It's nice to finally have a CD out which reflects my songwriting, my singing and the band that I have.

I've never stopped learning.

The Stones are a different kind of group. I realized that when I joined them. It's not really so much their musical ability, it's just they have a certain kind of style and attitude which is unique.

I do to keep things sounding fresh. Sometimes just changing the running order of the show is a good idea.

I was very influenced by Eric Clapton and Jimi Hendrix, both of whom I had the pleasure of playing with and becoming friends with.

I've written lots of songs on the piano. My mother had a piano and it was the first instrument I played.

I never advise anyone to sacrifice something else because of music, but then I don't see why they would have to anyway.

What I've always lacked is a really strong band to back me up.

I had to learn chord shapes. I bought books with chord charts. I used to listen to all kinds of pop music.

I'm sure if we had made an album that was more traditional would have been released immediately. When we actually play this music on stage and people become familiar with it, it will become more popular.

I do remember actually learning chords to Beatles songs. I thought they were great songwriters.

It's frustrating actually, the time involved in getting something released these days. My new CD has actually been finished for a year. It's only now that it's being released.

I have a really good band, and just returned from a short tour in California. It hasn't always gone that well.

I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.

I didn't think of myself as a lead player, especially when we did live shows, because me and Keith used to switch around all the time. He'd take a lead, I'd play rhythm. Sometimes even within one song. It wasn't strict and regimented.

I certainly want to get back to the U.S. to play. It's such a big country. I've always liked playing there, and enjoyed living there. I lived in New York, LA, and Florida.

The Stones don't really need to do it for money, so they must get some kind of pleasure out of it. They're not like a group that's disbanded and gone away and made a comeback. They've always been there.

It's nice to finally have a CD out which reflects my songwriting, my singing and the band that I have.

I play the piano a lot at home. I write songs on the piano and guitar. I would like to actually play piano on stage. I don't think I'll get the chance for a while.

It's sometimes impossible to fit in all the music we want to fit in, in an hour and 45 minute show.

Altamont... I remember all of that. That was an awful day.

Blues music is becoming more and more popular than it ever was. I'm always meeting people on the road that are really young, and are guitar players. male and female.

I don't know why, but I never felt I was gonna stay with the Stones forever, even right from the beginning.

If it wasn't for Mick, the group would've fallen apart a long time ago.

If you've been playing for a few years, especially in a group context, you'll see if you have the ability or the passion to want to carry on. It's something that you have to be dedicated to and you've got to love, no matter what happens.

Maybe if I go far enough back into my ancestry, I have African roots or something. I've got no idea.

The Beatles and The Stones were basically inspired by American Rhythm and Blues.

These days there's so much technology and ways you can learn. There are videos and CD roms.

It's not rubbish to say that I was a bit peeved about not getting credit for a couple of songs, but that wasn't the whole reason. I guess I just felt like I had enough. I decided to leave and start a group with Jack Bruce.

The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed.

The most important thing is to follow your instinct and get involved with some friends who have similar tastes and aspirations and like music as much as you do.

When Frank the Pug is singing I Will Survive, the only reason it's funny is that Will is in that shot trying not to get angry. A shot of a dog singing I Will Survive on its own will not get a laugh.

My singing is my hobby. It's me and my brother. We just enjoy writing music.

You're gonna have to learn to get out there in front of those cameras and hold your head up. Take charge when you're singing.

I remember him watching me through the crack of a door singing with a hairbrush. I was in front of his mirror. I think he wanted me to sing. He would get me on the table and make me sing sometimes or play the piano. He was very encouraging on that front.

But enough joking. I am singing. This is all my life.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

It was he who impressed, time and again, the necessity of singing as nature intended, and - I remember - he constantly warned, don't let the public know that you work. So I went slowly. I never forced the voice.

In so many interviews, they bring up the sexual aspect of the record. I've had some journalists say it sounds like I'm lying down in bed singing with a microphone. It gets so old!

I love songwriting. It's second to my love for singing in how I express myself.

I hated singing. I wanted to be an actress. But I don't think I'd have made it any other way.

A lot of people are singing about how screwed up the world is, and I don't think that everybody wants to hear about that all the time.

My father started me singing in church.

I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.

I looked in the audience. There were no strangers. Everybody was singing and cheering and hugging. That was a beautiful picture to look at.

I have always been intrigued with singing and I actually started my career in musical comedies.

I studied German at school. I lived in Berlin for two years and had a German girlfriend for five years, so I don't find speaking German particularly difficult. Singing was slightly more difficult.

When I started really singing I was 17, 18 years old. I used to go around trying to be a singer in the Bronx. My knees would shake but I learned by doing.