. This is how people will remember me.

The theatre only knows what it's doing next week, not like the opera, where they say: What are we going to do in five years' time? A completely different attitude.

We consider Monteverdi the first composer of opera. There was someone before, but everything started with Monteverdi.

I like soap opera acting. If it's done really well, there's nothing better. It's old school. It's like what those melodramas in the '30s and '40s were like.

Let us be clear: I take ten times more money for a concert than for an opera performance.

I was on a soap opera before that for three years, where I was the nicest guy on earth.

Opera? Just what the world needs: more fat women screaming.

I cannot go to the Opera, because I have forsworn all expense which does not end in pleasing me.

If you approach an opera as though it were something that always went a certain way, that's what you get. I approach an opera as though I didn't know it.

An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I've left the opera house.

The opera always loses money. That's as it should be. Opera has no business making money.

But I won't deprive myself of singing opera as long as my voice follows.

You can't do opera when already from the 10th row you can only see little dolls on the stage. In such an enormous space you can't put much faith in the personal presence of the individual singer, which is reflected in facial expressions, among other things.

Seriously though, my father was the first African American to sign a contract with the Metropolitan Opera so I grew up with classical music and jazz in the home all the time.