I do not sing nor play, but I adore music, particularly Chopin. I like him because I cannot understand him.

I am a genius. Then it amused me to keep saying so, but now it does not. I expected to be happy sometime. Now I know I shall never be.

When I wrote my book I wanted to love someone. I wanted to be in love. Now I know that I shall never be in love - and I no longer wish to be.

The world is like a little marsh filled with mint and white hawthorn.

Just why I sent it to the publishers would be hard to say, but when I had finished it I felt that it was literature, because it is real and because it was well written. And I know that the world wants such things.

I want to live quietly.

I would rather be a fairly happy wife and mother.

There is really no right and wrong. I recognize no right and wrong.

My intention to lecture is as vague as my intention is to go on the stage. I will never consider an offer to lecture, not because I despise the vocation, but because I have no desire to appear on the public rostrum.

The only joy I had was writing what was. That book was. It no longer amuses me to be all the things I was when I wrote that. But it is my story as I was then.

When I was three years old I was taken with my family to a little town in Western Minnesota, where I lived a more or less vapid and ordinary life until I was ten.

Let me but make a beginning, let me but strike the world in a vulnerable spot, and I can take it by storm.

I want to write such things as compel the admiring acclamation of the world at large, such things as are written but once in years, things subtle but distinctly different from the books written every day.

I was born to be alone, and I always shall be; but now I want to be.

I never give my real self. I have a hundred sides, and I turn first one way and then the other. I am playing a deep game. I have a number of strong cards up my sleeve. I have never been myself, excepting to two friends.

The book, you understand, was not written for publication. It was the portrayal of my emotions, the analysis of my own soul life during three months of my nineteenth year. I wrote then all the time, just as I do now, but, though the book is in diary form, it is not a diary.

Well, if I am not vulgar, neither is my book. I wrote myself. Suggestiveness is always vulgar. But truth never. My book is not even remotely suggestive. I call things by their names. That is all.

I read of the Kalamazoo girl who killed herself after reading the book. I am not at all surprised. She lived in Kalamazoo, for one thing, and then she read the book.

I have never read a line of Walt Whitman.

I do not see any beauty in self-restraint.

Genius of a kind has always been with me; an empty heart that has taken on a certain wooden quality; an excellent, strong woman's body and a pitiably starved soul.

You may think me crude, and probably I am crude, but I am not so crude as I was, for I am clever enough to see that the girl of nineteen who thought herself a genius was only an unusual girl writing her heart out.

Of poets I put Virgil first - he was greatest.

I've never made plans for more than a day ahead.

It is with pain that I read of the dire effects of my book upon the minds of young girls.

One must always say things that aim to interest, because in the world one must after all pay for one's keep.

I do not sing nor play, but I adore music, particularly Chopin. I like him because I cannot understand him.

I want fame more than I can tell. But more than I want fame I want happiness.

Fame is indeed beautiful and benign and gentle and satisfying, but happiness is something at once tender and brilliant beyond all things.

I love devils.

Fame is indeed beautiful and benign and gentle and satisfying but happiness is something at once tender and brilliant beyond all things.

When you use music to worship you are not attempting to entertain.

Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.

When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.

You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.

When rock came along the lyrics and melodies became less important and it bothered me to think that perhaps they might not regain the value they have to music - they are music.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

There is no music that can't be used politically, but the motives behind the creation of that music can be non-political.

The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.

If not for music, I would probably be a very frustrated scientist. It's one way to answer the question, 'What is the meaning of life?' I feel music answers it better.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

I was determined to carve out a music of my own. I didn't want to copy anybody.

I have tried to make the music a bit easier for them to understand.

What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.

That music and the lyrical aspects of Razorblade Romance is so personal to me that, now with me being grown up a bit and meeting new people and doing new things, it makes me look at the same things I was writing about back in the day through a different colored lens.

The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.