Yeah I think Pitch Black was edgy, I think that's what worked for our film.

I think part of that is to create an environment where it's like real life, where you don't really know what's going to happen to you in a certain scene.

Revenge is a way of life and definitely some thing that we identify with. We all feel cheated in some way about some thing and how nice it would be to do something about it. I mean ultimately it's not the most Christian of sentiments.

As much as most of the actors were kind of curious to know what their character meant in relation to the script and to the plot, they really were quite happy to be part of the adventure of not knowing.

I never wanted to be a movie star.

We don't relate to her too much because you don't want the heroic character to not be heroic.

I think in this, definitely, because you are feeling how it felt to live in a completely different time. The mannerisms and the way that people behaved was quite different.

For me, even just being English was a whole sort of experience in as much as I'm Australian.

Life is neither comedy or tragedy, life is what you make of it.

I want to be a blonde vampire. Catherine Deneuve was a blonde vampire, and she was my favourite vampire ever.

We've become much more casual and much more relaxed in social interactions, where there was a formality and maybe a kind of respect at that time that doesn't exist now.

So I was in America and I thought I'll stick around while I'm here and just see what happens. The next film I did was High Art, so I guess it started with a sort of vague idea but really just a fantasy.

I do Yoga. I'd like to say I do it every morning, but I don't, I just don't have the time.

This city can be kind of brutal, so you see your dreams from every different angle, but ultimately it's about acting and if you enjoy acting, you will always enjoy acting.

I mean normally you have your agent call the other agent and all the agents talk and then finally you get a phone call and you hear some misrepresentation of what someone else had to say.

I don't smoke and I don't drink alcohol.

It was kind of scary because working with Woody Allen becomes sort of a big deal in your mind. He directs in that Woody Allen character some of the time - he has these idiosyncrasies that are really charming and funny.

I'd definitely rather be rich than famous.

I had a friend, and we always used to pretend to be twins. We had this fantasy about going to Hollywood together. We were about four.

But in this case, he had my cell phone and my phone was ringing and I had just come back from Australia on the plane and I thought it was my mum and it was Woody Allen just checking to see if I wanted to be in his movie.

New York in a way functions as another character within the story, as it does within most of Woody Allen's stories.

To be honest, it's easier for me to speak with an American accent.

Well, obviously I was excited by the idea that Woody Allen was going to direct it. But at the same time, the script itself and the character was really interesting.

I guess when I first started speaking with an American accent, there's a tendency to create a caricature of the accent because you just exaggerate the pieces that stand out to you.

I think my parents see my life now as very conservative.

I just don't talk about who I'm going out with, that's it. It's an odd thing to sit around describing yourself to 10 different people every 5 minutes yet it's kind of therapeutic in a way.

But I'm also a vegetarian so there's another factor I guess.

I do, too, most recently while I was singing karaoke in some weird bar.

Because in Australia there really isn't a lot to do. There aren't a lot of opportunities.

I didn't even understand the whole idea of Hollywood.

After that, I was offered lots of lesbian roles, but I didn't want them because I'd already played the best there was.

So wearing a corset certainly changes your state of mind.

I'm not working now, so I'm sort of facing the unknown.

Yeah I think Pitch Black was edgy, I think that's what worked for our film.

My best film composing experience was with Elia Kazan.

I was lucky enough to occasionally break out of that racist situation that prevails in the Hollywood film production community. But it was racist then and it will always be that way. It will never be otherwise.

'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.

Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.

I still feel that a movie has to attempt to say something - even if it fails miserably. But I've sort of given up on believing that I'm going to change the world with every film I choose to act in.

It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.

To make a documentary is one thing, to make a feature film is quite another.

I mean when the play was on in New York I was starting to get film offers coming through, and since the film's come out I get offered more than I used to, but it happens incrementally.

I think it would be very boring dramatically to have a film where everybody was a lawyer or doctor and had no faults. To me, the most important thing is to be truthful.

I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.

One of the most interesting aspects of the film project was collaborating with so many people - directors, filmmakers, and writers - over a five-year period. I learned that there are two components to this.

The best thing I can think of would be to create a union between something as beautiful and powerful and wonderful as Hollywood films and a criticism of the status quo. That's my dream, to make such a German film.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

Robert Altman's Nashville is my all-time favorite film because it covers all the bases - it's original, moving, and has something to say, but also funny and incredibly entertaining.

I never see a novel as a film while I'm writing it. Mostly because novels and films are so different, and I'm such an internal novelist.