If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?

What is necessary is possible, what we want is expensive. What is unnecessary is unlikely.

So, you can set up an orchestra down this end of the railway station playing one particular area, and simultaneously at the other end something completely different going on. And in the middle they meet, or not, depending.

I'd say that what we hear is the quality of our listening.

There are no mistakes, save one: the failure to learn from a mistake.

Even within the band, if I cannot manage to persuade the members of what I see to be the next course of action, how do you expect the group to deal with the expectations of thousands of people. It is not possible.

And if you are playing in several meters at once, there has to be a - not a rigid - but there definitely has to be a reference to a common pulse in the band.

According to USA today, the average length of an attention span of a man in America is 23 minutes.

The perception of the audience is the interesting part. If the audience doesn't hear what is going on, is it going on or not?

A mistake is always forgivable, rarely excusable and always unacceptable.

To me, Bill's musical heart is in Earthworks, in the jazz they are playing, in the acoustic kit.

Then certainly for a musician timing becomes something that is immediately accessible as a concept, because it's a necessity in ones everyday performance.

Music can be transformative, utterly transformative. The act of music is utterly transformative.

Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.

In terms of an identity, an identity reflects an individuality, by definition. And, if there is a quality present, it is recognizable and it can be named. If you can't name it, it means you don't recognize it.

However, in modern conceptual frameworks there is a more sophisticated view. I would say that the act of music exists in several worlds simultaneously.

Linguistic philosophers continue to argue that probably music is not a language, that is in the philosophical debate. Another point of view is to say that music is a very profound language.

Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson. But then, if you'd knew Michael, you would know he didn't agree to the album cover either. So maybe Michael didn't agree to the point of definition with many things.

But above that, most mature adults can hold their attention on something for 45 minutes, whether they like it or not. But above that requires training.

If you are playing repertoire material, you're stuck. There's not huge amounts you can do.

If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?

If an apprentice does not hear what a master hears, is then that quality not present in the music? Yes and no. In the world in which the apprentice lives no.

The spoken form is in fact a very restrained representation of what is possible in the musical language.

Being a professional musician doesn't mean you spend 12 hours a day playing music. It means you spend up to 12 hours a day taking care of business, dealing with litigation, with the various characters who've stolen your interests, or fending off hostile lawsuits from former members of the band.

I couldn't concentrate on music. So I made the choice to give up my career as a musician in the frontline to deal with the business.

I recommend my students not to be professional unless they really have to be. I tell them, 'If you love music, sell Hoovers or be a plumber. Do something useful with your life.'

I'm not really interested in music. Music is just a means of creating a magical state.

My life as a professional musician is a joyless exercise in futility.

The quality of artistry is the capacity to assume innocence at will, the quality of experiencing innocence as if for the first time.

Usually people think that it is the musicians who create the music, but in fact it is music who creates the musicians.

Performance is a vehicle for entering different worlds of experiencing.

Let schoolmasters puzzle their brain, With grammar, and nonsense, and learning, Good liquor, I stoutly maintain, Gives genius a better discerning.

Clinton's fakery was so deft and deeply ingrained that it was impossible to tell where it ended and the real Bill Clinton began. This constituted a kind of political genius.

Genius is not a possession of the limited few, but exists in some degree in everyone. Where there is natural growth, a full and free play of faculties, genius will manifest itself.

I make no claim to being a business genius. You can make so much money in this business that it loses its value.

Genius is an infinite capacity for taking pains.

Doorman - a genius who can open the door of your car with one hand, help you in with the other, and still have one left for the tip.

Doing easily what others find difficult is talent; doing what is impossible for talent is genius.

I am a genius. Then it amused me to keep saying so, but now it does not. I expected to be happy sometime. Now I know I shall never be.

Churchill was one of the few men I have met who even in the flesh give me the impression of genius. George Bernard Shaw is another. It is amusing to know that each thinks the other is overrated.

The person who figures out how to harness the collective genius of his or her organization is going to blow the competition away.

The genius of the economic machine is in its ability to convert these indulgences into profitability. It converts desire into attention, a grip on our eyeballs and eardrums, which in turn can be marketed to advertisers.

Genius is essentially creative; it bears the stamp of the individual who possesses it.

It's a pity one can't imagine what one can't compare to anything. Genius is an African who dreams up snow.

Better beware of notions like genius and inspiration; they are a sort of magic wand and should be used sparingly by anybody who wants to see things clearly.

The dread of criticism is the death of genius.

Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.

God gives talent. Work transforms talent into genius.

The modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them, drawing and color are better or worse than in others.