As a singer, the biggest joy I have are the arrangements.

Because obviously the whole purpose of putting records out is purely and simply to make money.

I would be a liar if I said it wouldn't be lovely and soothing - that's the word - to have a hit single or a hit album.

I want to sing for the broadest possible audience.

Talking money is crass; so I'm not going to tell you what I made last year.

See, I never wrote arrangements for the band for Judy Garland; I did strictly special material, special lyrics, put together all of her medleys.

As regards my feelings about drummers - there's Buddy Rich, and then there's everybody else.

As a singer, the biggest joy I have are the arrangements.

I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage.

Right now, my career is in three directions: as a performer, as an arranger, as an author - and I don't give any one of them true precedent, or true top marks, as opposed to the other two.

As Buddy Rich, for instance, broke into the business at the age of three, I think it was, on drums, so indeed did I break into the business at the age of four as a singer.

How many radio shows I did is lost to memory now; it's in the hundreds - maybe even close to being in the thousands - for the span of years from the time I was eight till I was about fifteen.

My initial career, really, as a baby, was as a singer.

Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.

I got into radio when I was eight, and I was one of the busiest child dramatic actors in America.

Buddy Rich is one of a kind; he's a genius, and that's all there is to it.

I was a singer professionally when I was four years old, and I did not really begin to play any instrument - the first one, of course, was drums - till I was about nine years old.

I hadn't been a recording artist all that long when albums came on the scene, and I was one of the first singers to point the way to how varied an album's contents could be.

Whenever I did a good performance, my Dad and my uncles, who were rabid movie fans, took me to the movies. There began my underlying love affair with film.

But, in fairness to them, too, the popular song per se is really a pretty shallow medium to perform in.

There isn't a dearth of it, but I will confess that it's harder for me to find songs on which I'm willing to invest anything from ten to fifteen hours writing an arrangement than it was in times past.

It may sound a bit like an army barracks, but the truth of the matter is: there must be some time laid aside for arranging, time for working on either a book or an article - I've written two articles in the last four months for the New York Times book review section.

So I'm sorry, I'm going to continue to talk to the people, because I do believe that if they get to know you and what you are as a human being, they can more appreciate what you are as a performer.

To me, nostalgia is nothing more than a mindless plundering of the past for the common place.

With an eye made quiet by the power of harmony, and the deep power of joy, we see into the life of things.

Sure, I get the blues. But what I try to do, is apply joy to the blues, you know? I don't know if it's a technique, or just being bent that way, being raised by the folks I was raised by.

Great joy, especially after a sudden change of circumstances, is apt to be silent, and dwells rather in the heart than on the tongue.

Color is my day-long obsession, joy and torment.

To the scientist there is the joy in pursuing truth which nearly counteracts the depressing revelations of truth.

A leaf fluttered in through the window this morning, as if supported by the rays of the sun, a bird settled on the fire escape, joy in the task of coffee, joy accompanied me as I walked.

In times of joy, all of us wished we possessed a tail we could wag.

I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.

The trouble with many men is that they have got just enough religion to make them miserable. If there is not joy in religion, you have got a leak in your religion.

As selfishness and complaint pervert the mind, so love with its joy clears and sharpens the vision.

This joy of discovery is real, and it is one of our rewards. So too is the approval of our work by our peers.

Let there be more joy and laughter in your living.

Love is the expression of one's values, the greatest reward you can earn for the moral qualities you have achieved in your character and person, the emotional price paid by one man for the joy he receives from the virtues of another.

And the goal really is to make the audience laugh, to bring them some joy.

Off with you! You're a happy fellow, for you'll give happiness and joy to many other people. There is nothing better or greater than that!

Who promised you that only for joy were you brought to this earth?

It's the sense of what family is at the dinner table. It was the joy of knowing mother was in the kitchen making our favorite dish. I wish more people would do this and recall the joy of life.

Irony is the gaiety of reflection and the joy of wisdom.

Health is the greatest possession. Contentment is the greatest treasure. Confidence is the greatest friend. Non-being is the greatest joy.

When I'm on stage, I'm trying to do one thing: bring people joy. Just like church does. People don't go to church to find trouble, they go there to lose it.

You all know that I have been sustained throughout my life by three saving graces - my family, my friends, and a faith in the power of resilience and hope. These graces have carried me through difficult times and they have brought more joy to the good times than I ever could have imagined.

The marvelous richness of human experience would lose something of rewarding joy if there were no limitations to overcome. The hilltop hour would not be half so wonderful if there were no dark valleys to traverse.

We never taste a perfect joy; our happiest successes are mixed with sadness.

There are a lot of other things in this world that can and will bring me joy. Acting is one of them.

Instead of asking 'How much damage will the work in question bring about?' why not ask 'How much good? How much joy?'