The record companies are interested in the kind of sales they can get from the rock groups.

I don't know who's 18 years old today that, 20 years hence, is going to be a jazz fan.

I made it easier for many artists to play in certain areas.

My function at Verve was that of a genuine producer in artists and repertoire.

I allowed artists to play for as long as they felt they could justifiably continue to create.

The public, hearing pop music, is, without knowing it, also soaking up jazz.

I'm talking as a professional impresario. I'm not judging anybody at all.

Ella can work nightclubs that Duke might not be able to work, because of having the big band. Where they go now is strictly a matter of their own names and talents.

When I was doing jazz concerts in America, I would use the biggest names I could find.

Sponsors and networks will really go all out and simply evaluate people on the basis of talent.

Ellington is a writer and arranger, as well as a musician and leader. He does movie sound tracks.

Jazz was uplifted by what I did.

The history of all big jazz bands shows was, first they played for dancing, and then they played for singing.

I find myself more at peace when I live in Europe.

My juices needed restoring. I needed a sabbatical from the record business.

I don't want to sound as if I'm doing something tremendously special. But I am a jazz fan.

I still continue to do at least four concert tours a year, and in many cases, as many as six.

To play today in London, next week in Madrid and the week after that in Warsaw is a bit better than playing Newark and Baltimore and Philadelphia. I've been doing that for 20 years.

There are very few groups that really stay together. The leaders of groups make enough money to be able to afford to work a maximum of 35-40 weeks a year.

I'm concerned with trend. I don't know where jazz fans will come from 20 years from now.

The record companies are interested in the kind of sales they can get from the rock groups.

Germany is probably the richest country in Western Europe. Yet they wouldn't take any television with Duke and Ella, their reaction being that people weren't interested in it.

I don't think I will ever do any tours again in the United States. I rather think that that's over with.

I don't say that the supposed Civil Rights development is a myth, but it's a matter of dealing with reality. It's purely peripheral and, in many cases, it's just a facade.

The economic picture in the States today doesn't allow for jazz concerts in a tour fashion. People now are too used to the Festival, which gives them more names for the same price.

As long as we're in a democracy, I have to give what I think the majority of people will enjoy.

I don't think that jazz, as any kind of an art form, has any permanence attached to it, apart from the practitioners of it.

You will always find a few people in any area that would like things done completely their way.

In 1958, I decided that I was going to live in Europe permanently. So in 1959 I moved to Lugano, Switzerland.

If you look at my audiences, even in Europe, they're hardly teenagers.

For years, Jazz At The Philharmonic albums were the only ones of their kind.

If I were to put on Barbra Streisand and Duke Ellington, one might say the combination isn't good.

There are many artists that I present that I admit I like less than I do others. But I think that they warrant being presented by my own, personal standards.

Amsterdam must have more than a million people. But the only area where jazz is really profitable and successful in an economic sense is in Japan. That's because they haven't been exposed enough.

In sales, a referral is the key to the door of resistance.

We got to know the competition very well. In the '50s popcorn made a big growth in sales. Our main push was to produce the best quality and sell in quality retail outlets.

Properly practiced creativity must result in greater sales more economically achieved. Properly practiced creativity can lift your claims out of the swamp of sameness and make them accepted, believed, persuasive, urgent.

No 27-year-old has the experience to run a company that does a quarter of a billion dollars a year in sales.

I like to think of sales as the ability to gracefully persuade, not manipulate, a person or persons into a win-win situation.

We have had more sales for this year's grand prix than any other, and we have been helped in that by the fact that Jenson had 10 podiums last season and looks like a winner. It is good for British motor racing if he is there and doing well.

McDonald's is almost 50 years old. For 47 years we had a pretty consistent track record of being able to deliver admirable sales.

I had hoped to let the one-half cent sales tax sunset this year, but we do not believe revenues will grow as fast as we hoped for the rest of the year.

So you have to just be really careful and make sure that when a deal comes along, that it's like the right deal for you... not necessarily the most money, because you have to pay the record label that back in like record sales and stuff.

'The New York Times' list is a bunch of crap. They ought to call it the editor's choice. It sure isn't based on sales.

We have reduced sales tax on food. Now we want it eliminated.

Someone told me that each equation I included in the book would halve the sales.

Madam Speaker, before being elected to Congress, I ran a manufacturing business that did a significant percentage of our sales outside the United States.

Aside from sales, the letters from readers have been primarily positive.

Sales may lead to advertising as much as advertising leads to sales.