I've never done an improvised movie as a fictitious character. I think that's the challenge.

All these things that enter your head are assignments. You write them up and then throw them out there and if someone wants to do it, your assignment is done.

I have a kind of objective luxury about my career.

What I learned, a little too late, was that the 'traditional' Martin Short target viewer weighs under 300 pounds. Unfortunately, I was on during daytime.

Sometimes people get passionate about the obscure jokes.

People do think I'm Jewish. But we're Irish Catholic. My father had a brogue.

I've chosen to treat my life more like a party than something to stress about.

What's great about being a character actor is you know that you can survive forever. It's not about the gloss of your eyebrows.

I've never done an improvised movie as a fictitious character. I think that's the challenge.

My mother was the concert master of the symphony. Absurdity and eccentricity were not criticized.

Being the youngest of five, you're adored, you're fueled with confidence.

No one is any one thing.

One of my great influences was Don Knotts as Barney Fife.

You go through publicists because it's easy for a publicist to say to another publicist, "No".

I have sometimes imagined my own death and brought myself to tears.

I've done lots of improv things but not a whole movie.

I think I'm funny because my family, my siblings were funny.

I hate to lull the audience into letting them think that something is something. It's always fun to defy expectations.

David Lynch and I almost made a movie together in the late '80s. We had lots of dinners and lunches. He's a very cool, hip guy. This film, let's face it, is like an homage to him, I would imagine he'd find it funny.

Someone once asked me what was the weirdest question I was ever asked. And I was stymied.

I think loss can fuel how you lead your whole life.

I pretend I'm one of the royal family when I'm in a hotel and that the hotel belongs to me - it is a palace.

All you're trying to do in an improvisation is get as much material as possible for the editing room.

I know if I were to drop dead now, people would probably write nice things in the obit.

You try to figure out things to keep yourself interested. It's very easy to get lulled.

You go through publicists because it's easy for a publicist to say to another publicist, 'No'.

Roosevelt's magic lay in one facet of his personality: He knew how to take the risk. No other man in public life I knew could so readily take the challenge of the new.

To do the Ozzfest again would be great. I'd like to finish with a final Sabbath album. You always feel that it is still a challenge.

People are not perfect... very often the relationships that are strongest are those where people have worked through big crises, but they've had to work through them. So the challenge to us is to work through that.

Every single book is a challenge.

Critics are sentinels in the grand army of letters, stationed at the corners of newspapers and reviews, to challenge every new author.

The lopsided attitudes of college professors pose a serious challenge to learning because students are so susceptible to becoming lopsided sheep.

I really enjoy comedy. It's a real challenge.

I had a hard time with that hockey. I hadn't grown up skating, so that was my biggest challenge. We worked on it and worked on it. But then when we first shot it, it was so hard for me.

The challenge is to practice politics as the art of making what appears to be impossible, possible.

Change can either challenge or threaten us. Your beliefs pave your way to success or block you.

My greatest challenge has been to change the mindset of people. Mindsets play strange tricks on us. We see things the way our minds have instructed our eyes to see.

I'd say that it's important for music to be there that gives you a challenge, that rearranges things in your head.

I like good stories. Quality products and character are what's important. Even if the script isn't that strong, if I challenge myself with a great character, I'll go for it.

I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to do. But I don't like those ideas to be things that are not subject to change, or subject to development, or subject to challenge.

I'm not looking to set a standard... but, I believe I have offered a challenge to others with my work.

If you live a life of make-believe, your life isn't worth anything until you do something that does challenge your reality. And to me, sailing the open ocean is a real challenge, because it's life or death.

And, I'd never done Tennessee Williams, and I had done Broadway musicals, so it was a challenge.

When you remove the risk, you remove the challenge. When you remove the challenge, you wither on the vine.

After Land I wanted to continue exploring the theme but I needed a new challenge so turned to colour. I explored Bradford and produced a series of urban landscapes that I liked, but because Land had made such an impact on the general public my colour work wasn't reviewed.

The worlds I paint leave a lot to engage the imagination by hinting at what lies beyond the four edges of the painting. I think getting beyond the four edges of an opportunity or challenge is one of the basic skills you need in business.

For me, it's a bigger challenge, it's much harder to do and much more rewarding to do well, then just to think up stuff of your own, hit or miss, because you've got to see to it that you don't torpedo any of his punch lines.

This same habitual blindness to spiritual, substantive dimensions of every significant challenge continues to handicap Hollywood.

Every artist has to grow, and has to challenge themselves with a new form of expression.