I write longer sentences than most of the others, maybe because I probably like Henry James more than they do.

There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.

As soon as I started writing Julia, by which I mean while writing its first sentence, I felt a sudden, reassuring charge of excitement. I knew it was going to work.

I generally wade in blind and trust to fate and instinct to see me through.

These days, there are a great many books about childhood trauma and its effects, but at the time all the experts agreed that one should forget about it as quickly as possible and pick up where you left off.

The actual Blue Rose murders, which lie at the core of the three novels, yield various incorrect solutions which assume the status of truth.

Instead, I was interested in what I guess I could call narrative indeterminacy, in questioning the apparent, taken-for-granted authority of any particular representation of the events in question.

I had a connoisseur's... appreciation of fear.

I write longer sentences than most of the others, maybe because I probably like Henry James more than they do.

If I planned everything out in advance, I'd expire of boredom.

When, in the third book, we do learn the identity of the Blue Rose murderer, the information comes in a muted, nearly off-hand manner, and the man has died long before.

I believe I encountered death, which was a bit too much for a seven-year-old.

Everyone wants to get better as they go along, but sometimes it's all you can do to stay consistent.

Each new book is a tremendous challenge.

There have been times when I reread - or at least leafed through - something because I'd sent a copy to a friend, and what usually happened was that I noticed dozens and dozens of clumsy phrases I wished I could rewrite.

However, I think I managed to reach a new level with Koko, and I will always be grateful for the experience.

On gym days, I don't get to my desk until 4 in the afternoon, and everything except bedtime and the appointment with the liquid narcotic is pushed back a bit.

Fear and I were old buddies, despite my best efforts to the contrary.

Dick Dart emerged from the ether during a flight from New York with my wife and children to Puerto Rico.

I instantly chucked my academic ambitions and began writing fiction full-time.

Many fiction writers eventually want to feel that their work forms a single, unified entity.

An average working day begins at 8 or 9 am, includes an hour for lunch, and ends at 5 or 6 pm.

My first real breakthrough collided with the last months of Callaghan's Labour government, which had every intention of enjoying my success as much as I did.

Nobody is surprised that women writers accurately represent male characters over and over again, no doubt because everybody knows that women understand men much better than vice-versa.

You want at least 5% of the population being serious. That five, 6% of the population carries the rest of the people. You've heard that old axiom: 5% of the people pull the wagon; 95% are in it.

The culture of New York is just impossible to replicate. It's such an incredible feeling to be walking on the streets of New York. You can literally find everything you need in a five block radius oftentimes.

Just blow in it and sound bad for about a year and then make it sound a little bit better, and you get a little band together, and then you get a few jobs. You take four guys that sound half bad, but if they're 25 percent each, they can give 100 percent, you know?

If I walked into the kitchen without washing my hands as a kid, I'd hear a loud 'A-hem!' from my mother or grandmother. Now I count on other people to do the same.

Were there no women, men might live like gods.

Tourists don't know where they've been, travelers don't know where they're going.

Man's mind is not a container to be filled but rather a fire to be kindled.

Someday it will all make sense.

No matter what people say, about what I did, about what I am like... They say you are not dedicated or hardworking. A lot of people say things about me, but they don't realise I have played 250 games. It's not like you just land up in the team, sit down and play 250 games. You can't survive like that in international cricket.

I was raised with adults. I skipped knowing how to interact as a normal teenage person.

We put suffocation warnings on all the - on every piece of plastic film manufactured in the United States or for sale with an item in the United States. We put warnings on coffee cups to tell us that the contents may be hot. And we seem to think that any item sharper than a golf ball is too sharp for children under the age of 10.

Seems you can't outsmart Mother Nature.

Hope youll soon be feeling fine the way you were before because things just wont be the same until youre well once more.

What we're looking at is God's design, nature's template, and using that as a pattern to cut around and lay it down on a domestic model to duplicate that pattern that we see in nature.

The drama and the trauma of the relationship you have when you're 16 can mirror the one you have when you're 26. Life repeats itself.

Our concern is to heal. Our concern is to bring together.

That's what the Affordable Care Act is all about. It's about filling the gaps in employer-based care so that when we lose a job, or go back to school, or start that new business, we'll still have coverage.

Unfortunately, the real achievements of children on the ground became debased and devalued because Labor education secretaries sounded like Soviet commissars praising the tractor production figures when we know that those exams were not the rock-solid measures of achievement that children deserve.

I never wanted to be defined by what I did for a living.

It's not about charisma and personality, it's about results and products and those very bedrock things that are why people at Apple and outside of Apple are getting more excited about the company and what Apple stands for and what its potential is to contribute to the industry.

I'm not a wilting flower. I'm honest, so I pick a lot of fights. I've burned a lot of bridges.

The thing about stand-ups is you can't really get good unless you're failing in front of a large number of people. That makes stand-up comedy unique: you need a tremendous amount of reserve within you to take the rejection from the audience, and without it, you can't do anything.

Constant contact is what people require these days. It's tough on artists.

When I play live, I feel how the audience is going and follow and lead at the same time.