You've got to really know your song, inside and out.

When punk rock came along, the one thing you were not supposed to be was musical.

The number of contemporary artists who appeal to me is infinitesimal.

In the '70s, you had to come up with an album every year whether you were ready or not.

If a hit came along, I wouldn't be unhappy about that. But I'm a bit too old for that now-doing videos and all those types of TV shows. I've kind of done all that, in the '70s.

If anyone comes along, I'm more than happy to welcome them, but I'm not interested in world domination.

I like being a big fish in a small pond. I'm not interested in a huge audience because it brings headaches.

Be a military flier or be in a band; those were the two hippest things I could imagine.

As long as my body holds out, I'll be grooving when I'm 70, and not some sort of horrible spectacle.

All those years we'd spent learning these chops, and all those gigs in Germany where you'd play all night, and along comes punk. It has nothing to do with that. A lot of people went out of business.

I suppose I was waiting until I was old enough to have some sort of experience to sing about. When you're young, it's hard to sing the blues. Nobody believes you.

These days, rock 'n' roll is much more about rock than about roll. I don't do rock. But I'm interested in that roll part, because that's the funny little bit that makes it hip.

Elvis Costello had a brand new bag. He was a musician, but he knew all about the attitude part of it.

They tell me I produced songs. I just stood in the back, wore a good suit and said, Yeah, that's happening.

The world is full of musicians who can play great, and you wouldn't cross the road to see them. It's people who have this indefinable attitude that are the good ones.

I'm playing to the sort of people who like the same records.

You've got to really know your song, inside and out.

I work very hard on getting the songs as direct and examined as I can before I go in the studio.

Going to Nashville to meet the in-laws was the first time when I'd been in America and not been seen as some sort of eccentric character with a cute accent.

When somebody like Elvis Costello comes along, anybody can make a good record with him.

I just wrote one song at a time. Kinda like an alcoholic. One day at a time.

Then, in that hour of deliverance, my heart spoke. Does not such a country, and such defenders of their country, deserve a song?

If you give it good concentration, good energy, good heart and good performance, the song will play you.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

I guess a good song is a good song is a good song, ya know.

In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.

I don't ask for the meaning of the song of a bird or the rising of the sun on a misty morning. There they are, and they are beautiful.

The band set up in January and just started rehearsing. If there was a song, we'd just rehearse it as a band, and it would get arranged as a band, and it got changed around a lot.

Peace Train is a song I wrote, the message of which continues to breeze thunderously through the hearts of millions of human beings.

I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.

I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.

I have eighteen titles in the German language. I had a number one song in 1965.

Listen kid, take my advice, never hate a song that has sold half a million copies.

There's a lot of rage... you have to express it somehow. If I didn't express it in song, I'd become incredibly violent.

I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.

It's like, it's up to the people to fall in love with the song. The record company can only do so much.

People assume that the meaning of a song is vested in the lyrics. To me, that has never been the case. There are very few songs that I can think of where I remember the words.

I guess you could write a good song if your heart hadn't been broken, but I don't know of anyone whose heart hasn't been broken.

A song has to become as much a part of you as a tailored suit.

A so-called happy marriage corresponds to love as a correct poem to an improvised song.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

In an age of incompetence, I've been able to last in this crazy business. I actually know how to play my ax and write a song. That's my job.

The only thing that's a little tricky about it is sometimes people assume that if it's a new song, it's a reflection of what you're feeling or going through now.

When I write a song, it's all about the riff - the riff first, then the words come later.

There's not one Tin Pan Alley song on my record.

Song Sung Blue took a lot of compressing and refining, and it has one of my favorite lyrics.

The Siren waits thee, singing song for song.

Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.

People get passionate about a song. It's been my experience if you put out radio candy, something commercial, it doesn't sell records.