Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.

So I've never found there was any particular separation between the two cultures at all, musically speaking.

Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.

Taste is changing, style is changing, and players' abilities are changing.

There are some sounds that English singers find quite difficult to manipulate.

If we perform the romantic repertoire we need more musicians.

One of the great virtues, apart from the pleasure of performing these works, is that it's opened up an entirely new, expansive repertoire of American Jewish music.

One thing we were looking for from the start was players who really fit together, who sounded in tune.

We don't want other people poking into our artistic pie.

I think the quality of something like the Beveridge, for instance, will have a life of its own.

So in one leap we had gone from being a friendly society to something almost professional.

Before, we may have taken part in it without even thinking it was American Jewish, but in this case, I think, you have now perhaps pointed us in a direction of a new interest in this repertoire.

But the most important test is to take them on tour and see if you can bear to spend time with them.

Music is a continuum and the modern and avant-garde composers of today will be part of the standard repertoire 30 years from now.

The awful thing about a conductor becoming geriatric is that you seem to become more desirable, not less.

Most Beethoven symphonies require 80 or more instruments, and the late romantics even more.

This American Jewish music is a new experience for us at least consciously.

As you know, there are certain languages that lend themselves very easily to vocal use.

If the (British) Arts Council give you money, they also tell you how to spend it.

I would like new people with new ideas to come into it and change it.

I think we were all frustrated with our daily routine.

Initially we performed in halls with capacities of 1,000.

So I think we got together as the Academy to give ourselves that sort of responsibility and to play well.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.

Younger players in this music often turn out to be middle aged; it is not a young music.

There's an inherent thing in me where, if things are going too smooth, I'll sabotage the hell out of them, just to make the music more of a sanctuary.

To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.

We used to listen to all the marvelous operas on records. Music was a very important part of our lives.