Ella can work nightclubs that Duke might not be able to work, because of having the big band. Where they go now is strictly a matter of their own names and talents.

I don't know who's 18 years old today that, 20 years hence, is going to be a jazz fan.

I made it easier for many artists to play in certain areas.

My function at Verve was that of a genuine producer in artists and repertoire.

I allowed artists to play for as long as they felt they could justifiably continue to create.

The public, hearing pop music, is, without knowing it, also soaking up jazz.

I'm talking as a professional impresario. I'm not judging anybody at all.

Ella can work nightclubs that Duke might not be able to work, because of having the big band. Where they go now is strictly a matter of their own names and talents.

When I was doing jazz concerts in America, I would use the biggest names I could find.

Sponsors and networks will really go all out and simply evaluate people on the basis of talent.

Ellington is a writer and arranger, as well as a musician and leader. He does movie sound tracks.

Jazz was uplifted by what I did.

The history of all big jazz bands shows was, first they played for dancing, and then they played for singing.

I find myself more at peace when I live in Europe.

My juices needed restoring. I needed a sabbatical from the record business.

I don't want to sound as if I'm doing something tremendously special. But I am a jazz fan.

I still continue to do at least four concert tours a year, and in many cases, as many as six.

To play today in London, next week in Madrid and the week after that in Warsaw is a bit better than playing Newark and Baltimore and Philadelphia. I've been doing that for 20 years.

There are very few groups that really stay together. The leaders of groups make enough money to be able to afford to work a maximum of 35-40 weeks a year.

I'm concerned with trend. I don't know where jazz fans will come from 20 years from now.

The record companies are interested in the kind of sales they can get from the rock groups.

Germany is probably the richest country in Western Europe. Yet they wouldn't take any television with Duke and Ella, their reaction being that people weren't interested in it.

I don't think I will ever do any tours again in the United States. I rather think that that's over with.

I don't say that the supposed Civil Rights development is a myth, but it's a matter of dealing with reality. It's purely peripheral and, in many cases, it's just a facade.

The economic picture in the States today doesn't allow for jazz concerts in a tour fashion. People now are too used to the Festival, which gives them more names for the same price.

As long as we're in a democracy, I have to give what I think the majority of people will enjoy.

I don't think that jazz, as any kind of an art form, has any permanence attached to it, apart from the practitioners of it.

You will always find a few people in any area that would like things done completely their way.

In 1958, I decided that I was going to live in Europe permanently. So in 1959 I moved to Lugano, Switzerland.

If you look at my audiences, even in Europe, they're hardly teenagers.

For years, Jazz At The Philharmonic albums were the only ones of their kind.

If I were to put on Barbra Streisand and Duke Ellington, one might say the combination isn't good.

There are many artists that I present that I admit I like less than I do others. But I think that they warrant being presented by my own, personal standards.

Amsterdam must have more than a million people. But the only area where jazz is really profitable and successful in an economic sense is in Japan. That's because they haven't been exposed enough.

And so with all things: names were vital and important.

I am financing the recording myself. So I have no big names to drop.

Jewish villages were built in the place of Arab villages. You do not even know the names of these Arab villages, and I do not blame you because geography books no longer exist.

I believe that a long step toward public morality will have been taken when sins are called by their right names.

I always have trouble remembering three things: faces, names, and - I can't remember what the third thing is.

In English we must use adjectives to distinguish the different kinds of love for which the ancients had distinct names.

Names and theoretical things don't occur to me. If they do, I'm not doing my real playing mode.

I'll name names, you know I won't hold back.

I decided that I would be one of the biggest new names; and I actually had some little fancy business cards printed up to announce it, 'Count Basie. Beware, the Count is Here.'

The only thing that would change would be the year, the names. It just got to be a repetitious life.

They certainly give very strange names to diseases.

The names are bigger, the show is worldwide, but I get a royal pass into life in the broadcasting business.

The most superficial student of Roman history must be struck by the extraordinary degree in which the fortunes of the republic were affected by the presence of foreigners, under different names, on her soil.

I started off at the high level, in the slick magazines, but they didn't use my name, they used house names. Anyway, then I went downhill to the pulps, then downhill further to the comics.

We had the boy's name picked out, but we didn't have a girl's. When he turned out to be a boy, we were so relieved. Literally, in the middle of contracting and pushing, and with my wife being drugged - out and half - lucid, we were still coming up with names.