In 1958, I decided that I was going to live in Europe permanently. So in 1959 I moved to Lugano, Switzerland.

I don't know who's 18 years old today that, 20 years hence, is going to be a jazz fan.

I made it easier for many artists to play in certain areas.

My function at Verve was that of a genuine producer in artists and repertoire.

I allowed artists to play for as long as they felt they could justifiably continue to create.

The public, hearing pop music, is, without knowing it, also soaking up jazz.

I'm talking as a professional impresario. I'm not judging anybody at all.

Ella can work nightclubs that Duke might not be able to work, because of having the big band. Where they go now is strictly a matter of their own names and talents.

When I was doing jazz concerts in America, I would use the biggest names I could find.

Sponsors and networks will really go all out and simply evaluate people on the basis of talent.

Ellington is a writer and arranger, as well as a musician and leader. He does movie sound tracks.

Jazz was uplifted by what I did.

The history of all big jazz bands shows was, first they played for dancing, and then they played for singing.

I find myself more at peace when I live in Europe.

My juices needed restoring. I needed a sabbatical from the record business.

I don't want to sound as if I'm doing something tremendously special. But I am a jazz fan.

I still continue to do at least four concert tours a year, and in many cases, as many as six.

To play today in London, next week in Madrid and the week after that in Warsaw is a bit better than playing Newark and Baltimore and Philadelphia. I've been doing that for 20 years.

There are very few groups that really stay together. The leaders of groups make enough money to be able to afford to work a maximum of 35-40 weeks a year.

I'm concerned with trend. I don't know where jazz fans will come from 20 years from now.

The record companies are interested in the kind of sales they can get from the rock groups.

Germany is probably the richest country in Western Europe. Yet they wouldn't take any television with Duke and Ella, their reaction being that people weren't interested in it.

I don't think I will ever do any tours again in the United States. I rather think that that's over with.

I don't say that the supposed Civil Rights development is a myth, but it's a matter of dealing with reality. It's purely peripheral and, in many cases, it's just a facade.

The economic picture in the States today doesn't allow for jazz concerts in a tour fashion. People now are too used to the Festival, which gives them more names for the same price.

As long as we're in a democracy, I have to give what I think the majority of people will enjoy.

I don't think that jazz, as any kind of an art form, has any permanence attached to it, apart from the practitioners of it.

You will always find a few people in any area that would like things done completely their way.

In 1958, I decided that I was going to live in Europe permanently. So in 1959 I moved to Lugano, Switzerland.

If you look at my audiences, even in Europe, they're hardly teenagers.

For years, Jazz At The Philharmonic albums were the only ones of their kind.

If I were to put on Barbra Streisand and Duke Ellington, one might say the combination isn't good.

There are many artists that I present that I admit I like less than I do others. But I think that they warrant being presented by my own, personal standards.

Amsterdam must have more than a million people. But the only area where jazz is really profitable and successful in an economic sense is in Japan. That's because they haven't been exposed enough.

But the age of chivalry is gone. That of sophisters, economists, and calculators has succeeded; and the glory of Europe is extinguished forever.

If we wait for the U.S. to do something, we will be waiting for a very long time. It's Europe, it's Australia, it's the other developed and middle developing countries that have got to do the job.

Since I'm allergic to various things, the army wouldn't accept me during the war, and I got into the Office of War Information, which sent music to Europe.

I had a bonding problem when I went off and boxed for five years. I was over in Europe and Asia fighting because I wanted to do something different; I was tired of acting. But the thing is, when I was done doing that, I couldn't get a job.

Actually I'd had a certain amount of experience in Europe in the inter-war period, as a banker, and I was also a member of the Board of Directors of the International Chamber of Commerce.

Long after this wonderful event in the Earth's history, when the human species was spread over a good deal of Asia, Europe, and Africa, migration to the American continents began in attempts to find new feeding grounds and unoccupied areas for hunting and fishing.

These old ballparks are like cathedrals in America. We don't have big old Gothic cathedrals like they do in Europe. But we got baseball parks.

Now, the entire world community recognizes Georgia. We are members of the United Nations and the Council of Europe. Everything is being prepared so that we will soon enter the European Union.

Our aristocracy, unlike that of Europe, is open to all comers.

It's true that the war in Iraq opened a distance in relations between part of Europe and the U.S. government, but our basic ties are stronger than that. We share democracy, free markets and a commitment to Western security. We differ on how to guarantee that security.

In the report made on behalf of the C.G.T. we affirmed that the Peace Treaty should, in accordance with the spirit of workers' organizations, lay the first foundations of the United States of Europe.

One of the biggest development issues in the world is the education of girls. In the United States and Europe, it has been accepted, but not in Africa and the developing countries.

It's been President Clinton's dream that we'll have finally a fully integrated Europe.

The time is coming when the pressure of population on the means of subsistence will be felt here as it is now felt in Europe and Asia. Then will the world enter upon a new stage of its history - the final competition of races, for which the Anglo-Saxon is being schooled.

Muslim organisations tend to have a low level of organisation. The communities in Europe are quite diverse.