A mistake is always forgivable, rarely excusable and always unacceptable.

What is necessary is possible, what we want is expensive. What is unnecessary is unlikely.

So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending.

I'd say that what we hear is the quality of our listening.

There are no mistakes, save one: the failure to learn from a mistake.

Even within the band, if I cannot manage to persuade the members of what I see to be the next course of action, how do you expect the group to deal with the expectations of thousands of people. It is not possible.

And if you are playing in several meters at once, there has to be a - not a rigid - but there definitely has to be a reference to a common pulse in the band.

According to USA today, the average length of an attention span of a man in America is 23 minutes.

The perception of the audience is the interesting part. If the audience doesn't hear what is going on, is it going on or not?

A mistake is always forgivable, rarely excusable and always unacceptable.

To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in the acoustic kit.

Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance.

Music can be transformative, utterly transformative. The act of music is utterly transformative.

Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.

In terms of an identity, an identity reflects an individuality, by definition. And, if there is a quality present, it is recognizable and it can be named. If you can't name it, it means you don't recognize it.

However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously.

Linguistic philosophers continue to argue that probably music is not a language, that is in the philosophical debate. Another point of view is to say that music is a very profound language.

Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson. But then, if you'd knew Michael, you would know he didn't agree to the album cover either. So maybe Michael didn't agree to the point of definition with many things.

But above that, most mature adults can hold their attention on something for 45 minutes, whether they like it or not. But above that requires training.

If you are playing repertoire material, you're stuck. There's not huge amounts you can do.

If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?

If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.

The spoken form is in fact a very restrained representation of what is possible in the musical language.

Being a professional musician doesn't mean you spend 12 hours a day playing music. It means you spend up to 12 hours a day taking care of business, dealing with litigation, with the various characters who've stolen your interests, or fending off hostile lawsuits from former members of the band.

I couldn't concentrate on music. So I made the choice to give up my career as a musician in the frontline to deal with the business.

I recommend my students not to be professional unless they really have to be. I tell them, 'If you love music, sell Hoovers or be a plumber. Do something useful with your life.'

I'm not really interested in music. Music is just a means of creating a magical state.

My life as a professional musician is a joyless exercise in futility.

The quality of artistry is the capacity to assume innocence at will, the quality of experiencing innocence as if for the first time.

Usually people think that it is the musicians who create the music, but in fact it is music who creates the musicians.

Performance is a vehicle for entering different worlds of experiencing.

Marriage is a very good thing, but I think it's a mistake to make a habit out of it.

It's pretty simple, pretty obvious: that people's first impressions of people are really a big mistake.

They all went into the bar business. Which was a mistake, because they began to sip at the merchandise and it set them back, set us all back. Well, them more than I.

The choice is between which mistake is easier to correct: underdoing it or overdoing it.

I've got to keep breathing. It'll be my worst business mistake if I don't.

They think something's gone wrong, but in Don't Look Now, for instance, one scene was made by a mistake. It's the scene where Donald Sutherland goes to look for the policeman who's investigating the two women.

It's a mistake to assume that Islamists always come from the slums. Indeed, many come from affluent families but for some reason just couldn't manage to integrate into Western society, even though they had good opportunities for advancement.

I find that the best way to do things is to constantly move forward and to never doubt anything and keep moving forward, if you make a mistake say you made a mistake.

The first mistake of art is to assume that it's serious.

It's a great mistake, I think, to put children off with falsehoods and nonsense, when their growing powers of observation and discrimination excite in them a desire to know about things.

The secularists in Turkey haven't underestimated religion, they just made the mistake of believing they could control it with the power of the army alone.

In traditional schools, you're penalized for making a mistake. But that won't work in the new information culture, in the digital world we live in today.

You are just as capable of making a mistake as anyone else. By insisting too eagerly upon a small right, you may turn it into a wrong against yourself and also against your neighbor.

Last Friday night, I Twitted a photograph of myself that I intended to send as a direct message as part of a joke to a woman in Seattle. Once I realized I posted to Twitter I panicked, I took it down and said that I had been hacked. I then continued with that story, to stick to that story which was a hugely regrettable mistake.

It is a mistake for a sculptor or a painter to speak or write very often about his job. It releases tension needed for his work.

To help yourself, you must be yourself. Be the best that you can be. When you make a mistake, learn from it, pick yourself up and move on.

Make no mistake about it. These are not 'kookie' birds. Right now the greatest player, the big tent on the political scene in America, is called the Tea Party movement.

I surrendered my youth to the people I feared when I could have been out there loving someone. Don't make that mistake yourself. Life's too damn short.