As regards my feelings about drummers - there's Buddy Rich, and then there's everybody else.

Because obviously the whole purpose of putting records out is purely and simply to make money.

I would be a liar if I said it wouldn't be lovely and soothing - that's the word - to have a hit single or a hit album.

I want to sing for the broadest possible audience.

Talking money is crass; so I'm not going to tell you what I made last year.

See, I never wrote arrangements for the band for Judy Garland; I did strictly special material, special lyrics, put together all of her medleys.

As regards my feelings about drummers - there's Buddy Rich, and then there's everybody else.

As a singer, the biggest joy I have are the arrangements.

I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage.

Right now, my career is in three directions: as a performer, as an arranger, as an author - and I don't give any one of them true precedent, or true top marks, as opposed to the other two.

As Buddy Rich, for instance, broke into the business at the age of three, I think it was, on drums, so indeed did I break into the business at the age of four as a singer.

How many radio shows I did is lost to memory now; it's in the hundreds - maybe even close to being in the thousands - for the span of years from the time I was eight till I was about fifteen.

My initial career, really, as a baby, was as a singer.

Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.

I got into radio when I was eight, and I was one of the busiest child dramatic actors in America.

Buddy Rich is one of a kind; he's a genius, and that's all there is to it.

I was a singer professionally when I was four years old, and I did not really begin to play any instrument - the first one, of course, was drums - till I was about nine years old.

I hadn't been a recording artist all that long when albums came on the scene, and I was one of the first singers to point the way to how varied an album's contents could be.

Whenever I did a good performance, my Dad and my uncles, who were rabid movie fans, took me to the movies. There began my underlying love affair with film.

But, in fairness to them, too, the popular song per se is really a pretty shallow medium to perform in.

There isn't a dearth of it, but I will confess that it's harder for me to find songs on which I'm willing to invest anything from ten to fifteen hours writing an arrangement than it was in times past.

It may sound a bit like an army barracks, but the truth of the matter is: there must be some time laid aside for arranging, time for working on either a book or an article - I've written two articles in the last four months for the New York Times book review section.

So I'm sorry, I'm going to continue to talk to the people, because I do believe that if they get to know you and what you are as a human being, they can more appreciate what you are as a performer.

To me, nostalgia is nothing more than a mindless plundering of the past for the common place.

You will never know the feeling of a driver when winning a race. The helmet hides feelings that cannot be understood.

There is no other who experiences your thoughts or your feelings.

I think one's feelings waste themselves in words; they ought all to be distilled into actions which bring results.

Kinsey would identify himself with Galileo in moments of feelings of persecution.

As a small child, I felt in my heart two contradictory feelings, the horror of life and the ecstasy of life.

As an alcoholic, you have no appreciation for your wife or your children's feelings, but I'm making up for that now. I'm winning my children's trust back.

A lot of the stuff that I do with Betty is in the eyes. A lot of the feelings that I evoke with her are unspoken, so that's been fun to play with.

Isn't it strange that its easier to be gentle with the feelings of people we care less about than those of our children, whom we love so much?

I love the line of Flaubert about observing things very intensely. I think our duty as writers begins not with our own feelings, but with the powers of observing.

A date once leaned in to kiss me, and he ended up kissing my cheek. He was a little offended, but I didn't want to kiss him just to not hurt his feelings.

Without feelings of respect, what is there to distinguish men from beasts?

A poem might be defined as thinking about feelings - about human feelings and frailties.

Whether he is an artist or not, the photographer is a joyous sensualist, for the simple reason that the eye traffics in feelings, not in thoughts.

We have listened here to the delegates who have recalled the terrible human suffering, and the great material destruction of the late war in the Pacific. It is with feelings of sorrow that we recall the part played in that catastrophic human experience by the old Japan.

In a novel, my feelings and sense of outrage can find a broader means of expression which would be more symbolic and applicable to many European countries.

Everything I do is blown out of proportion. It really hurts my feelings.

The story line was done in a way that's organic and was doled out very slowly in little bites. We think that's authentic for this character, that her feelings are very deeply buried or she never felt them.

I'd much rather be in a movie that people have really strong feelings about than one that makes a hundred million dollars but you can't remember because it's just like all the others.

The blues comes right back to a person's feelings, to his daily activities in life. But rich people don't know nothing about the blues, please believe me.

Being an artist is dragging your innermost feelings out, giving a piece of yourself, no matter in which art form, in which medium.

Get up from that piano. You hurtin' its feelings.

But while human liberty has engaged the attention of the enlightened, and enlisted the feelings of the generous of all civilized nations, may we not enquire if this liberty has been rightly understood?

You show your vulnerability through relationships, and those feelings are your soft spot. You need to have a soft spot.

Women have seldom sufficient employment to silence their feelings; a round of little cares, or vain pursuits frittering away all strength of mind and organs, they become naturally only objects of sense.

Mental states of every kind, - sensations, feelings, ideas, - which were at one time present in consciousness and then have disappeared from it, have not with their disappearance absolutely ceased to exist.