Our strategy in dealing with patents in Mono is the same strategy that any other software developer would take. In the event of a patent claim, we will try to find prior art to the claim of the patent.

When it comes to .NET they've done a really outstanding job.

In the GNOME project we tried to keep the platform language independent.

So if we're going to build new applications that require a large time investment, like say movie editing - today that doesn't matter for the enterprise desktop, but eventually it will when we get closer to consumers - you really need to have a cross-platform story.

I was interested in Java the beginning, but the problem with Java is you do have to switch your platform.

We've been using C and C++ way too much - they're nice, but they're very close to the machine and what we wanted was to empower regular users to build applications for Linux.

We all love Linux, but it's also a fact that some people might not be able to migrate.

It's strategic for us - lots of people will develop applications in .NET.

After releasing Mono 1.0, we started work on a new edition of Mono that will be released later in the year.

I think that by October the whole company has to migrate to OpenOffice, and then I think it's by June next year we all migrate to Linux - you don't want to migrate 6,000 people both operating system and office suite in a single jump.

They have a beautiful security system and we're emulating the whole security infrastructure.

I've never worked with the Java community.

Our strategy in dealing with patents in Mono is the same strategy that any other software developer would take. In the event of a patent claim, we will try to find prior art to the claim of the patent.

We have a lot of existing customers which are also considering Linux desktop migrations and rolling out some of these programs, so we're learning from them.

Not to go too far, but Microsoft is probably used by most people out there.

In some cases we've been building tools that are specific to Linux for the desktop, and they only work on Linux, but I see two major projects that are wildly, wildly successful: Mozilla and OpenOffice, and those two programs are cross platform.

Some scientists use TeX or LatEX but for most people Word is the thing that writers use these days.

Every piece of software written today is likely going to infringe on someone else's patent.

We cannot choose one desktop over the other - Gnome or KDE - because there's users for both code bases.

Running the test suite like this allows us to catch problems when they are just introduced.

In addition to that, Mono has produced a very large set of extra libraries.

With .NET once an API is published it's available to all programming languages at the same time.

The software patent problem is not limited to Mono. Software patents affect everyone writing software today.

Well Microsoft really does develop some really interesting technology.

All of our code is open source, so it can be used for other projects.

Art teaches nothing, except the significance of life.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

One does not devote one's life in art to shock an audience.

The other great development has been in photography, but that too was influenced by Conceptual art.

My art became very public.

Riding a race bike is an art - a thing that you do because you feel something inside.

The idea is, if I can't heal from my art, then how can you heal?

But in the finished art of the song the use of words has no connection with the use of words in poetry.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I don't believe in art. I believe in artists.

Art cannot be modern. Art is primordially eternal.

Without art, the crudeness of reality would make the world unbearable.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

Where the spirit does not work with the hand, there is no art.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Art is an expression of who you are. Parts that I play are my sculptures.

There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

A man who exposes himself when he is intoxicated, has not the art of getting drunk.

What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

I was the executive editor on a little magazine called Greek Accent, whose only claim to fame is that its art director went on to be the art director of Discover for many years.