New York in a way functions as another character within the story, as it does within most of Woody Allen's stories.

I think part of that is to create an environment where it's like real life, where you don't really know what's going to happen to you in a certain scene.

Revenge is a way of life and definitely some thing that we identify with. We all feel cheated in some way about some thing and how nice it would be to do something about it. I mean ultimately it's not the most Christian of sentiments.

As much as most of the actors were kind of curious to know what their character meant in relation to the script and to the plot, they really were quite happy to be part of the adventure of not knowing.

I never wanted to be a movie star.

We don't relate to her too much because you don't want the heroic character to not be heroic.

I think in this, definitely, because you are feeling how it felt to live in a completely different time. The mannerisms and the way that people behaved was quite different.

For me, even just being English was a whole sort of experience in as much as I'm Australian.

Life is neither comedy or tragedy, life is what you make of it.

I want to be a blonde vampire. Catherine Deneuve was a blonde vampire, and she was my favourite vampire ever.

We've become much more casual and much more relaxed in social interactions, where there was a formality and maybe a kind of respect at that time that doesn't exist now.

So I was in America and I thought I'll stick around while I'm here and just see what happens. The next film I did was High Art, so I guess it started with a sort of vague idea but really just a fantasy.

I do Yoga. I'd like to say I do it every morning, but I don't, I just don't have the time.

This city can be kind of brutal, so you see your dreams from every different angle, but ultimately it's about acting and if you enjoy acting, you will always enjoy acting.

I mean normally you have your agent call the other agent and all the agents talk and then finally you get a phone call and you hear some misrepresentation of what someone else had to say.

I don't smoke and I don't drink alcohol.

It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.

I'd definitely rather be rich than famous.

I had a friend, and we always used to pretend to be twins. We had this fantasy about going to Hollywood together. We were about four.

But in this case, he had my cell phone and my phone was ringing and I had just come back from Australia on the plane and I thought it was my mum and it was Woody Allen just checking to see if I wanted to be in his movie.

New York in a way functions as another character within the story, as it does within most of Woody Allen's stories.

To be honest, it's easier for me to speak with an American accent.

Well, obviously I was excited by the idea that Woody Allen was going to direct it. But at the same time, the script itself and the character was really interesting.

I guess when I first started speaking with an American accent, there's a tendency to create a caricature of the accent because you just exaggerate the pieces that stand out to you.

I think my parents see my life now as very conservative.

I just don't talk about who I'm going out with, that's it. It's an odd thing to sit around describing yourself to 10 different people every 5 minutes yet it's kind of therapeutic in a way.

But I'm also a vegetarian so there's another factor I guess.

I do, too, most recently while I was singing karaoke in some weird bar.

Because in Australia there really isn't a lot to do. There aren't a lot of opportunities.

I didn't even understand the whole idea of Hollywood.

After that, I was offered lots of lesbian roles, but I didn't want them because I'd already played the best there was.

So wearing a corset certainly changes your state of mind.

I'm not working now, so I'm sort of facing the unknown.

Yeah I think Pitch Black was edgy, I think that's what worked for our film.

In this watering-place I acted an heroic character, badly studied; and being a novice on such a stage, I forgot my part before a pair of lovely blue eyes.

I do like to embed a fictional character firmly in an occupation.

But even with a character like Cary who is relatively outlandish, at the end of the movie he's in a place where I wouldn't have expected him to be - taking on the responsibility of a woman who is pregnant and who used to be his best friend's wife.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do.

I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

In a lot of ways, the make-up was the character.

The more we study the Indian's character the more we appreciate the marked distinction between the civilized being and the real savage.

So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.

I've been on the show for six years and I don't even know what her history is. I sort of make things up in my mind, but I think it's hard for an audience to follow and invest in a character when they don't have the details.

It is not true that drink changes a man's character. It may reveal it more clearly.

Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.

Well, I go to the theater today, and its curtain - there is no curtain in this play; the lights go down and go up - and we start. And I live this character for two hours. There are only two of us in the play. And It's a complete experience.

I just kind of understood it, and I threw my love for others and love for life into the character, and was having a blast. I loved playing Dharma. I loved it!