David Lynch and I almost made a movie together in the late '80s. We had lots of dinners and lunches. He's a very cool, hip guy. This film, let's face it, is like an homage to him, I would imagine he'd find it funny.

All these things that enter your head are assignments. You write them up and then throw them out there and if someone wants to do it, your assignment is done.

I have a kind of objective luxury about my career.

What I learned, a little too late, was that the 'traditional' Martin Short target viewer weighs under 300 pounds. Unfortunately, I was on during daytime.

Sometimes people get passionate about the obscure jokes.

People do think I'm Jewish. But we're Irish Catholic. My father had a brogue.

I've chosen to treat my life more like a party than something to stress about.

What's great about being a character actor is you know that you can survive forever. It's not about the gloss of your eyebrows.

I've never done an improvised movie as a fictitious character. I think that's the challenge.

My mother was the concert master of the symphony. Absurdity and eccentricity were not criticized.

Being the youngest of five, you're adored, you're fueled with confidence.

No one is any one thing.

One of my great influences was Don Knotts as Barney Fife.

You go through publicists because it's easy for a publicist to say to another publicist, "No".

I have sometimes imagined my own death and brought myself to tears.

I've done lots of improv things but not a whole movie.

I think I'm funny because my family, my siblings were funny.

I hate to lull the audience into letting them think that something is something. It's always fun to defy expectations.

David Lynch and I almost made a movie together in the late '80s. We had lots of dinners and lunches. He's a very cool, hip guy. This film, let's face it, is like an homage to him, I would imagine he'd find it funny.

Someone once asked me what was the weirdest question I was ever asked. And I was stymied.

I think loss can fuel how you lead your whole life.

I pretend I'm one of the royal family when I'm in a hotel and that the hotel belongs to me - it is a palace.

All you're trying to do in an improvisation is get as much material as possible for the editing room.

I know if I were to drop dead now, people would probably write nice things in the obit.

You try to figure out things to keep yourself interested. It's very easy to get lulled.

You go through publicists because it's easy for a publicist to say to another publicist, 'No'.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.

I have a movie coming out called Spun, which will be at the Toronto Film Fest.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

A good film script should be able to do completely without dialogue.

My advice to young film-makers is this: don't follow trends, start them!

The whole aspect of cinema and film festivals should be a moment to come together and celebrate art and humanity. It would be a shame if there was such a divide.

It's really rare for film directors to be that interested in things other than themselves.

When I said I was going to audition for a film, I got a hearty laugh from all my family.