The thing about coming back to the Bay Area, it's like coming home for me.

But you have to take all of those things, you have to take into consideration the paths, the roadways, how much cloud cover there is, how much foliage cover there is, whether there are streams, all of that comes into play.

On the other hand, if there's an underlying core of poetry that I go to, I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton.

They've also, the government's decided now, what sexual content is.

Work out of your work. Don't work out of anybody else's work.

But I'll try to immerse myself in as many of the formal characteristics of site as possible in the landscape.

I think you always have to find where the boundary is in relation to the context in order to be able to kind of articulate how you want the space to interact with the viewer.

But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.

Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being overly heavy-handed about it.

If you get it out into the urban field it's going to be used or misused but it'll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day.

And certainly the history of public sculpture has been disastrous but that doesn't mean it ought not to continue and the only way it even has a chance to continue is if the work gets out into the public.

The thing about coming back to the Bay Area, it's like coming home for me.

Now when you have administrators deciding what sexuality is, and what's a taboo and what's not in terms of content, you got guys, like, Trent Lott who equates homosexuality with a disease.

But I don't think of any particular viewer in mind other than myself.

I thought Out of Action was better as a catalogue than the honeycomb because the honeycomb was like walking into one compartment and then another compartment.

I think different people have different problems and different relations to the exhibition of their work.

I used to eat lunch with Billy Wilder when I first came out here.

The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging.

I started working for Bethlehem Steel when I was about 16 during the summers.

I think this, I think basically I'm not interested in people following my work or making work like my work.

The thing about coming back to the Bay Area its like coming home for me.

It is too maddening. I've got to fly off, right now, to some devilish navy yard, three hours in a seasick steamer, and after being heartily sick, I'll have to speak three times, and then I'll be sick coming home. Still, who would not be sick for England?

Sitting at home the way I do, I'd just love the hear from people. It'd be a great help in passing the time.

Most fathers don't see the war within the daughter, her struggles with conflicting images of the idealized and flawed father, her temptation both to retreat to Daddy's lap and protection and to push out of his embrace to that of beau and the world beyond home.

I was stuck at home in bed with me and got more and more involved with the Internet. I used it to keep in contact with friends and to make sure I was up to date with everything that was going on in the world.

I'm going to buy some green bananas because by the time I get home they'll be ripe.

Removing substantial fuel loads from our forests helps prevent catastrophic fire and better protects species, watersheds and neighboring communities that call them home.

I'm looking forward to providing the men of Seattle with an evening where they can kick back, light up a cigar and enjoy a night to themselves. Women, we can't technically keep you out, but please stay at home.

I listen to the phone-ins on the way home and I know how the fans feel.

I'm a 7 o'clock act. My people want to go to a show, a dinner and then go home and go to bed.

The average husband enjoys the total effect of his home but is usually unable to contribute any of the details of work and organisation that make it enjoyable.

To my mind, the most important aspect of the Nobel Awards is that they bring home to the masses of the peoples of all nations, a realization of their common interests. They carry to those who have no direct contact with science the international spirit.

I think a good MP is someone who cares for their community and becomes their champion, which is why I will make my home in any seat I am lucky enough to be selected for. Looks play no part in the equation, what matters is your ideas and connecting them to the electorate.

We in this Congress have a choice. The American people have a right to exercise a choice on this issue, as to whether our men and women will continue to fight and die in a war based on deception and fantasy, or to start bringing the troops home.

American and Israel share a special bond. Our relationship is unique among all nations. Like America, Israel is a strong democracy, a symbol of freedom, and an oasis of liberty, a home to the oppressed and persecuted.

I'd get 3-4 cheap home runs every year. You know, little 'wood shots' down either line. They would be pop flies in any other park. But, goodness me, they didn't count the number of long outs!

Your home should be your home. People shouldn't be allowed to use whatever crazy lenses they use to catch you waking up in the morning.

He went, ever on the move, with the slow, shuffling step of wandering beggars who are nowhere at home.

At home in Paris I take a milk bath two times a week, but here on the road it is more difficult. I miss them.

When I am home for like a two-year stretch, I get antsy, because I want to work.

We need to work together, on a bipartisan basis, to create new jobs, increase job training, enact real and substantive middle class tax relief, and reward companies that create jobs at home.

And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.

You should never meet your heroes. Paul Newman... I was so excited about meeting him, but he turned up in shell suit bottoms, slippers, and a jumper. He was just so worn out and old, he wanted to go home.

You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.

The mare set off for home with the speed of a swallow, and going as smoothly and silently. I never had dreamed of such a motion, fluent and graceful, and ambient, soft as the breeze flitting over the flowers, but swift as the summer lightening.

I hate leaving home. I love what I do, but I'd love to go home every night.

I think it's time to do clean-up for a generation. I believe this is one of the movies that hits home for all colors and all races. Everybody I talk to, black or white, suburban, rich or poor, can relate to rejection, can relate to not having a father or a mother.

To be happy at home is the ultimate result of all ambition, the end to which every enterprise and labor tends, and of which every desire prompts the prosecution.

When our boys come home from France, we will have the hags flung out.