And if you are playing in several meters at once, there has to be a - not a rigid - but there definitely has to be a reference to a common pulse in the band.

What is necessary is possible, what we want is expensive. What is unnecessary is unlikely.

So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending.

I'd say that what we hear is the quality of our listening.

There are no mistakes, save one: the failure to learn from a mistake.

Even within the band, if I cannot manage to persuade the members of what I see to be the next course of action, how do you expect the group to deal with the expectations of thousands of people. It is not possible.

And if you are playing in several meters at once, there has to be a - not a rigid - but there definitely has to be a reference to a common pulse in the band.

According to USA today, the average length of an attention span of a man in America is 23 minutes.

The perception of the audience is the interesting part. If the audience doesn't hear what is going on, is it going on or not?

A mistake is always forgivable, rarely excusable and always unacceptable.

To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in the acoustic kit.

Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance.

Music can be transformative, utterly transformative. The act of music is utterly transformative.

Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.

In terms of an identity, an identity reflects an individuality, by definition. And, if there is a quality present, it is recognizable and it can be named. If you can't name it, it means you don't recognize it.

However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously.

Linguistic philosophers continue to argue that probably music is not a language, that is in the philosophical debate. Another point of view is to say that music is a very profound language.

Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson. But then, if you'd knew Michael, you would know he didn't agree to the album cover either. So maybe Michael didn't agree to the point of definition with many things.

But above that, most mature adults can hold their attention on something for 45 minutes, whether they like it or not. But above that requires training.

If you are playing repertoire material, you're stuck. There's not huge amounts you can do.

If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?

If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.

The spoken form is in fact a very restrained representation of what is possible in the musical language.

Being a professional musician doesn't mean you spend 12 hours a day playing music. It means you spend up to 12 hours a day taking care of business, dealing with litigation, with the various characters who've stolen your interests, or fending off hostile lawsuits from former members of the band.

I couldn't concentrate on music. So I made the choice to give up my career as a musician in the frontline to deal with the business.

I recommend my students not to be professional unless they really have to be. I tell them, 'If you love music, sell Hoovers or be a plumber. Do something useful with your life.'

I'm not really interested in music. Music is just a means of creating a magical state.

My life as a professional musician is a joyless exercise in futility.

The quality of artistry is the capacity to assume innocence at will, the quality of experiencing innocence as if for the first time.

Usually people think that it is the musicians who create the music, but in fact it is music who creates the musicians.

Performance is a vehicle for entering different worlds of experiencing.

I don't even own a bike.

If US per capita income continues to grow at a rate of 1.5 percent a year, the country will have plenty of money to finance comfortable retirements and high-quality healthcare for all citizens, including those at the bottom of the wage ladder.

Grounding airplanes to cover your butt would never have let Orville or Wilbur change the world. We would still be spending weeks to cross the Atlantic to do business in London.

Little friends may prove great friends.

It's not that I'm knocking the movie and television work.

We are the yin and the yang of the creative process.

My wife and I take what we call our Friday comedy day off. We watch standup comics on TV. The raunchier the better. We love Eddie Izzard.

A man has every season while a woman only has the right to spring.

The one thing that frustrates me more than anything else is that no studio has ever told me to tone down violence. They only ask you to make it more presentable.

I describe Jeb Bush as a 'low-energy' individual, and unfortunately for him, that stuck. And it's true: he's a low-energy person. That doesn't make him a bad person.

I hope I can compete in one or two Olympics in my career. Of course I would like to win a medal, but just being there would be awesome.

You see a persons true colors when you are no longer beneficial to their life.

Income-producing unit trusts are brilliant because if you can accept capital values will be volatile for a while, your dividend income will always be higher than what you get in the bank.

Other people are talking about writing books about my life, or about some of the things I've done. I find it strange, but I also feel it's my life and my story, and I guess I better be the one to get it on paper the way it actually happened.

Religion is doing; a man does not merely think his religion or feel it, he "lives" his religion as much as he is able, otherwise it is not religion but fantasy or philosophy.

We never see ourselves as others see us.

We learned about honesty and integrity - that the truth matters... that you don't take shortcuts or play by your own set of rules... and success doesn't count unless you earn it fair and square.

That is perceptive of you, because in this country men dancers have always been viewed with suspicion. If you were an actor, a star, and a dancer, you had to be, or have a name like someone "mainstream."