As an announcer, 'The Price Is Right' is the mother of all shows not only because of its legacy, but because it is by far the most demanding game show.

I can say without hesitation that there is certainly no greater show to be a contestant on than 'Price' - the prizes can be huge, and the whole world loves and watches the show. It's an American institution!

I enjoy 'Supermarket Sweep' because of its adlib demands in following the fast action.

That's where this exciting bundle of energy and joy named Johnny Olson made his entrance and ultimately did the announcing. I had never seen anything like what I was involved in for the next 15 minutes!

It seems that no two people came to this specialized area of work via the exact same route.

Because many of us have been in game shows for some time, there's always someone around who can share a story of Johnny O or Jay Stewart that I never heard.

I'm always most excited about the job I'm doing at the present, and that's especially true about 'Price' because of my respect for the show and it's production team.

'What's My Line' 1971 was a magical experience as I was still in my teens, and it was my first appearance. You know how they say you never forget 'your first'!

Remember, while the work can sometimes appear to be simple to a viewer, the ability to perform expertly, consistently, precisely, over and over again, under pressure and on demand is what's needed.

At Johnny's suggestion I pursued a career in radio that eventually brought me to Los Angeles.

Yet as a team, we can pull together to do some incredible work.

That was the day I began cutting classes and returning to TV tapings; it ultimately led to a friendship with Johnny O, and an increasing fascination and respect for what he did.

If you have real passion for a career in game shows, be willing to serve an apprenticeship; it's the best way to learn.

For anyone who works in front of an audience there is no thrill quite like that of feeling and hearing the evidence of the audience members' enjoyment. Laughter and applause really are powerful.

Most producers I've known were writers first, and writing is a vital part of any game show. You could easily argue that the writing is the key ingredient that makes 'Jeopardy!' so great.

From my years of work with so many game show production companies and their producers I'm probably no longer eligible to be a contestant on any American game show.

Over the long hours of taping 5, 6 or 7 episodes a day, we develop a great sense of family.

You see and work with many of the same people over and over again; they are all specialists in what they do. I could never do their jobs, and they say they wouldn't know how to start to do a warm-up.

As an announcer, 'The Price Is Right' is the mother of all shows not only because of its legacy, but because it is by far the most demanding game show.

Because of my tremendous respect for Bob Barker and for the show's high standards of professionalism I consider this a tremendous honor that few announcers have ever been treated to. Both Rod's and Johnny's shoes are huge; I can't think about filling them.

But day in and day out, the most stimulating part of the work is being a member of a team of so many very bright, articulate and talented professionals.

'Press Your Luck' was probably the most exciting because of the unpredictability of the game and how I won on one of the three days on the very last spin against all odds. It was one of those great unpredictable game show moments.

Also at the top of the list was my three day appearance on 'Press Your Luck'. In addition to the intense competition of each of those games, it slowly started to dawn on me in the minutes between tapings that I was winning some serious money.

Because these show are live, script pages are being switched during the program and new commercial teases might be yelled in your ear with just enough time to scribble them on scrap paper before reading them.

Of course watching a particularly exciting game or a wonderful contestant is always a joy.

As I slowly managed to take what I had learned into a transition from contestant to announcer and warm-up, I first had to prove myself on pilots. And as you know, many pilots are taped for each show that is lucky enough to breakthrough to being a series.

Being a publicist is like management in a lot of ways - you're their friend, you're their mother, you're their confidante.

My mother keeps things in perspective for me. She makes me realize that the acting I do and love is no more important than what one of my brothers does-he works in a shoe repair shop. If my career ever tapers off, I'll go to college.

Bambi has a profound effect on children because it's about losing your mother.

For those whose wit becomes the mother of villainy, those it educates to be evil in all things.

I never turned down a mother role.

I'd like to one day play Amanda, the mother, in The Glass Menagerie.

My mother is Irish, my father is black and Venezuelan, and me - I'm tan, I guess.

I loved my mother, she's a good girl.

A man is free to go up as high as he can reach up to; but I, with all my style and pep, can't get a man my equal because a girl is always judged by her mother.

Just as a mother finds pleasure in taking her little child on her lap, there to feed and caress him, in like manner our loving God shows His fondness for His beloved souls who have given themselves entirely to Him and have placed all their hope in His goodness.

Well ironically my last three roles have all been a mother. One was a Canadian film where the baby was taken away because she is a drug addict, in Irish Jam I play a mother to a four year old. I think in the future I'll be able to handle the role with a lot more depth.

Most turkeys taste better the day after, my mother's tasted better the day before.

During my grief, I realised there was nothing I could do for my mother, but I did have a child.

That's so different in Hong Kong when I'm using my own mother language, I can treat the line in one thousand different ways, with many different reactions.

I am scared of becoming a mother.

My mother liked Jim Reeves. I hated his records. He was unbearable.

The eyebrow pencil and false eyelashes were essential; my mother didn't feel dressed without them.

When I was 13 I asked my mother if it was possible for this to end - I'd had enough of it. And that was right about the time that we got a call for "The Exorcist" interview.

Middle age is the awkward period when Father Time starts catching up with Mother Nature.

I think it's time to do clean-up for a generation. I believe this is one of the movies that hits home for all colors and all races. Everybody I talk to, black or white, suburban, rich or poor, can relate to rejection, can relate to not having a father or a mother.

Write verse, not poetry. The public wants verse. If you have a talent for poetry, then don't by any means mother it, but try your hand at verse.

She is descended from a long line that her mother listened to.

When my mother died, I had to go on air that night and do jokes.