I believe I encountered death, which was a bit too much for a seven-year-old.

There were a lot of adventure books for boys, historical novels by Kenneth Roberts, and whatever mystery novels the alarmed librarian imagined might not corrupt an eager but innocent youth.

As soon as I started writing Julia, by which I mean while writing its first sentence, I felt a sudden, reassuring charge of excitement. I knew it was going to work.

I generally wade in blind and trust to fate and instinct to see me through.

These days, there are a great many books about childhood trauma and its effects, but at the time all the experts agreed that one should forget about it as quickly as possible and pick up where you left off.

The actual Blue Rose murders, which lie at the core of the three novels, yield various incorrect solutions which assume the status of truth.

Instead, I was interested in what I guess I could call narrative indeterminacy, in questioning the apparent, taken-for-granted authority of any particular representation of the events in question.

I had a connoisseur's... appreciation of fear.

I write longer sentences than most of the others, maybe because I probably like Henry James more than they do.

If I planned everything out in advance, I'd expire of boredom.

When, in the third book, we do learn the identity of the Blue Rose murderer, the information comes in a muted, nearly off-hand manner, and the man has died long before.

I believe I encountered death, which was a bit too much for a seven-year-old.

Everyone wants to get better as they go along, but sometimes it's all you can do to stay consistent.

Each new book is a tremendous challenge.

There have been times when I reread - or at least leafed through - something because I'd sent a copy to a friend, and what usually happened was that I noticed dozens and dozens of clumsy phrases I wished I could rewrite.

However, I think I managed to reach a new level with Koko, and I will always be grateful for the experience.

On gym days, I don't get to my desk until 4 in the afternoon, and everything except bedtime and the appointment with the liquid narcotic is pushed back a bit.

Fear and I were old buddies, despite my best efforts to the contrary.

Dick Dart emerged from the ether during a flight from New York with my wife and children to Puerto Rico.

I instantly chucked my academic ambitions and began writing fiction full-time.

Many fiction writers eventually want to feel that their work forms a single, unified entity.

An average working day begins at 8 or 9 am, includes an hour for lunch, and ends at 5 or 6 pm.

My first real breakthrough collided with the last months of Callaghan's Labour government, which had every intention of enjoying my success as much as I did.

Nobody is surprised that women writers accurately represent male characters over and over again, no doubt because everybody knows that women understand men much better than vice-versa.

To know that one has never really tried - that is the only death.

Let us eat and drink neither forgetting death unduly nor remembering it. The Lord hath mercy on whom he will have mercy, etc., and the less we think about it the better.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

When you break up, your whole identity is shattered. It's like death.

Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.

Death comes not to the living soul, nor age to the loving heart.

Death is a distant rumor to the young.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

I don't sit in the corner waiting for death: death has to pursue me. I'm going strong. I hope to reach 100 and ask for an extension, just like my grandmother did.

On the plus side, death is one of the few things that can be done as easily lying down .

Because the Illinois death penalty system is arbitrary and capricious - and therefore immoral - I no longer shall tinker with the machinery of death.

I'm Irish. I think about death all the time.

I don't fear death because I don't fear anything I don't understand. When I start to think about it, I order a massage and it goes away.

The most dire disaster in love is the death of imagination.

Death doesn't frighten me; now I can think peacefully of ending a long life.

Death comes for us all. Even for kings he comes.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

It has ever been since time began, and ever will be, till time lose breath, that love is a mood - no more - to man, and love to a woman is life or death.

Some people say my work is often depressing and pessimistic, with the emphasis on death, blood, overcrowding, strange beings and so on, but I don't really think it is.

In Goddess religion death is not feared, but is understood to be a part of life, followed by birth and renewal.

Death and life have their determined appointments; riches and honors depend upon heaven.

Most of the debate over the cultures of death and life is about process. The debate focuses on the technology available to determine how we prolong life and how and when we end it.

I think that the core doctrines of Christianity - the incarnation, the resurrection, life after death-these are as strong as ever. In fact, the belief in life after death has increased in this century.

Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.

You haven't lost anything when you know were it is. Death can hide but not divide.