All creatures are flawed, but out of the flaw may come the universe.

If you don't have obsessions, don't write. my characters are obsessed.

If you understand hallucination and illusion, you don't blindly follow any leader. You must know if the person is sane or insane, over the abyss.

All my writing is about the recognition that there is no single reality. But the beauty of it is that you nevertheless go on, walking towards utopia, which may not exist, on a bridge which might end before you reach the other side.

At the age of 18 all young poets are sure they will be dead at 21 - of old age.

I think most people don't like others who, without a voice of their own, emulate the other. I certainly don't want anybody just to pick up my thoughts and hand them back to me.

I'm quite sure that most writers would sustain real poetry if they could, but it takes devotion and talent.

I would say my theme has always been paradise lost, always the lost cause, the lost leader, the lost utopia.

Is it experimental to have been influenced by the Bible? By Saint Augustine?

The first money I ever had was when I received an award from the American Association of University Women.

If there is no certain reality, the idea of following a leader must be scrutinized.

I'm as much influenced by Joseph Smith and the Mormons as I am, more so, than by Eliot. Actually, I'm much more influenced by the poetry of the Mormons.

I never fantasized or invented a thing, not one thing. I knew every single thing I ever wrote about.

I don't believe there can be a poetic novel without political consciousness. I have a strong political conscience.

A lawyer I once knew told me of a strange case, a suffragette who had never married. After her death, he opened her trunk and discovered 50 wedding gowns.

I think there is a rage against women. I've come to see that now although at the time I did not notice it. I was preoccupied with my teaching and my writing.

I would never write realistic prose. I don't like people who try to write in a poetic style, but in the course of their book abandon it for realism, and weave back and forth like drunkards between the surreal and the real.

All the books I have written have been one book, from the beginning.

Life has no beginning, middle or end.

I never thought of myself as either a woman or a man. I thought of myself as a person who was born to a writer, who was doomed to be a writer.

All creatures are flawed, but out of the flaw may come the universe.

There were also some cruel reviews by women, but the tone of the male reviewers, sometimes hysterical, was different. I have suffered, but I don't want to name names-but there have been men who have seemed to want to destroy me or my writing, men I don't even know.

I knew Anais Nin, who called me after I had been away for a few years. She was seeking help because at that time no one would give her a decent review. She was made fun of.

Some of the poetic writers who insert passages of realism in their texts have no underlying philosophy to uphold them, and revert to realism.

If you know anything about James Whitcomb Riley, you know that Little Orphan Annie is one of the most fantastic characters who ever lived in America before Charlie Chaplin.

I believe that all my work explores the human desire or obsession for utopias, and the structure of all my works is the search for utopias lost and rediscovered.

When the dream came into being, I always pursued it.

The first poem I ever wrote, about loss, when I was 5 years old, expressed the themes of everything I would ever write.

I've been willing to go for years without publishing. That's been my career.

Dreiser... I love... and almost wouldn't speak to anyone who ever attacked him.

I would teach from nine to four, sleep an hour, and write from six until midnight, night after night.

A good writer cannot avoid having social consciousness. I don't mean this about small pieces of writing, but about a big book. If it's a big book, there has to be more than one undertow.

Nor should we exclude the possibility that Islamic terrorism may begin to make common cause with Western political extremists of the far Left and far Right.

In addressing a task, one almost always has several possible options, sometimes only a few, and they may all be practical and functional. But they lack the aesthetic aspect that raises it to architecture.

All enterprises that are entered into with indiscreet zeal may be pursued with great vigor at first, but are sure to collapse in the end.

Entropy theory is indeed a first attempt to deal with global form; but it has not been dealing with structure. All it says is that a large sum of elements may have properties not found in a smaller sample of them.

Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.

The good parts of a book may be only something a writer is lucky enough to overhear or it may be the wreck of his whole damn life and one is as good as the other.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

That a peasant may become king does not render the kingdom democratic.

This means that to entrust to science - or to deliberate control according to scientific principles - more than scientific method can achieve may have deplorable effects.

It may be shocking to some people in this country to realize that, without meaning to do so, they hold views in common with Hitler when they preach discrimination against other religious, racial or economic groups.

A man may be in as just possession of truth as of a city, and yet be forced to surrender.

In relation to a writer, most readers believe in the Double Standard: they may be unfaithful to him as often as they like, but he must never, never be unfaithful to them.

Lives of great men oft remind us as we o'er their pages turn, That we too may leave behind us - Letters that we ought to burn.

Yes, and I can sit down on a white piece of paper and work because I don't believe too much into inspiration, only I'm waiting for inspiration, work and then inspiration may come. It's a little too easy to say that.

When families observe a later, deeper stage of cult involvement they may find it necessary to consider the involvement of a professional such as myself in an intervention effort.

Life is intrinsically, well, boring and dangerous at the same time. At any given moment the floor may open up. Of course, it almost never does; that's what makes it so boring.

Do not free a camel of the burden of his hump; you may be freeing him from being a camel.