Oh yeah, I mean every fighter has got be dedicated, learn how to sacrifice, know what the devotion is all about, make sure you're paying attention and studying your art.

Even though the outcome wasn't the way it should have been, publicly I still feel in my heart I won the Sugar Ray Leonard fight.

Oh yeah, I mean every fighter has got be dedicated, learn how to sacrifice, know what the devotion is all about, make sure you're paying attention and studying your art.

You know, I think I had a great career; there's not much I think I'd do different other than get a title shot much earlier. I didn't get one till 49 or 50 fights into my career.

In some ways that fight gave me more respect around the world and helped me be even more popular because so many people felt my pain and saw that I was robbed.

Sitting here now today, I can forgive a lot of the English people because it only takes a hand full of bad people to do something stupid like that and it can make the whole country look bad.

The situation right after the fight wasn't too good; I believe I'm still the only champion in the world who never received the belt inside the ring once you've won the title. I held that against the English fans for a long time but I felt that also motivated me.

Well, you can't trust most people in this game, period; it can be a very shady business.

You know looking back on it now I used the fight and after the fight as motivation, to make sure I was going to be the best middleweight in the world for a long time.

There are a lot of things and in order to be at the top and maintain your focus you have to have something that motivates you. For me, it was what I perceived as a lack of respect from the boxing world as well as the media, which made me want to work so hard and be great.

People still look at me as the champion and that's very important to me.

For me, I believe George Foreman was a bad example because when he became world heavyweight champion again at 42, that made a lot of fighters think they could also carry on.

I know that when a fighter is out of the ring for more than two years, when he comes back he isn't the same anymore. Each fighter is different. But each must think, even if something goes wrong, 'I have to make this decision and live with it for the rest of my life.'

I like acting very much because I don't get punched, and it's not real.

I started out doing commercials, like Diet Coke and Pizza Hut. And I started to find there was a different life for me, in a different field. From there, I got a call from a director in Italy, and we did 'Indio' I and II, and that's where it started.

I tried my best to ensure I kept the respect for the middleweight division in the tradition of Sugar Ray Robinson and Jake La Motta.

Some fighters know when to stop on their own and go on to something else, and then some fighters have nothing to go back to after they are finished. Some fighters still have the burning fire and feel that they just need to try one more time. Few can do it.

Sugar Ray wouldn't give me a rematch, and that's the reason I walked away from boxing.

The likes of Sugar Ray Leonard, Roberto Duran, Tommy Hearns were true champions. There were some incredible fights between us, and I was happy to give them all an opportunity to fight me.

When you knock people out, it's sometimes a very scary situation - but I always hoped that no one got seriously hurt. Now when I see them get knocked out, I laugh. When you finish the game, it's funny. And when I look at film of myself, I think, 'I wouldn't fight that guy.'

Dont doubt me because thats when I get stronger.

Art teaches nothing, except the significance of life.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

One does not devote one's life in art to shock an audience.

The other great development has been in photography, but that too was influenced by Conceptual art.

My art became very public.

Riding a race bike is an art - a thing that you do because you feel something inside.

The idea is, if I can't heal from my art, then how can you heal?

But in the finished art of the song the use of words has no connection with the use of words in poetry.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I don't believe in art. I believe in artists.

Art cannot be modern. Art is primordially eternal.

Without art, the crudeness of reality would make the world unbearable.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

Where the spirit does not work with the hand, there is no art.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Art is an expression of who you are. Parts that I play are my sculptures.

There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

A man who exposes himself when he is intoxicated, has not the art of getting drunk.

What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

I was the executive editor on a little magazine called Greek Accent, whose only claim to fame is that its art director went on to be the art director of Discover for many years.

I always feel like the art's there and I just see it, so it's not really a lot of work.

I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.

And, moreover, it is art in its most general and comprehensive form that is here discussed, for the dialogue embraces everything connected with it, from its greatest object, the state, to its least, the embellishment of sensuous existence.

A blind man can make art if what is in his mind can be passed to another mind in some tangible form.