I didn't think of myself as a lead player, especially when we did live shows, because me and Keith used to switch around all the time. He'd take a lead, I'd play rhythm. Sometimes even within one song. It wasn't strict and regimented.

I've never stopped learning.

The Stones are a different kind of group. I realized that when I joined them. It's not really so much their musical ability, it's just they have a certain kind of style and attitude which is unique.

I do to keep things sounding fresh. Sometimes just changing the running order of the show is a good idea.

I was very influenced by Eric Clapton and Jimi Hendrix, both of whom I had the pleasure of playing with and becoming friends with.

I've written lots of songs on the piano. My mother had a piano and it was the first instrument I played.

I never advise anyone to sacrifice something else because of music, but then I don't see why they would have to anyway.

What I've always lacked is a really strong band to back me up.

I had to learn chord shapes. I bought books with chord charts. I used to listen to all kinds of pop music.

I'm sure if we had made an album that was more traditional would have been released immediately. When we actually play this music on stage and people become familiar with it, it will become more popular.

I do remember actually learning chords to Beatles songs. I thought they were great songwriters.

It's frustrating actually, the time involved in getting something released these days. My new CD has actually been finished for a year. It's only now that it's being released.

I have a really good band, and just returned from a short tour in California. It hasn't always gone that well.

I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.

I didn't think of myself as a lead player, especially when we did live shows, because me and Keith used to switch around all the time. He'd take a lead, I'd play rhythm. Sometimes even within one song. It wasn't strict and regimented.

I certainly want to get back to the U.S. to play. It's such a big country. I've always liked playing there, and enjoyed living there. I lived in New York, LA, and Florida.

The Stones don't really need to do it for money, so they must get some kind of pleasure out of it. They're not like a group that's disbanded and gone away and made a comeback. They've always been there.

It's nice to finally have a CD out which reflects my songwriting, my singing and the band that I have.

I play the piano a lot at home. I write songs on the piano and guitar. I would like to actually play piano on stage. I don't think I'll get the chance for a while.

It's sometimes impossible to fit in all the music we want to fit in, in an hour and 45 minute show.

Altamont... I remember all of that. That was an awful day.

Blues music is becoming more and more popular than it ever was. I'm always meeting people on the road that are really young, and are guitar players. male and female.

I don't know why, but I never felt I was gonna stay with the Stones forever, even right from the beginning.

If it wasn't for Mick, the group would've fallen apart a long time ago.

If you've been playing for a few years, especially in a group context, you'll see if you have the ability or the passion to want to carry on. It's something that you have to be dedicated to and you've got to love, no matter what happens.

Maybe if I go far enough back into my ancestry, I have African roots or something. I've got no idea.

The Beatles and The Stones were basically inspired by American Rhythm and Blues.

These days there's so much technology and ways you can learn. There are videos and CD roms.

It's not rubbish to say that I was a bit peeved about not getting credit for a couple of songs, but that wasn't the whole reason. I guess I just felt like I had enough. I decided to leave and start a group with Jack Bruce.

The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed.

The most important thing is to follow your instinct and get involved with some friends who have similar tastes and aspirations and like music as much as you do.

We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

If Davis Cup was a little bit less or once every two years, I would be more inclined to play. But the way it is now, it is too much tennis for me.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

If you watch a game, it's fun. If you play it, it's recreation. If you work at it, it's golf.

You have to like the characters you play.

Good directors say, Here's where the play is. They stand by the heart of the matter. Some of them stand beside it.

The value of music is to be able to play one note at the right time in the right way.

So our ears got used to listening to jazz in the place that it was that the bass player could not play. No one really realized it and really addressed it until the bass players who could play their instrument came along and started doing something with it.

Well, I play Jews and parrots. Parrots are how I've branched out.