The first real thing I heard was Three O'Clock Blues by B.B. King. That's where it all began for me.

I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.

I think the fundamental part of my technique is my vibrato.

It's impossible to play a run with as much feeling as a single note. I've never been so much into runs as making single notes cry.

I have done some things that I'm very proud of. I don't think you can say any more than that, really.

While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.

I think it's a sensible thing not to read your fan mail - not to take it too seriously.

The ability to make music is a gift that you're born with; it's not something you can learn.

I have short hands. That's why I have to bend up to notes; I can't always reach the frets.

A certain death of an artist is overconfidence.

I was very keen on people like Elvis, Carl Perkins, Jerry Lee Lewis, and Gene Vincent.

If I could sing, I wouldn't be a guitarist.

I feel that my playing on the first album was probably some of my best.

The States still has the best audiences by far.

My songs are more arrangements than they are songs.

It was an experience being on a Beatles tour. They weren't very good. The singing was great, but the playing was a bit weak.

I got a guitar when I was about 14, for a Christmas present, and went from there.

A wah-wah is important as well. I love it; it makes the guitar scream.

I've always been the first to admit that Jimi was a very big influence on my early stuff.

I go through about two Fender mediums a night because I don't pick straight down; it's sort of sideways, and it shaves them off.

Radio is commercial, isn't it. Its a business.

I don't tend to have a favorite album; I tend to have favorite tracks. There are flaws in every album that spoil it for me.

It all comes down to the density of the wood. Every guitar's different.

The first real thing I heard was Three O'Clock Blues by B.B. King. That's where it all began for me.

When you start believing you're something special, then you're not going to be striving to move forward.

I feel I've been blessed with a gift of creativity and composition. That's why I've been able to keep going.

I go for as much feeling as I can rather than show what I can do up and down the neck. I don't play to show people ability.

I can't say I feel influenced by today's guitar players.

Music has nothing to do with your technical ability.

I wouldn't count myself as being a true blues guitarist because I feel you have to live it.

When I was a little kid, I was very impressed with Elvis.

When you start believing youre something special then youre not going to be striving to move forward.

The guitar part is the pivot of everything we do so if you change the guitar part you no longer have what it is.

The principal rule of art is to please and to move. All the other rules were created to achieve this first one.

All enterprises that are entered into with indiscreet zeal may be pursued with great vigor at first, but are sure to collapse in the end.

Let me first state that I believe that marriage is a sacred union between one man and one woman.

Entropy theory is indeed a first attempt to deal with global form; but it has not been dealing with structure. All it says is that a large sum of elements may have properties not found in a smaller sample of them.

There is no need to do any housework at all. After the first four years the dirt doesn't get any worse.

The avantgarde are people who don't exactly know where they want to go, but are the first to get there.

I never taste the wine first in restaurants, I just ask the waiter to pour.

After the first miscarriage, I tried to take the attitude that it was my body's way of telling me that this pregnancy wasn't meant to be.

Before and during the first phase of the war his administration repeatedly maligned the UN but now, that Iraq has turned into a quagmire, it is asking the UN for help.

You look at the whole Human Rights questions, I happened to be there at just the right time when the country was awakening - this goes to the first question you asked - the whole country was awakening to a hundred years of injustice that hadn't been resolved yet.

So, first you have to be able to play with a metronome. Then you take your freedom. If you play in an orchestra, you got to watch the conductor, he is like a metronome, but it is more difficult because he can change rhythms.

My first figure was a SLAYER eagle. And the dragons and the tribals are all I have got.

We're parents first, and once you have kids, everybody knows that you have priority lists. Number one is your family and everything else just kind of finds its place.

Everything has to be pulling weight in a short story for it to be really of the first order.

But in the first Gulf war the United Kingdom was not under any threat from Iraq, and is still less so in the second one. Then there is no justification for obstructing freedom of information, particularly as nations have a right to know what their soldiers are being used for.

I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.