I'm quite sure that most writers would sustain real poetry if they could, but it takes devotion and talent.

If you don't have obsessions, don't write. my characters are obsessed.

If you understand hallucination and illusion, you don't blindly follow any leader. You must know if the person is sane or insane, over the abyss.

All my writing is about the recognition that there is no single reality. But the beauty of it is that you nevertheless go on, walking towards utopia, which may not exist, on a bridge which might end before you reach the other side.

At the age of 18 all young poets are sure they will be dead at 21 - of old age.

I think most people don't like others who, without a voice of their own, emulate the other. I certainly don't want anybody just to pick up my thoughts and hand them back to me.

I'm quite sure that most writers would sustain real poetry if they could, but it takes devotion and talent.

I would say my theme has always been paradise lost, always the lost cause, the lost leader, the lost utopia.

Is it experimental to have been influenced by the Bible? By Saint Augustine?

The first money I ever had was when I received an award from the American Association of University Women.

If there is no certain reality, the idea of following a leader must be scrutinized.

I'm as much influenced by Joseph Smith and the Mormons as I am, more so, than by Eliot. Actually, I'm much more influenced by the poetry of the Mormons.

I never fantasized or invented a thing, not one thing. I knew every single thing I ever wrote about.

I don't believe there can be a poetic novel without political consciousness. I have a strong political conscience.

A lawyer I once knew told me of a strange case, a suffragette who had never married. After her death, he opened her trunk and discovered 50 wedding gowns.

I think there is a rage against women. I've come to see that now although at the time I did not notice it. I was preoccupied with my teaching and my writing.

I would never write realistic prose. I don't like people who try to write in a poetic style, but in the course of their book abandon it for realism, and weave back and forth like drunkards between the surreal and the real.

All the books I have written have been one book, from the beginning.

Life has no beginning, middle or end.

I never thought of myself as either a woman or a man. I thought of myself as a person who was born to a writer, who was doomed to be a writer.

All creatures are flawed, but out of the flaw may come the universe.

There were also some cruel reviews by women, but the tone of the male reviewers, sometimes hysterical, was different. I have suffered, but I don't want to name names-but there have been men who have seemed to want to destroy me or my writing, men I don't even know.

I knew Anais Nin, who called me after I had been away for a few years. She was seeking help because at that time no one would give her a decent review. She was made fun of.

Some of the poetic writers who insert passages of realism in their texts have no underlying philosophy to uphold them, and revert to realism.

If you know anything about James Whitcomb Riley, you know that Little Orphan Annie is one of the most fantastic characters who ever lived in America before Charlie Chaplin.

I believe that all my work explores the human desire or obsession for utopias, and the structure of all my works is the search for utopias lost and rediscovered.

When the dream came into being, I always pursued it.

The first poem I ever wrote, about loss, when I was 5 years old, expressed the themes of everything I would ever write.

I've been willing to go for years without publishing. That's been my career.

Dreiser... I love... and almost wouldn't speak to anyone who ever attacked him.

I would teach from nine to four, sleep an hour, and write from six until midnight, night after night.

A good writer cannot avoid having social consciousness. I don't mean this about small pieces of writing, but about a big book. If it's a big book, there has to be more than one undertow.

I'll miss the relationships I have built with these actors. I'll miss the devotion we have to this work. Over this length of time, the tendency is to think it will never end.

In these momentous hours of our history we call on every Hungarian worker who is led by devotion to the people and the country to join our Party, the name of which is the Hungarian Socialist Workers Party.

Work, apart from devotion or love of God, is helpless and cannot stand alone.

Ignorance is the mother of devotion.

I have loved but one flag and I can not share that devotion and give affection to the mongrel banner invented for the League of Nations.

The discipline of daily devotion to God undergirds decisions.

With devotion's visage and pious action we do sugar o'er the devil himself.

The limitless loving devotion to God, and the gift God makes of Himself to you, are the highest elevation of which the heart is capable; it is the highest degree of prayer. The souls that have reached this point are truly the heart of the Church.

The art of motherhood involves much silent, unobtrusive self-denial, an hourly devotion which finds no detail too minute.

There is always the danger that we may just do the work for the sake of the work. This is where the respect and the love and the devotion come in - that we do it to God, to Christ, and that's why we try to do it as beautifully as possible.

Curiosity does, no less than devotion, pilgrims make.

Those who seek to satisfy the mind of man by hampering it with ceremonies and music and affecting charity and devotion have lost their original nature.

I'm a very hard-line, angry atheist. Yet I am fascinated by the concept of devotion.

The increase of scientific knowledge lies not only in the occasional milestones of science, but in the efforts of the very large body of men who with love and devotion observe and study nature.

Oh yeah, I mean every fighter has got be dedicated, learn how to sacrifice, know what the devotion is all about, make sure you're paying attention and studying your art.

A tyrant must put on the appearance of uncommon devotion to religion. Subjects are less apprehensive of illegal treatment from a ruler whom they consider god-fearing and pious. On the other hand, they do less easily move against him, believing that he has the gods on his side.

I'm quite sure that most writers would sustain real poetry if they could, but it takes devotion and talent.