Robin Trower

I think the fundamental part of my technique is my vibrato.

I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.

It's impossible to play a run with as much feeling as a single note. I've never been so much into runs as making single notes cry.

When you start believing youre something special then youre not going to be striving to move forward.

I have done some things that I'm very proud of. I don't think you can say any more than that, really.

While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.

I think it's a sensible thing not to read your fan mail - not to take it too seriously.

The ability to make music is a gift that you're born with; it's not something you can learn.

I have short hands. That's why I have to bend up to notes; I can't always reach the frets.

A certain death of an artist is overconfidence.

I was very keen on people like Elvis, Carl Perkins, Jerry Lee Lewis, and Gene Vincent.

If I could sing, I wouldn't be a guitarist.

I feel that my playing on the first album was probably some of my best.

The States still has the best audiences by far.

My songs are more arrangements than they are songs.

It was an experience being on a Beatles tour. They weren't very good. The singing was great, but the playing was a bit weak.

I got a guitar when I was about 14, for a Christmas present, and went from there.

A wah-wah is important as well. I love it; it makes the guitar scream.

I've always been the first to admit that Jimi was a very big influence on my early stuff.

The guitar part is the pivot of everything we do so if you change the guitar part you no longer have what it is.

I go through about two Fender mediums a night because I don't pick straight down; it's sort of sideways, and it shaves them off.

Radio is commercial, isn't it. Its a business.

It all comes down to the density of the wood. Every guitar's different.

I don't tend to have a favorite album; I tend to have favorite tracks. There are flaws in every album that spoil it for me.

The first real thing I heard was Three O'Clock Blues by B.B. King. That's where it all began for me.

When you start believing you're something special, then you're not going to be striving to move forward.

I feel I've been blessed with a gift of creativity and composition. That's why I've been able to keep going.

I go for as much feeling as I can rather than show what I can do up and down the neck. I don't play to show people ability.

I can't say I feel influenced by today's guitar players.

Music has nothing to do with your technical ability.

I wouldn't count myself as being a true blues guitarist because I feel you have to live it.

When I was a little kid, I was very impressed with Elvis.