I never fantasized or invented a thing, not one thing. I knew every single thing I ever wrote about.

If you don't have obsessions, don't write. my characters are obsessed.

If you understand hallucination and illusion, you don't blindly follow any leader. You must know if the person is sane or insane, over the abyss.

All my writing is about the recognition that there is no single reality. But the beauty of it is that you nevertheless go on, walking towards utopia, which may not exist, on a bridge which might end before you reach the other side.

At the age of 18 all young poets are sure they will be dead at 21 - of old age.

I think most people don't like others who, without a voice of their own, emulate the other. I certainly don't want anybody just to pick up my thoughts and hand them back to me.

I'm quite sure that most writers would sustain real poetry if they could, but it takes devotion and talent.

I would say my theme has always been paradise lost, always the lost cause, the lost leader, the lost utopia.

Is it experimental to have been influenced by the Bible? By Saint Augustine?

The first money I ever had was when I received an award from the American Association of University Women.

If there is no certain reality, the idea of following a leader must be scrutinized.

I'm as much influenced by Joseph Smith and the Mormons as I am, more so, than by Eliot. Actually, I'm much more influenced by the poetry of the Mormons.

I never fantasized or invented a thing, not one thing. I knew every single thing I ever wrote about.

I don't believe there can be a poetic novel without political consciousness. I have a strong political conscience.

A lawyer I once knew told me of a strange case, a suffragette who had never married. After her death, he opened her trunk and discovered 50 wedding gowns.

I think there is a rage against women. I've come to see that now although at the time I did not notice it. I was preoccupied with my teaching and my writing.

I would never write realistic prose. I don't like people who try to write in a poetic style, but in the course of their book abandon it for realism, and weave back and forth like drunkards between the surreal and the real.

All the books I have written have been one book, from the beginning.

Life has no beginning, middle or end.

I never thought of myself as either a woman or a man. I thought of myself as a person who was born to a writer, who was doomed to be a writer.

All creatures are flawed, but out of the flaw may come the universe.

There were also some cruel reviews by women, but the tone of the male reviewers, sometimes hysterical, was different. I have suffered, but I don't want to name names-but there have been men who have seemed to want to destroy me or my writing, men I don't even know.

I knew Anais Nin, who called me after I had been away for a few years. She was seeking help because at that time no one would give her a decent review. She was made fun of.

Some of the poetic writers who insert passages of realism in their texts have no underlying philosophy to uphold them, and revert to realism.

If you know anything about James Whitcomb Riley, you know that Little Orphan Annie is one of the most fantastic characters who ever lived in America before Charlie Chaplin.

I believe that all my work explores the human desire or obsession for utopias, and the structure of all my works is the search for utopias lost and rediscovered.

When the dream came into being, I always pursued it.

The first poem I ever wrote, about loss, when I was 5 years old, expressed the themes of everything I would ever write.

I've been willing to go for years without publishing. That's been my career.

Dreiser... I love... and almost wouldn't speak to anyone who ever attacked him.

I would teach from nine to four, sleep an hour, and write from six until midnight, night after night.

A good writer cannot avoid having social consciousness. I don't mean this about small pieces of writing, but about a big book. If it's a big book, there has to be more than one undertow.

Further devastation of the air, land and sea is obviously a very real possibility, unless the attitudes of politicians and all who irresponsibly exploit our natural resources change significantly in the very near future and all collaborate and sacrifice for the good of the planet.

I think everybody has to kind of decide what the word 'jazz' means to them, and that's fine.

I'm not sure I want all my neuroses cleared up.

My interactions with Sorkin were agonisingly weird. He is by far the weirdest person I have ever met. I had dinner with him and a few hours before I got an e-mail from his assistant saying, 'Sean, this does not need to be a long conversation. Aaron is only going to use it to win your trust.'

As my own boss, I have the opportunity to get to work with great brands like Old Navy, and I get to style some looks together that people can actually buy and afford.

A good businessman never makes a contract unless he's sure he can carry it through, yet every fool on earth is perfectly willing to sign a marriage contract without considering whether he can live up to it or not.

It was a great time to be making music because everything else was changing.

My older brother had a lot of Elvis on vinyl, and really, that was my first introduction to music during the Fifties.

Calculus the electrical battery the telephone the steam engine the radio all these groundbreaking innovations were hit upon by multiple inventors working in parallel with no knowledge of one another.

There's something magical about theater. You can live the character every single day to the point where you become that person.

You know, I think more people should watch women's basketball. It'd do so much for the game.

As a state we are so uniquely positioned in so many ways. Our geography our placement in the country and our history positions us to be the state that propels energy efficiency as an industry.

A fan sent me a pair of fluffy winter socks, and I was like, 'Oh, that's cool. I'll wear them to bed. It's cold; it's winter.' But they were worn. They were black underneath, and they stunk, and I hate feet. She was like, 'I'm giving you my favorite pair.'

You don't know who you messing with man, I slap people for fun. That's what I do man! You wanna play rough, huh, I kill for fun!

I started my second company in 1999. BodyMedia was set up to take advantage of the future of wearables - sensors and computing worn on our bodies in any and all ways that could make our lives better.

For people who believe that they can't do it, I hope I'm an inspiration to others to get out there and try swimming. You might be pretty good at it.

Uncertainty is not an indication of poor leadership; it underscores the need for leadership.