He got up and there were both of us in our underwear and this kid goes through the whole thing again, all the closets, the bathroom, everything else and then he left.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then.

I said 'well, I'll kiss her twice, you see? We'll come around, I'll kiss her, and if you put a little more track down for the camera, then I'll put my tongue down her throat and you'll get what you want'. He said 'You think so?'

We came around the corner, I kissed her and after I kissed her she relaxed. And then I grabbed her and kissed her again and she was shocked! And that was what we wanted.

Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of.

I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody.

And I'm supposed to grab her and kiss her and she's supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully.

That's not a villain, that's a man whose a victim of being in love with the wrong one.

Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting.

I'm not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was.

Anyway, so what he did was, he spread sheets for 100 yards and underneath them he'd put things so there were bumps and different levels and on top he'd put little bushes and if you didn't look to close, it looked like snow!

He got up and there were both of us in our underwear and this kid goes through the whole thing again, all the closets, the bathroom, everything else and then he left.

Is this a proposal? I'm married now, you know.

We come. We go. And in between we try to understand.

I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something.

I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know.

'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties.

And the reason I really appreciated this is because after the picture came out, I was invited by the American Psychiatric Association to give a lecture. I couldn't believe it!

I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear.

Sometimes it's great, sometimes it's bad. I think the film could have been a lot better.

If you see the picture when things get exciting, he chews faster. When he really gets shocked, everything stops, including the chewing. So I worked it in for me.

I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling.

Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself.

The idea of licking stamps seemed great fun for me.

Mobile VR will be a lot more accessible. It'll be easier to use; you'll be able to pass it along to your friends.

When I work in San Francisco doing stand-up, I usually schedule it for July, and we'll drive up the coast and camp in Santa Barbara, San Luis Obispo, Big Sur, and we'll just camp our way up the coast, and then we'll get to San Francisco and hang out there for four days.

There's probably a bunch of Power Stripe floating through the Def Jam offices right now.

I like my wine like my women - ready to pass out.

I always dreamt of being a basketball player. A dream that only I believed in.

If you do not change direction, you may end up where you are headed.

I grew up in a working-class Israeli family, which was feminist only in its female-dominated structure.

Contemporary paganism gives me a subjective lens through which the world in which I live can be interpreted on an aesthetic and an ethical basis. I'm interested in narrative, myth, and story, in folklore and the way we connect to the turning of the seasons and the natural world.

We cannot say that if a child is badly nourished he will become a criminal. We must see what conclusion the child has drawn.

I couldn't do my show without spending 12 years on the streets of Humboldt Park. It made me a better interrogator. Still, if they had taken me out of my squad car and gave me a show, I would've been terrible. But on 'Springer,' the spotlight was on Jerry and I got to grow up within the show.

Being on Twitter and social media, you obviously get to see a lot more of what people are thinking of you and of your show.

Your friend has a friend and your friends friend has another friend so know when to keep quiet.

There is nothing more important in the world than loving yourself.

Guard with jealous attention the public liberty. Suspect everyone who approaches that jewel. Unfortunately, nothing will preserve it but downright force. Whenever you give up that force, you are inevitably ruined.

Elvis was a great guy. We'd just horse around together or go to see a movie. He drove me around Graceland in a golf cart. He was a fan of our music and was curious about how I sounded so black.

I have solid decent people around me, and I believe that is all it is, because you will get destroyed if you have people bringing you down.

Film scores are often based on short themes, and it helps if you've got some way of developing these themes and making them sometimes last 4 minutes and sometimes last 40 seconds. One ends up doing it subconsciously.

Real love brings pain. Real love means sacrifices and hurts and all the thousand shocks of life. But it also means beauty, true beauty.

A little glitter can turn your whole day around.

You have to read scripts and audition and develop relationships. It takes a long time to develop a body of work but over the last 25 years I guess I've done that many movies. In hindsight it may seem effortless, but there's a lot of work that goes into it.

What interested me in doing 'Dragonball' was that it's a huge comic book series that has built a great fan base, and it's a great action movie!

In a way you can feel that the poet actually is looking over your shoulder, and you say to yourself, now, how would this go for him? Would this do or not?

Modeling now is more about who I am rather than becoming someone else. I'm more brazen with what I do. I feel very comfortable in my shoes. I pick and choose what I want.