Nature generally struggles against this treatment for a while, until her powers seem in a great measure exhausted, when she quietly yields to the power of the art.

Nature generally struggles against this treatment for a while, until her powers seem in a great measure exhausted, when she quietly yields to the power of the art.

So high do these plants stand in the favour of the Chinese gardener, that he will cultivate them extensively, even against the wishes of his employer; and, in many instances, rather leave his situation than give up the growth of his favourite flower.

We are told that the first part of the process is to select the very smallest seeds from the smallest plants, which is not at all unlikely, but I cannot speak to the fact from my own observation.

We all know that any thing which retards in any way the free circulation of the sap, also prevents to a certain extent the formation of wood and leaves.

The main stem was then in most cases twisted in a zigzag form, which process checked the flow of the sap, and at the same time encouraged the production of side branches at those parts of the stem where they were most desired.

Junipers are generally chosen for the latter purpose, as they can be more readily bent into the desired form; the eyes and tongue are added afterwards, and the representation altogether is really good.

As the lower parts of the Japanese houses and shops are open both before and behind, I had peeps of these pretty little gardens as I passed along the streets; and wherever I observed one better than the rest I did not fail to pay it a visit.

No doubt these rocky islands have suggested the idea worked out in gardens, and they have been well imitated.

A small species of pinus was much prized, and, when dwarfed in the manner of the Chinese, fetched a very high price; it is generally grafted on a variety of the stone pine.

The plants are principally kept in large pots arranged in rows along the sides of narrow paved walks, with the houses of the gardeners at the entrance through which the visitors pass to the gardens.

Nothing of the kind; they do all these things in their houses and sheds, with common charcoal fires, and a quantity of straw to stop up the crevices in the doors and windows.

The plants which stand next to dwarf trees in importance with the Chinese are certainly chrysanthemums, which they manage extremely well, perhaps better than they do any other plant.

The tree was evidently aged, from the size of its stem. It was about six feet high, the branches came out from the stem in a regular and symmetrical manner, and it had all the appearance of a tree in miniature.

The Chinese, by their favourite system of dwarfing, contrive to make it, when only a foot and a half or two feet high, have all the characters of an aged cedar of Lebanon.

One marked feature of the people, both high and low, is a love for flowers.

Stunted varieties were generally chosen, particularly if they had the side branches opposite or regular, for much depends upon this; a one-sided tree is of no value in the eyes of the Chinese.

This may be done by grafting, by confining the roots, withholding water, bending the branches, or in a hundred other ways which all proceed upon the same principle.

There are about a dozen of these gardens, more or less extensive, according to the business or wealth of the proprietor; but they are generally smaller than the smallest of our London nurseries.

Sometimes, as is the case of peach and plum trees, which are often dwarfed, the plants are thrown into a flowering states, and then, as they flower freely year after year, they have little inclination to make vigorous growth.

The dwarfed trees of the Chinese and Japanese have been noticed by every author who has written upon these countries, and all have attempted to give some description of the method by which the effect is produced.

These gardens may be called the gardens of the respectable working classes.

When these suckers had formed roots in the open ground, or kind of nursery where they were planted, they were looked over and the best taken up for potting.

Art teaches nothing, except the significance of life.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

I grew up with art from the innocent age of ten - with art, but with no sense of identity.

One does not devote one's life in art to shock an audience.

The other great development has been in photography, but that too was influenced by Conceptual art.

My art became very public.

Riding a race bike is an art - a thing that you do because you feel something inside.

The idea is, if I can't heal from my art, then how can you heal?

But in the finished art of the song the use of words has no connection with the use of words in poetry.

One does not need buildings, money, power, or status to practice the Art of Peace. Heaven is right where you are standing, and that is the place to train.

I don't believe in art. I believe in artists.

Art cannot be modern. Art is primordially eternal.

Without art, the crudeness of reality would make the world unbearable.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

Where the spirit does not work with the hand, there is no art.

It is veneer, rouge, aestheticism, art museums, new theaters, etc. that make America impotent. The good things are football, kindness, and jazz bands.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Art is an expression of who you are. Parts that I play are my sculptures.

There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population.

There is probably nothing wrong with art for art's sake if we take the phrase seriously, and not take it to mean the kind of poetry written in England forty years ago.

A man who exposes himself when he is intoxicated, has not the art of getting drunk.

What motivates me in art is the ugly and beautiful nature of the truth. It has to be truthful and honest, even if it is ugly and grotesque.

A great thing happening now in art is that artists are using the figure, the body, clothing, life.

I was the executive editor on a little magazine called Greek Accent, whose only claim to fame is that its art director went on to be the art director of Discover for many years.

I always feel like the art's there and I just see it, so it's not really a lot of work.

I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.