I would be a liar if I said it wouldn't be lovely and soothing - that's the word - to have a hit single or a hit album.

Because obviously the whole purpose of putting records out is purely and simply to make money.

I would be a liar if I said it wouldn't be lovely and soothing - that's the word - to have a hit single or a hit album.

I want to sing for the broadest possible audience.

Talking money is crass; so I'm not going to tell you what I made last year.

See, I never wrote arrangements for the band for Judy Garland; I did strictly special material, special lyrics, put together all of her medleys.

As regards my feelings about drummers - there's Buddy Rich, and then there's everybody else.

As a singer, the biggest joy I have are the arrangements.

I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage.

Right now, my career is in three directions: as a performer, as an arranger, as an author - and I don't give any one of them true precedent, or true top marks, as opposed to the other two.

As Buddy Rich, for instance, broke into the business at the age of three, I think it was, on drums, so indeed did I break into the business at the age of four as a singer.

How many radio shows I did is lost to memory now; it's in the hundreds - maybe even close to being in the thousands - for the span of years from the time I was eight till I was about fifteen.

My initial career, really, as a baby, was as a singer.

Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio.

I got into radio when I was eight, and I was one of the busiest child dramatic actors in America.

Buddy Rich is one of a kind; he's a genius, and that's all there is to it.

I was a singer professionally when I was four years old, and I did not really begin to play any instrument - the first one, of course, was drums - till I was about nine years old.

I hadn't been a recording artist all that long when albums came on the scene, and I was one of the first singers to point the way to how varied an album's contents could be.

Whenever I did a good performance, my Dad and my uncles, who were rabid movie fans, took me to the movies. There began my underlying love affair with film.

But, in fairness to them, too, the popular song per se is really a pretty shallow medium to perform in.

There isn't a dearth of it, but I will confess that it's harder for me to find songs on which I'm willing to invest anything from ten to fifteen hours writing an arrangement than it was in times past.

It may sound a bit like an army barracks, but the truth of the matter is: there must be some time laid aside for arranging, time for working on either a book or an article - I've written two articles in the last four months for the New York Times book review section.

So I'm sorry, I'm going to continue to talk to the people, because I do believe that if they get to know you and what you are as a human being, they can more appreciate what you are as a performer.

To me, nostalgia is nothing more than a mindless plundering of the past for the common place.

I never understood a word John Cassavetes said. And I think he did that deliberately.

In common use almost every word has many shades of meaning, and therefore needs to be interpreted by the context.

I don't know of many evangelicals who want to deny gay couples their legal rights. However, most of us don't want to call it marriage, because we think that word has religious connotations, and we're not ready to see it used in ways that offend us.

I want to promote poetry to the point where you got all the baldhead kids running around doing poetry, getting the music out of the way and having only words, the spoken word, and then see what happens.

It seems inevitable that the magic of the written word will fade.

The closer the look one takes at a word, the greater distance from which it looks back.

In a word, if any kind of slavery can be vindicated by the Holy Scriptures, we are already sure our making and holding the Negroes our slaves, as we do, cannot be vindicated by any thing we can find there, but is condemned by the whole of divine revelation.

It is a common temptation of Satan to make us give up the reading of the Word and prayer when our enjoyment is gone; as if it were of no use to read the Scriptures when we do not enjoy them, and as if it were no use to pray when we have no spirit of prayer.

I don't stare at a sheet of paper and try to think of a good word to use. I try to see where the story should go.

But the way people commonly use the word nowadays it means something all of whose parts are mutually interdependent - not only for their mutual action, but for their meaning and for their existence.

And that's how I start myself. I usually go back a couple of pages, maybe to the beginning of the chapter, and I start reading. And as I'm reading, I'm tweaking - putting in a different word, changing the syntax, putting that clause over there, you know that sort of thing.

A palindrome is a word or pattern that instead of developing in different directions it folds in on itself so that the beginning and end mirror each other, that they are the same.

These things don't just come, arrive and settle like a bird picking up a few bits of crumbs. They develop. I think the best word for these things is develop. They develop because of the human beings who just happen to be there at the time.

The word 'romance,' according to the dictionary, means excitement, adventure, and something extremely real. Romance should last a lifetime.

The art which we may call generally art of the wayside, as opposed to that which is the business of men's lives, is, in the best sense of the word, Grotesque.

Obedience to the word in humility of mind never confuses.

In God's world, for those who are in earnest, there is no failure. No work truly done, no word earnestly spoken, no sacrifice freely made, was ever made in vain.

I am not a prophet in any sense of the word, and I entertain an active and intense dislike of the foregoing mixture of optimism, fatalism, and conservatism.

If I were assigned poems I suppose I'd write more of them but it is entirely voluntary and for the most part ignored in the market sense of the word so the language to me is most intimate, most important, most sublime and most satisfying when it gets done.

Often we can help each other most by leaving each other alone; at other times we need the hand-grasp and the word of cheer.

A man can no more diminish God's glory by refusing to worship Him than a lunatic can put out the sun by scribbling the word, 'darkness' on the walls of his cell.

Sometimes songwriters and singers forget that. They get a melody in their head and the notes will take precedence, so that they wind up forcing a word onto a melody. It doesn't ring true.

The English people, a lot of them, would not be able to understand a word of spoken Shakespeare. There are people who do and I'm not denying they exist. But it's a far more philistine country than people think.

Any political party that includes the word 'democratic' in its name, isn't.

A characteristic of older folksongs, in most cases, is that we don't know their composers or authors. Older folksongs were written often with no commercial purpose in mind. They were passed down by word of mouth, from generation to generation.