We come. We go. And in between we try to understand.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then.

I said 'well, I'll kiss her twice, you see? We'll come around, I'll kiss her, and if you put a little more track down for the camera, then I'll put my tongue down her throat and you'll get what you want'. He said 'You think so?'

We came around the corner, I kissed her and after I kissed her she relaxed. And then I grabbed her and kissed her again and she was shocked! And that was what we wanted.

Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of.

I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody.

And I'm supposed to grab her and kiss her and she's supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully.

That's not a villain, that's a man whose a victim of being in love with the wrong one.

Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting.

I'm not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was.

Anyway, so what he did was, he spread sheets for 100 yards and underneath them he'd put things so there were bumps and different levels and on top he'd put little bushes and if you didn't look to close, it looked like snow!

He got up and there were both of us in our underwear and this kid goes through the whole thing again, all the closets, the bathroom, everything else and then he left.

Is this a proposal? I'm married now, you know.

We come. We go. And in between we try to understand.

I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something.

I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know.

'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties.

And the reason I really appreciated this is because after the picture came out, I was invited by the American Psychiatric Association to give a lecture. I couldn't believe it!

I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear.

Sometimes it's great, sometimes it's bad. I think the film could have been a lot better.

If you see the picture when things get exciting, he chews faster. When he really gets shocked, everything stops, including the chewing. So I worked it in for me.

I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling.

Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself.

The advice that I usually give to young actors is that if you can create a character for the stage and keep that character fresh for at least 6 months that means you're doing the show eight times a week.

News media stimulate bubbles, since stories about them boost their audience.

The guy was infected with bird flu because he took a sick chicken, slaughtered it and and then ate it.

Moscow and Washington have evolved a delicate process for 'de-confliction' in the tight Syrian airspace, where accidents or miscommunication could be disastrous.

My dad's a very shrewd, clever guy.

While these attitudes are more visible when directed at government, there is ample evidence that many working people distrust their own union as much as they do the corporation they work for.

The difficulty is not to write but to write what you mean.

A consultant is someone who saves his client almost enough to pay his fee.

The American Dream is a term that is often used but also often misunderstood. It isn't really about becoming rich or famous. It is about things much simpler and more fundamental than that.

I'm a slow starter.

The power of the writer is to capture the thoughts live and present them as they appeared in his mind.

None of the tobacco prevention programs designed by tobacco companies have been effective at preventing youth smoking.

Should Hillary Clinton run for president, voters who ignore the difference between the image she seeks to project and the reality will have only themselves to blame if her presidency turns into a disaster.

Apolo is going to have to keep skating so he can add more gold to his entourage.

There's such a work ethic involved in theatre that you can't learn in L.A.

When I can't do something, this always impels me to study it.

Meat is a wasteful use of water and creates a lot of greenhouse gases. It puts enormous pressure on the world's resources. A vegetarian diet is better.

Paris is where my family are, but it's not really home now because I have dear friends in London and dear friends in New York.

I have never changed my message. I preach the Bible, and I preach it with authority.

Every human being is the author of his own health and disease.

Let me say this as clearly as I can: No matter how sharp a grievance or how deep a hurt, there is no justification for killing innocents.

With cab drivers, I always say I'm from Brazil. I don't say I'm from Israel. It's happened more than once that someone is blaming me for the government's policy. And I say, 'Listen, I live here. I'm a musician. I don't call the shots.'

Doo never actually made moonshine, but he hauled about an ocean of it.

We had a tiny budget for 'The Greatest,' which was the opposite of 'Wall Street.' We just kind of went in and did it. You've got four or five takes and then you've got to move on. We didn't even have trailers to stay in or anything.