If you see the picture when things get exciting, he chews faster. When he really gets shocked, everything stops, including the chewing. So I worked it in for me.

If he didn't fall in love he would have never come back near the end of the film. Because, what man is going to dishonor himself so that he comes back in front of the man that took a woman away from him... and warns her to save her life?

I was very pleased you know, and I was afraid that I might stick out, but I didn't. My happiest thing about that picture is that I proved that American actors can speak as well and also fit in with an ensemble like that.

He saved the production a tremendous amount. Now they did the scene where Omar is on the horse and he's in the deep snow, they went to Finland to do that. That scene they went to Finland for a week. I wasn't around then.

I said 'well, I'll kiss her twice, you see? We'll come around, I'll kiss her, and if you put a little more track down for the camera, then I'll put my tongue down her throat and you'll get what you want'. He said 'You think so?'

We came around the corner, I kissed her and after I kissed her she relaxed. And then I grabbed her and kissed her again and she was shocked! And that was what we wanted.

Only after awhile. After it came out and people began to engage in discussions about the social reflections of the film that I realized it had an importance I hadn't thought of.

I had read the novel and I had heard David Lean was going to direct it - and it came as a surprise to me because American actors, if given the chance, can do style as well as anybody and speak as well as anybody.

And I'm supposed to grab her and kiss her and she's supposed to react. Well, what happened was, Julie was very nervous at that time, given this incredible part which she did beautifully.

That's not a villain, that's a man whose a victim of being in love with the wrong one.

Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting.

I'm not so sure that younger people today really appreciate the enormous bravery that went into the creation and production of that film, or how important a film at the time it really was.

Anyway, so what he did was, he spread sheets for 100 yards and underneath them he'd put things so there were bumps and different levels and on top he'd put little bushes and if you didn't look to close, it looked like snow!

He got up and there were both of us in our underwear and this kid goes through the whole thing again, all the closets, the bathroom, everything else and then he left.

Is this a proposal? I'm married now, you know.

We come. We go. And in between we try to understand.

I was pleased when the picture was over I fit in all right and I spoke well enough as I said before, cause I was scared to death there for a minute. I mean, you're doing a scene with somebody like that or they're watching you or something, you'd better come up with something.

I didn't ever think of it as a social thing at the time. I took it as a good story. Maybe because I've always been kind of progressive so I never thought of it, you know.

'The Mark' I played a psychiatrist. And in the '50's everybody went to a psychiatrist because if you didn't, you'd have nothing to talk about at cocktail parties.

And the reason I really appreciated this is because after the picture came out, I was invited by the American Psychiatric Association to give a lecture. I couldn't believe it!

I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear.

Sometimes it's great, sometimes it's bad. I think the film could have been a lot better.

If you see the picture when things get exciting, he chews faster. When he really gets shocked, everything stops, including the chewing. So I worked it in for me.

I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling.

Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself.

I met the Coens here a few years ago and they said they liked my work.

A modern fleet of ships does not so much make use of the sea as exploit a highway.

The objects that are of moderate energy, like our sun or most of the stars that we see in the night sky with the naked eye, are objects in which relatively moderate energy processes are taking place.

We cannot deny that 80 or even 90 percent of the spiritual treasures from the past 3,000 years have come from Europe. There is no other Greek theatre anywhere else in the world. There is no other Shakespeare, Dante or Cervantes.

The spread of freedom is the best security for the free.

The most deceptive course in football is straight at the goalposts.

My thinking has always been that the worst problem we have with regard to lack of inclusion is the terribly low labor force participation rates and terribly high unemployment rates of young men, especially young men in ethnic minority groups and, in particular, young black men.

I don't smoke, don't drink much, and go to the gym five times a week. I live a healthy lifestyle and feel great. I can run a marathon, you know.

If I wasn't so insecure about myself I wouldn't work as hard as I do. I am constantly seeking approval.

Candidates should be extremely cautious in displaying a sense of humor. If he or she tells a joke with a point, there is almost certain to be some minority group offended.

Algebras are geometric facts which are proved.

The parks are our national treasures, and they must be shown more respect, not only by visitors but also the people who run them.

The first time you watch a movie that you like, all of the magic works on you. It's an experience of having a world unfold in front of you. But if you watch it again, you start to see where the seams are.

To understand the heart and mind of a person, look not at what he has already achieved, but at what he aspires to.

I think what travelling has done for me and for many generations of my family - my grandmother was a great example - it's really highlighted for me how similar we all are and how many values we all share as people on this planet.

Three things cannot long be hidden the sun the moon and the truth.

You're tired and scared. Happens to everyone, okay? Just don't let your feet stop.

I like black because it is a vacant space.

I'm patient when it comes to my career, which is unlike me, but there are no stars in my eyes. I make where I go. It's that sort of thing.

I'm very wary of news on television.

The root of the evil is not the construction of new more dreadful weapons. It is the spirit of conquest.

People often say that beauty is in the eye of the beholder, and I say that the most liberating thing about beauty is realizing you are the beholder.

Before you lay a foundation on the cricket field, there should be a solid foundation in your heart and you start building on that. After that as you start playing more and more matches, you learn how to score runs and how to take wickets.

That's something I learned from both my stepdad and my grandfather - that there is a thing called chivalry, and it doesn't have to die with the birth of the Internet. The way I see it, if you're asking a girl out on a date, it's only right to do it in a way that she can hear your voice.