I can't say I feel influenced by today's guitar players.

I didn't want to get attached to one guitar; I didn't want to have an instrument that was irreplaceable.

I think the fundamental part of my technique is my vibrato.

It's impossible to play a run with as much feeling as a single note. I've never been so much into runs as making single notes cry.

I have done some things that I'm very proud of. I don't think you can say any more than that, really.

While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.

I think it's a sensible thing not to read your fan mail - not to take it too seriously.

The ability to make music is a gift that you're born with; it's not something you can learn.

I have short hands. That's why I have to bend up to notes; I can't always reach the frets.

A certain death of an artist is overconfidence.

I was very keen on people like Elvis, Carl Perkins, Jerry Lee Lewis, and Gene Vincent.

If I could sing, I wouldn't be a guitarist.

I feel that my playing on the first album was probably some of my best.

The States still has the best audiences by far.

My songs are more arrangements than they are songs.

It was an experience being on a Beatles tour. They weren't very good. The singing was great, but the playing was a bit weak.

I got a guitar when I was about 14, for a Christmas present, and went from there.

A wah-wah is important as well. I love it; it makes the guitar scream.

I've always been the first to admit that Jimi was a very big influence on my early stuff.

I go through about two Fender mediums a night because I don't pick straight down; it's sort of sideways, and it shaves them off.

Radio is commercial, isn't it. Its a business.

I don't tend to have a favorite album; I tend to have favorite tracks. There are flaws in every album that spoil it for me.

It all comes down to the density of the wood. Every guitar's different.

The first real thing I heard was Three O'Clock Blues by B.B. King. That's where it all began for me.

When you start believing you're something special, then you're not going to be striving to move forward.

I feel I've been blessed with a gift of creativity and composition. That's why I've been able to keep going.

I go for as much feeling as I can rather than show what I can do up and down the neck. I don't play to show people ability.

I can't say I feel influenced by today's guitar players.

Music has nothing to do with your technical ability.

I wouldn't count myself as being a true blues guitarist because I feel you have to live it.

When I was a little kid, I was very impressed with Elvis.

When you start believing youre something special then youre not going to be striving to move forward.

The guitar part is the pivot of everything we do so if you change the guitar part you no longer have what it is.

I had given up the guitar between '75 and '78. I completely lost interest. I was sick of hearing other guitar players and I was tired of my tunes.

Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.

I play piano and guitar. Acoustic guitar. I tried studying classical guitar when I was 16 but it got really hard. I could never play a lead to save my life.

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

In OK Computer, the guitar was already moving towards a tone generator as well as a riff generator.

Cool things happen. Ace's guitar flies through space, goes through a hole, and blows up. I throw drumsticks and they come flying at you.

Yes, I took up the guitar when I was about 14 or 15, in high school.

I keep a guitar around while writing and will improvise music. I do this for several reasons, such as that it's fun, and sometimes it helps me with the meter.

I like to play guitar, jam out, play the blues, go watch movies. I love movies.

Arranging is the way I put my stamp on my music as much as my guitar playing.

Look what venison does to a goofy guitar player from Detroit? I'm going to be 54 this year and if I had any more energy I'd scare you.

An uncle of mine emigrated to Canada and couldn't take his guitar with him. When I found it in the attic, I'd found a friend for life.

Because I don't play guitar any more, African harmonies and rhythms have been an inspiration to me. I love the raw origin of the sound. It complements my voice and words naturally.

I think its so cool that you can pick up the guitar and create something that didn't exist 5 minutes ago. You can write something that no ones ever heard before. You have music at your fingertips.

So, my big brother was playing guitar and I figured I'd try it too.

I don't understand why some people will only accept a guitar if it has an instantly recognizable guitar sound. Finding ways to use the same guitar people have been using for 50 years to make sounds that no one has heard before is truly what gets me off.