However, I think I managed to reach a new level with Koko, and I will always be grateful for the experience.

There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.

As soon as I started writing Julia, by which I mean while writing its first sentence, I felt a sudden, reassuring charge of excitement. I knew it was going to work.

I generally wade in blind and trust to fate and instinct to see me through.

These days, there are a great many books about childhood trauma and its effects, but at the time all the experts agreed that one should forget about it as quickly as possible and pick up where you left off.

The actual Blue Rose murders, which lie at the core of the three novels, yield various incorrect solutions which assume the status of truth.

Instead, I was interested in what I guess I could call narrative indeterminacy, in questioning the apparent, taken-for-granted authority of any particular representation of the events in question.

I had a connoisseur's... appreciation of fear.

I write longer sentences than most of the others, maybe because I probably like Henry James more than they do.

If I planned everything out in advance, I'd expire of boredom.

When, in the third book, we do learn the identity of the Blue Rose murderer, the information comes in a muted, nearly off-hand manner, and the man has died long before.

I believe I encountered death, which was a bit too much for a seven-year-old.

Everyone wants to get better as they go along, but sometimes it's all you can do to stay consistent.

Each new book is a tremendous challenge.

There have been times when I reread - or at least leafed through - something because I'd sent a copy to a friend, and what usually happened was that I noticed dozens and dozens of clumsy phrases I wished I could rewrite.

However, I think I managed to reach a new level with Koko, and I will always be grateful for the experience.

On gym days, I don't get to my desk until 4 in the afternoon, and everything except bedtime and the appointment with the liquid narcotic is pushed back a bit.

Fear and I were old buddies, despite my best efforts to the contrary.

Dick Dart emerged from the ether during a flight from New York with my wife and children to Puerto Rico.

I instantly chucked my academic ambitions and began writing fiction full-time.

Many fiction writers eventually want to feel that their work forms a single, unified entity.

An average working day begins at 8 or 9 am, includes an hour for lunch, and ends at 5 or 6 pm.

My first real breakthrough collided with the last months of Callaghan's Labour government, which had every intention of enjoying my success as much as I did.

Nobody is surprised that women writers accurately represent male characters over and over again, no doubt because everybody knows that women understand men much better than vice-versa.

You learn from a conglomeration of the incredible past - whatever experience gotten in any way whatsoever.

I've danced one time in my life. It was the most mortifying experience I ever had.

The experience of life consists of the experience which the spirit has of itself in matter and as matter, in mind and as mind, in emotion, as emotion, etc.

My best film composing experience was with Elia Kazan.

Education is a private matter between the person and the world of knowledge and experience, and has little to do with school or college.

A novel should be an experience and convey an emotional truth rather than arguments.

By experience we find out a short way by a long wandering.

The experience of democracy is like the experience of life itself-always changing, infinite in its variety, sometimes turbulent and all the more valuable for having been tested by adversity.

Learning teacheth more in one year than experience in twenty.

Well, the hardest thing to do, as we know from our own experience on 9/11 is protect everything all the time.

The most important training, though, is to experience life as a writer, questioning everything, inventing multiple explanations for everything. If you do that, all the other things will come; if you don't, there's no hope for you.

When I reached adulthood, even now, I could afford to belong to a country club. But I could never belong to a private club because of my experience as a child, because it would isolate me from the whole of humanity.

No one I know of has ever had this experience-where you had to sit and wait and wait for a DNA test to come back just so you can write the last page of the book.

If you live long enough, you'll experience everything.

Actually I'd had a certain amount of experience in Europe in the inter-war period, as a banker, and I was also a member of the Board of Directors of the International Chamber of Commerce.

In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

Our job as writers and thinkers in the time is how to bring about the occasions that let people have that first-person experience - or the metaphoric experience that allows them to see human continuity as opposed to total threat, total willingness to do violence.

Experience is never limited, and it is never complete; it is an immense sensibility, a kind of huge spider-web of the finest silken threads suspended in the chamber of consciousness, and catching every air-borne particle in its tissue.

In my fifty years of experience and memory, I have seen the most amazing increase in the standard of living of a people ever achieved anywhere in the world. This is why I am so sure that our system of free competition and industrial development is sound and must be preserved.

The greatest gift is the passion for reading. It is cheap, it consoles, it distracts, it excites, it gives you knowledge of the world and experience of a wide kind. It is a moral illumination.

It's been my experience that every time I think I know where it's at, it's usually somewhere else.

The experience of learning how to get straight to the core of a problem proved to be of immense value later when I had a long succession of responsibilities in large, complex government departments.

I view life as a learning experience. It is not so much all about music; it is about what happens when you are doing the music.

I feel, sometimes, as the renaissance man must have felt in finding new riches at every point and in the certainty that unexplored areas of knowledge and experience await at every turn.