I've always been a fighter. If you tell me I can't, I'll die trying to prove you wrong.

I loved to read and to write, but then something happened. As I made my way through school, I kept getting handed books to read that didn't excite me and didn't even remotely connect to the realities of my life.

I've always been a fighter. If you tell me I can't, I'll die trying to prove you wrong.

I do that mostly because I believe that the fantasy business is in terrible trouble right now, for several reasons, not the least of which being the almost Democrat vs. Republican mentality of readers on the Internet.

I didn't and don't go to Internet for any business purposes. The book sales for me by this point are way beyond any influence I might have, positively, or others might have, negatively.

Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.

It got so bad that by the time I was graduated, the only reading I did was in order to get the grade and the only writing I did was in order to get the grade.

I'm a working-class kid from a blue-collar New England family.

I loved the world of imagination.

I never intended to be a professional writer; as the story developed, the one thing I had in my hopes was that this would be something tangible to separate me from the nameless, numbered masses.

I thought I would set the world on fire when I got out of college. I had done quite well in a field that was growing. Unfortunately, we got hit with a recession in 1981.

Also, there are authors and publicists using the Internet to manipulate opinion, both positively for a work and negatively against the competition. I don't do this and can't stomach it, honestly.

I don't often know exactly what's coming next, and that makes it more fun. And you know, for me, this entire genre is all about that; it's all about having fun and getting away from the mundane world for just a little while.

Writing is an incredibly lonely job.

I'm trying to make all the characters change and grow, or regress.

So, while I gave up the notions of publishing at that time, I never stopped editing and refining that book. A few years later, in 1987, I thought I had it ready to go out again.

In the past, TSR and now Wizards of the Coast have asked me to do game stats for my characters, and I'm never comfortable doing that. It's all relative after all.

Writing a book for me, I expect, is very similar to the experience of reading the book for my readers.

Definitely they write themselves. It's an amazing experience. It's like the characters have come alive and are sitting on my shoulder talking to me, telling me their tales.

I don't know how many bestsellers I've got, or half the awards I've won, and I don't really care. I'm just having fun, doing something I love and getting paid for it. How cool is that?

I won't hold any illusions of changing the world or any such nonsense. But maybe, just maybe, I'm helping someone else change his or her life a little bit for the better, even if it just means giving someone a magical place in which to hide.

On a more practical level, anyone out there who wants to be a writer should clearly recognize that this is a brutal business, where even incredibly talented people sometimes never make a living. If you want to chase such a dream, please have a Plan B in place.

Things don't really impress me. Memories impress me. It's not the toys, it's the people.

This is my spiritual journey through life, my way of making sense of the world. I don't need permission from anyone or accolades from anyone; it is completely internal.

This little hobbit saves the world. The wizard kills the dragon and saves the town. So many people connect to that character; it doesn't matter if it's an elf or a hobbit or a dwarf. It doesn't matter. They're human in their heart and soul.

Whenever you're writing a book or creating a movie or a game, your first task is to get the reader/audience/player to suspend disbelief, to buy into the logic and boundaries of your world, even though those boundaries might include things like dragons and magic. To do that, you need long threads - of history and culture.

Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.

We need to be reminded sometimes that a sunrise last but a few minutes. But its beauty can burn in our hearts eternally.

Androgyny is not trying to manage the relationship between the opposites; it is simply flowing between them.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

I am playing with the assumptions that we have in our everyday life when we are tripped up or fooled and we learn something, that makes things exciting - I am having fun with that stuff, but you have to manage it so it doesn't get too cute, that's what I trying to work toward.

'Thou shalt not get found out' is not one of God's commandments; and no man can be saved by trying to keep it.

Well, I think that those of us in public life that are trying to do a good job, and that are faced with this popular new game that the media has of being critical of everything that anybody in public office does probably are thin-skinned.

When Frank the Pug is singing I Will Survive, the only reason it's funny is that Will is in that shot trying not to get angry. A shot of a dog singing I Will Survive on its own will not get a laugh.

I sometimes lie awake at night trying to think of something funny that Richard Nixon said.

Votes are like trees, if you are trying to build a forest. If you have more trees than you have forests, then at that point the pollsters will probably say you will win.

I'd been trying for all of the eight years we'd been married to have a child, and finally I did.

Yeah; I'm a much better blues player than anybody knows, but being in the kind of group I'm in, we were always trying to make popular records.

Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.

So my idea of neurotic is spending too much time trying to correct a wrong. When I feel that I'm doing that, then I snap out of it.

I've always done food that can work in a set time frame. The message I'm trying to get across is, it doesn't have to take three days to do this. With planning, you can do a lot and really have quality food every day.

I meditate a lot, but I am constantly in pain. I'm trying to live with this. You just have to accept it.

I trained and trained and went up against Kurt, then being a world champion in '94, and after that I did Tommy's tour and then my tour and all this stuff and just trying to deal with it all. And now, I've just kind of backed off a little.

You feel the music needs something but you don't know what. So you start searching, fitting, measuring, trying. Every time you try another angle. And sometimes that's frustrating, especially if you don't come up with something for three days.

Trying to give back a little bit is important.

Intimacy comes from being yourself on the stage and making the audience feel, without trying, that you're sittin' down there with 'em, playing, and that can happen in a big hall, if you have a good audience that want to listen.

While advances in scientific research have led to some new and exciting treatments that have enlarged and enhanced the quality and length of human life, we must not lose sight as to what we are trying to accomplish.

Playing polo is like trying to play golf during an earthquake.

Orlando's a part of me. The next guy's a part of me. And the next guy's a part of me. That's all I'm trying to do, is tell cool stories that people can relate to.