The Stones don't really need to do it for money, so they must get some kind of pleasure out of it. They're not like a group that's disbanded and gone away and made a comeback. They've always been there.

I've never stopped learning.

The Stones are a different kind of group. I realized that when I joined them. It's not really so much their musical ability, it's just they have a certain kind of style and attitude which is unique.

I do to keep things sounding fresh. Sometimes just changing the running order of the show is a good idea.

I was very influenced by Eric Clapton and Jimi Hendrix, both of whom I had the pleasure of playing with and becoming friends with.

I've written lots of songs on the piano. My mother had a piano and it was the first instrument I played.

I never advise anyone to sacrifice something else because of music, but then I don't see why they would have to anyway.

What I've always lacked is a really strong band to back me up.

I had to learn chord shapes. I bought books with chord charts. I used to listen to all kinds of pop music.

I'm sure if we had made an album that was more traditional would have been released immediately. When we actually play this music on stage and people become familiar with it, it will become more popular.

I do remember actually learning chords to Beatles songs. I thought they were great songwriters.

It's frustrating actually, the time involved in getting something released these days. My new CD has actually been finished for a year. It's only now that it's being released.

I have a really good band, and just returned from a short tour in California. It hasn't always gone that well.

I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.

I didn't think of myself as a lead player, especially when we did live shows, because me and Keith used to switch around all the time. He'd take a lead, I'd play rhythm. Sometimes even within one song. It wasn't strict and regimented.

I certainly want to get back to the U.S. to play. It's such a big country. I've always liked playing there, and enjoyed living there. I lived in New York, LA, and Florida.

The Stones don't really need to do it for money, so they must get some kind of pleasure out of it. They're not like a group that's disbanded and gone away and made a comeback. They've always been there.

It's nice to finally have a CD out which reflects my songwriting, my singing and the band that I have.

I play the piano a lot at home. I write songs on the piano and guitar. I would like to actually play piano on stage. I don't think I'll get the chance for a while.

It's sometimes impossible to fit in all the music we want to fit in, in an hour and 45 minute show.

Altamont... I remember all of that. That was an awful day.

Blues music is becoming more and more popular than it ever was. I'm always meeting people on the road that are really young, and are guitar players. male and female.

I don't know why, but I never felt I was gonna stay with the Stones forever, even right from the beginning.

If it wasn't for Mick, the group would've fallen apart a long time ago.

If you've been playing for a few years, especially in a group context, you'll see if you have the ability or the passion to want to carry on. It's something that you have to be dedicated to and you've got to love, no matter what happens.

Maybe if I go far enough back into my ancestry, I have African roots or something. I've got no idea.

The Beatles and The Stones were basically inspired by American Rhythm and Blues.

These days there's so much technology and ways you can learn. There are videos and CD roms.

It's not rubbish to say that I was a bit peeved about not getting credit for a couple of songs, but that wasn't the whole reason. I guess I just felt like I had enough. I decided to leave and start a group with Jack Bruce.

The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed.

The most important thing is to follow your instinct and get involved with some friends who have similar tastes and aspirations and like music as much as you do.

I also do not like the idea of soft money, these issue ads - people don't know where the money is coming from, millions and millions of dollars outside of the control of a candidate - there's no accountability.

Stories come from other shows at other studios where only 2,000 rounds were actually used and the money for the other 3,000 went right into the studio pockets. Corners were cut and that production suffered. Knock wood, that hasn't happened to us.

Never play anything that don't sound right. You might not make any money, but at least you won't get hostile with yourself.

Don't make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living, that shouldn't be your inspiration. Do it for yourself.

When I sent those scripts, that was the lowest point of my life. We'd just had our second son, and when I went to collect them from hospital, I went to the bank to try and get some money to buy some diapers, the screen showed I've got $26 left.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I would rather take the role and work and make my own money and self respect than to have sex with someone who has a lot of money.

People may take a job for more money, but they often leave it for more recognition.

I make no claim to being a business genius. You can make so much money in this business that it loses its value.

It costs a great deal of money to do a musical, and the more money involved, the more big business influences the artform.

The world over, give a guy money and it goes to drinking, gambling, and women. When you give a woman money, it goes to feeding, clothing, helping people.

Your team has to understand that coming into the ABA, you have to have your investments right and sponsorships and people ready to give you money so they can back you up.

I wanted to be an actress. In college I was a serious feminist and very political. I was determined to get one thing out of my career and that was respect. I didn't want money. I didn't care about fame.

A drunkard would not give money to sober people. He said they would only eat it, and buy clothes and send their children to school with it.

If you're a producer, you always spend too much money because you want that shot - and you're willing to spend a bundle to get it.

We are demonstrating for services for all the people and not just services for money. It's very important that this message goes to the European Parliament today.

I write plays not to make money, but to stop myself from going mad. Because it's my way of making the world rational to me.

It's important not to limit the amount of their own money that candidates can spend, but to give other people access to enough money to run competitive races.