People ask how can a Jewish kid from the Bronx do preppy clothes? Does it have to do with class and money? It has to do with dreams.

They know they're going to look beautiful, and I don't think women should look like costumes. They shouldn't look like fashion victims.

I don't design clothes, I design dreams.

I don't think women should look like costumes. I don't think they should look like fashion victims. I think these (clothes) are for women that want to look sexy. They want to look smart.

It's the kind of clothes that mothers and daughters can wear, in terms of concept... It's not about age. It's about taste, and it's about lifestyle. I believe women of all ages can wear anything.

People ask how can a Jewish kid from the Bronx do preppy clothes? Does it have to do with class and money? It has to do with dreams.

I think the accessories look very modern and very exciting. These big earrings, these big hoops. I think the girls are sort of falling in love with... collars, neck collars.

I don't like it when a woman looks like a fashion victim.

I have had a lot of good things happen, but I've also had a lot of terrible things happen.

I never went to fashion school. I didn't know what a designer was. I knew I had something, but I didn't know what it was. And it could just have easily been nothing.

I was very influenced by movies; I was very influenced by a world that had a sense of dream.

I went through the extremes of amazing notoriety and also the dreaded things that you never thought you'd have to live through. Not everything works the way you want it to, but if I sit back and think, 'Am I happy about this?' Yeah. I wouldn't have done anything any better.

I went to my boss, and I said, 'Look, I'd like to design these ties because I think they could be new.' He said, 'The world isn't ready for Ralph Lauren.' I never forgot that because... I thought that was a compliment.

My father was an artist. When life was harder and he couldn't get jobs, he painted houses, but he was artistic. When I went to see his work, it was special. Somewhere along the line, I felt I was special. I didn't know why.

My life has been a dream. If someone had to write a story about it, it would seem a little unreal. It's the kind of story I would read and say, 'Nah, that's not possible.'

Some women think that if the look this season is minis, they have to wear minis. If you don't have great legs, there are plenty of alternatives.

The clothes that I design and everything I've done is about life and how people live and how they want to live and how they dream they'll live. That's what I do.

You have to create something from nothing.

I don't design clothes. I design dreams.

I dont design clothes I design dreams.

Fashion is not necessarily about labels. Its not about brands. Its about something else that comes from within you.

Personal style is about a sense of yourself, a sense of what you believe in and wearing what you like.

Style is very personal. It has nothing to do with fashion. Fashion is over quickly. Style is forever.

Glamour is an attitude, its the expression of a certain kind of confidence. A glamorous woman is always elegant, but she also possesses an air of mystery and excitement. Shes dramatic, almost untouchable.

I'm getting a wider circle of fans now. More women, more middle class people.

The best thanks we could offer those who went before and raised the Irish working class from their knees was to press forward with determination and enthusiasm towards the ultimate goal of their efforts, a Co-operative Commonwealth for Ireland.

Make no mistake: The organization of the working class must be both economic and political. The capitalist is organized upon both lines. You must attack him on both.

In economic panics throughout history, the wiping out of the savings accounts of lower earners and the middle class has often led to social revolution, sometimes violent upheavals.

It is the tendency of the social burdens to crush out the middle class, and to force society into an organization of only two classes, one at each social extreme.

I once said, "We will bury you," and I got into trouble with it. Of course we will not bury you with a shovel. Your own working class will bury you.

I certainly did feel inferior. Because of class. Because of strength. Because of height. I guess if I'd been able to hit somebody in the nose, I wouldn't have been a comic.

I grew up in Michigan, in a very small town, Centreville. In my graduating class, I had like 92 people.

These interests of the workers, as the exploited and oppressed, class of society, are the same in all countries.

We need to work together, on a bipartisan basis, to create new jobs, increase job training, enact real and substantive middle class tax relief, and reward companies that create jobs at home.

At one point in college I was so shy that I'd drop out of a class if asked to speak in front of other people.

I recommend the same therapies for all humans with HIV. There is no reason to believe that physiologic responses to therapy will vary across lines of class, culture, race or nationality.

After some minor pieces of theoretical study that I worked on, a student in my statistical mechanics class brought to my attention a problem in polyelectrolytes.

There is no class so pitiably wretched as that which possesses money and nothing else.

I was a class clown.

I made a living out of being a class clown.

Show class, have pride, and display character. If you do, winning takes care of itself.

I have thought about the next steps, and you know, they still don't know that I can dance. They don't know it, and it's frustrating me because I feel that it's an edge that I have, and I'm not talking about I took this hip hop class, I'm talking about this is how people actually know me.

I met Kevin when I was 19, at a Second City workshop. We were paired up together in the first class I went to. By the end of the class we formed our improv group, and over the next three years we performed leading up to the formation of The Kids in the Hall.

Making my class laugh and getting in trouble. I was the class clown.

If there's an enduring theme in my work, it's probably the effects of class on American life.

In my last year of school, I was voted Class Optimist and Class Pessimist. Looking back, I realize I was only half right.

Alan Moore does have a sheen of class. He's a smart guy, and I'm sure there was a metaphoric level, I'm not denying that, but let's face it. the main reason he was doing a super-hero comic was because he was working for a super-hero comic book company.

I remember an article, I can't recall who by, it was after the fall of the Berlin Wall, which said that now the Wall was down, there could be no more class war. Only someone with money could ever say such a thing.

To tax the community for the advantage of a class is not protection: it is plunder.