Because in Australia there really isn't a lot to do. There aren't a lot of opportunities.

I think part of that is to create an environment where it's like real life, where you don't really know what's going to happen to you in a certain scene.

Revenge is a way of life and definitely some thing that we identify with. We all feel cheated in some way about some thing and how nice it would be to do something about it. I mean ultimately it's not the most Christian of sentiments.

As much as most of the actors were kind of curious to know what their character meant in relation to the script and to the plot, they really were quite happy to be part of the adventure of not knowing.

I never wanted to be a movie star.

We don't relate to her too much because you don't want the heroic character to not be heroic.

I think in this, definitely, because you are feeling how it felt to live in a completely different time. The mannerisms and the way that people behaved was quite different.

For me, even just being English was a whole sort of experience in as much as I'm Australian.

Life is neither comedy or tragedy, life is what you make of it.

I want to be a blonde vampire. Catherine Deneuve was a blonde vampire, and she was my favourite vampire ever.

We've become much more casual and much more relaxed in social interactions, where there was a formality and maybe a kind of respect at that time that doesn't exist now.

So I was in America and I thought I'll stick around while I'm here and just see what happens. The next film I did was High Art, so I guess it started with a sort of vague idea but really just a fantasy.

I do Yoga. I'd like to say I do it every morning, but I don't, I just don't have the time.

This city can be kind of brutal, so you see your dreams from every different angle, but ultimately it's about acting and if you enjoy acting, you will always enjoy acting.

I mean normally you have your agent call the other agent and all the agents talk and then finally you get a phone call and you hear some misrepresentation of what someone else had to say.

I don't smoke and I don't drink alcohol.

It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.

I'd definitely rather be rich than famous.

I had a friend, and we always used to pretend to be twins. We had this fantasy about going to Hollywood together. We were about four.

But in this case, he had my cell phone and my phone was ringing and I had just come back from Australia on the plane and I thought it was my mum and it was Woody Allen just checking to see if I wanted to be in his movie.

New York in a way functions as another character within the story, as it does within most of Woody Allen's stories.

To be honest, it's easier for me to speak with an American accent.

Well, obviously I was excited by the idea that Woody Allen was going to direct it. But at the same time, the script itself and the character was really interesting.

I guess when I first started speaking with an American accent, there's a tendency to create a caricature of the accent because you just exaggerate the pieces that stand out to you.

I think my parents see my life now as very conservative.

I just don't talk about who I'm going out with, that's it. It's an odd thing to sit around describing yourself to 10 different people every 5 minutes yet it's kind of therapeutic in a way.

But I'm also a vegetarian so there's another factor I guess.

I do, too, most recently while I was singing karaoke in some weird bar.

Because in Australia there really isn't a lot to do. There aren't a lot of opportunities.

I didn't even understand the whole idea of Hollywood.

After that, I was offered lots of lesbian roles, but I didn't want them because I'd already played the best there was.

So wearing a corset certainly changes your state of mind.

I'm not working now, so I'm sort of facing the unknown.

Yeah I think Pitch Black was edgy, I think that's what worked for our film.

Who wouldn't want to go back home to play?

My form is more on the lines of a Chinese porcelain-jar juggler. They learn it as a child. They learn, learn, learn, learn - but not with a porcelain jar. Then, when they're ready to perform, they're taken to a museum, and they're given a porcelain jar for a lifetime to use. When they're done, it's returned to the museum.

If you are not egotistical you will welcome the opportunity to learn more.

Love is a tender plant; when properly nourished, it becomes sturdy and enduring, but neglected it will soon wither and die.

We'd never have got a chance to go outside and look at the earth if it hadn't been for space exploration and NASA.

It turned out to be exactly that, but more challenging emotionally. I looked at it in a more physical way, having to act in a chair and move around. But it really was more emotionally challenging.

I asked him, How could we have a press column if we can't write about other work done in the press?

Writing is good, thinking is better. Cleverness is good, patience is better.

Winning tastes good.

The mode by which the inevitable is reached is effort.

Every time a director calls me and says, 'If you practice a lot in two months, can you be an American?' And I always tell them, 'Well, maybe but I'm French. So it's going to be hard to be someone else.'

Belief in the future life is the appetite of reason.

The function of the killer and watching him - whatever that says about the world in which we live - it was always more about that world than it was about the actual watching.

I think I should be a nightclub singer. I love to sing!

I was a sensitive boy.