Writing a book for me, I expect, is very similar to the experience of reading the book for my readers.

I loved to read and to write, but then something happened. As I made my way through school, I kept getting handed books to read that didn't excite me and didn't even remotely connect to the realities of my life.

I've always been a fighter. If you tell me I can't, I'll die trying to prove you wrong.

I do that mostly because I believe that the fantasy business is in terrible trouble right now, for several reasons, not the least of which being the almost Democrat vs. Republican mentality of readers on the Internet.

I didn't and don't go to Internet for any business purposes. The book sales for me by this point are way beyond any influence I might have, positively, or others might have, negatively.

Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.

It got so bad that by the time I was graduated, the only reading I did was in order to get the grade and the only writing I did was in order to get the grade.

I'm a working-class kid from a blue-collar New England family.

I loved the world of imagination.

I never intended to be a professional writer; as the story developed, the one thing I had in my hopes was that this would be something tangible to separate me from the nameless, numbered masses.

I thought I would set the world on fire when I got out of college. I had done quite well in a field that was growing. Unfortunately, we got hit with a recession in 1981.

Also, there are authors and publicists using the Internet to manipulate opinion, both positively for a work and negatively against the competition. I don't do this and can't stomach it, honestly.

I don't often know exactly what's coming next, and that makes it more fun. And you know, for me, this entire genre is all about that; it's all about having fun and getting away from the mundane world for just a little while.

Writing is an incredibly lonely job.

I'm trying to make all the characters change and grow, or regress.

So, while I gave up the notions of publishing at that time, I never stopped editing and refining that book. A few years later, in 1987, I thought I had it ready to go out again.

In the past, TSR and now Wizards of the Coast have asked me to do game stats for my characters, and I'm never comfortable doing that. It's all relative after all.

Writing a book for me, I expect, is very similar to the experience of reading the book for my readers.

Definitely they write themselves. It's an amazing experience. It's like the characters have come alive and are sitting on my shoulder talking to me, telling me their tales.

I don't know how many bestsellers I've got, or half the awards I've won, and I don't really care. I'm just having fun, doing something I love and getting paid for it. How cool is that?

I won't hold any illusions of changing the world or any such nonsense. But maybe, just maybe, I'm helping someone else change his or her life a little bit for the better, even if it just means giving someone a magical place in which to hide.

On a more practical level, anyone out there who wants to be a writer should clearly recognize that this is a brutal business, where even incredibly talented people sometimes never make a living. If you want to chase such a dream, please have a Plan B in place.

Things don't really impress me. Memories impress me. It's not the toys, it's the people.

This is my spiritual journey through life, my way of making sense of the world. I don't need permission from anyone or accolades from anyone; it is completely internal.

This little hobbit saves the world. The wizard kills the dragon and saves the town. So many people connect to that character; it doesn't matter if it's an elf or a hobbit or a dwarf. It doesn't matter. They're human in their heart and soul.

Whenever you're writing a book or creating a movie or a game, your first task is to get the reader/audience/player to suspend disbelief, to buy into the logic and boundaries of your world, even though those boundaries might include things like dragons and magic. To do that, you need long threads - of history and culture.

Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.

We need to be reminded sometimes that a sunrise last but a few minutes. But its beauty can burn in our hearts eternally.

You learn from a conglomeration of the incredible past - whatever experience gotten in any way whatsoever.

I've danced one time in my life. It was the most mortifying experience I ever had.

The experience of life consists of the experience which the spirit has of itself in matter and as matter, in mind and as mind, in emotion, as emotion, etc.

My best film composing experience was with Elia Kazan.

Education is a private matter between the person and the world of knowledge and experience, and has little to do with school or college.

A novel should be an experience and convey an emotional truth rather than arguments.

By experience we find out a short way by a long wandering.

The experience of democracy is like the experience of life itself-always changing, infinite in its variety, sometimes turbulent and all the more valuable for having been tested by adversity.

Learning teacheth more in one year than experience in twenty.

Well, the hardest thing to do, as we know from our own experience on 9/11 is protect everything all the time.

The most important training, though, is to experience life as a writer, questioning everything, inventing multiple explanations for everything. If you do that, all the other things will come; if you don't, there's no hope for you.

When I reached adulthood, even now, I could afford to belong to a country club. But I could never belong to a private club because of my experience as a child, because it would isolate me from the whole of humanity.

No one I know of has ever had this experience-where you had to sit and wait and wait for a DNA test to come back just so you can write the last page of the book.

If you live long enough, you'll experience everything.

Actually I'd had a certain amount of experience in Europe in the inter-war period, as a banker, and I was also a member of the Board of Directors of the International Chamber of Commerce.

In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

Our job as writers and thinkers in the time is how to bring about the occasions that let people have that first-person experience - or the metaphoric experience that allows them to see human continuity as opposed to total threat, total willingness to do violence.

Experience is never limited, and it is never complete; it is an immense sensibility, a kind of huge spider-web of the finest silken threads suspended in the chamber of consciousness, and catching every air-borne particle in its tissue.

In my fifty years of experience and memory, I have seen the most amazing increase in the standard of living of a people ever achieved anywhere in the world. This is why I am so sure that our system of free competition and industrial development is sound and must be preserved.

The greatest gift is the passion for reading. It is cheap, it consoles, it distracts, it excites, it gives you knowledge of the world and experience of a wide kind. It is a moral illumination.