While I was into many different types of music, and played with many different local groups, I really didn't have a band to call my own until Dire Straits was formed in 1977.

There happened to be guitar classes at the college, and there was a guitar teacher there with whom I used to play. In addition, I also would go out into country schools and teach little kids basic guitar and singing a few times a week.

Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.

I don't like definitions, but if there is a definition of freedom, it would be when you have control over your reality to transform it, to change it, rather than having it imposed upon you. You can't really ask for more than.

My idea of heaven is a place where the Tyne meets the Delta, where folk music meets the blues.

I just want to be able to play and make people feel good with what I do. When you're thinking that way, anything can happen. And, usually, what happens is good.

The music just tends to be a vehicle for that poetry.

While I was into many different types of music, and played with many different local groups, I really didn't have a band to call my own until Dire Straits was formed in 1977.

I love Gibsons, and Nationals, too. There's something magical about them.

What I always try to do is to respond to the song; I've always rebelled against theory.

I was into playing American music, especially the blues.

Every guitar I own gets used and has its purpose.

After a while, though, the group just wasn't a good vehicle for the songs I'd written.

While listening, to things like western swing, for instance, I'd work something out in my head, then play it on my National; not the same song, but one that captured the feeling of the original tune.

I'm not a collector, however, and I have no desire to own 50 or 60 guitars.

We used to play in a theater club in London called The King's Head. When the theater let nut, around 10:00 P.M., we'd be ready to go and really get it on for about an hour or so.

I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.

I'm also getting an Ovation Legend, because I like them so much.

For me, songwriting is really where it's at. I turn to use the guitar just to help me write the songs. That's it. As a result, my guitar playing suffers pretty horribly.

I actually spend as much time listening to new music as to old. Probably more. I just try to get something out of it all.

I don't know that I read more than the average person. I don't think I do very much. I tend to read more when I'm on holiday. That's when I can go through books like you wouldn't believe. I read a bit of everything, but the novel has always been very important to me.

I don't know whether your heart ever necessarily changes, but time changes the way that you perceive the world. And you just hope it gives you more empathy and all those other things.

I like to buy records for people, make a present of the music.

I still enjoy playing some of those early Straits songs, and I'm proud of what we did, and certainly we had some great times. It's what we all wanted when we were kids. But you've got to have the resilience to ride that thing, to pick up that ball and run with it. Because you will keep picking it up and keep running.

If you feel that you're not getting enough out of a song, change the instrument - go from an acoustic to an electric or vice versa, or try an open tuning. Do something to shake it up.

Instead of receding, the past actually becomes more important. That's what will happen to you. It sounds unlikely, but the past actually changes complexion as you get older.

The 'music industry' is not a term I use. I tend to concentrate on music, and the music business is something different.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.

My big love was the Beatles. I was more into music.

When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

The value of music is to be able to play one note at the right time in the right way.