They tell me I produced songs. I just stood in the back, wore a good suit and said, Yeah, that's happening.

When punk rock came along, the one thing you were not supposed to be was musical.

The number of contemporary artists who appeal to me is infinitesimal.

In the '70s, you had to come up with an album every year whether you were ready or not.

If a hit came along, I wouldn't be unhappy about that. But I'm a bit too old for that now-doing videos and all those types of TV shows. I've kind of done all that, in the '70s.

If anyone comes along, I'm more than happy to welcome them, but I'm not interested in world domination.

I like being a big fish in a small pond. I'm not interested in a huge audience because it brings headaches.

Be a military flier or be in a band; those were the two hippest things I could imagine.

As long as my body holds out, I'll be grooving when I'm 70, and not some sort of horrible spectacle.

All those years we'd spent learning these chops, and all those gigs in Germany where you'd play all night, and along comes punk. It has nothing to do with that. A lot of people went out of business.

I suppose I was waiting until I was old enough to have some sort of experience to sing about. When you're young, it's hard to sing the blues. Nobody believes you.

These days, rock 'n' roll is much more about rock than about roll. I don't do rock. But I'm interested in that roll part, because that's the funny little bit that makes it hip.

Elvis Costello had a brand new bag. He was a musician, but he knew all about the attitude part of it.

They tell me I produced songs. I just stood in the back, wore a good suit and said, Yeah, that's happening.

The world is full of musicians who can play great, and you wouldn't cross the road to see them. It's people who have this indefinable attitude that are the good ones.

I'm playing to the sort of people who like the same records.

You've got to really know your song, inside and out.

I work very hard on getting the songs as direct and examined as I can before I go in the studio.

Going to Nashville to meet the in-laws was the first time when I'd been in America and not been seen as some sort of eccentric character with a cute accent.

When somebody like Elvis Costello comes along, anybody can make a good record with him.

I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

The things in my songs are the edited highlights of my life. I don't go seeking out strange sexual experiences every day of the week.

The way you look for songs, you find yourself looking for little signals and clues about life and how things are.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

Again, I say I will be glad to tell what songs I have ever sung, because singing is my business.

My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.

I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.

When I heard his first songs, Dylan was answering certain questions that I had all my life been asking myself.

The bands that wrote the big, heroic rock songs - I really wanted to make a record like that.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.

All my songs are where I am.

That's what I like to do, I like to make songs.

We would turn everything into songs in those days.

Sometimes, but the year I lived in France I started to write songs.

Writing songs has a therapeutic effect, and it either kills off love or wins the heart of the lover.

I had deeper, more reflective songs on the first album.

I don't think you need a record deal to write songs. You don't need any other reason than you want to do it. It's a far cry from why some people do music today. They make it to order, which is pretty horrible.

The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.

I didn't want my last chapter to be the guy who sits at the piano and sings love songs.

We had been working. We had a bunch of songs written and it came time to make the record, so we had our lawyer make the call to Elektra and ask for our advance. Then, we got dropped. It was actually exciting.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.

If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief.

I remembered their songs but I had never owned a Beatles album.

I was growing up listening to Queen. Freddie Mercury threw those incredible melodies into his songs.

It can get a little costly if you try and leave it until then to write songs. But you're writing all the time. You're collecting songs. I've had songs that have been collected over a two-year period for my next record.

I must be careful not to get trapped in the past. That's why I tend to forget my songs.