The poet does not fear death, not because he believes in the fantasy of heroes, but because death constantly visits his thoughts and is thus an image of a serene dialogue.

A poet clings to his own tradition and avoids internationalism.

According to them, the poet is confined to the provinces with his mouth broken on his own syllabic trapeze.

Poetry is the revelation of a feeling that the poet believes to be interior and personal which the reader recognizes as his own.

The Resistance is a moral certainty, not a poetic one. The true poet never uses words in order to punish someone. His judgment belongs to a creative order; it is not formulated as a prophetic scripture.

War, I have always said, forces men to change their standards, regardless of whether their country has won or lost.

My readers at that time were still men of letters; but there had to be other people waiting to read my poems.

We wrote verses that condemned us, with no hope of pardon, to the most bitter solitude.

The antagonism between the poet and the politician has generally been evident in all cultures.

Poetry is also the physical self of the poet, and it is impossible to separate the poet from his poetry.

In opposition to this detachment, he finds an image of man which contains within itself man's dreams, man's illness, man's redemption from the misery of poverty - poverty which can no longer be for him a sign of the acceptance of life.

Europeans know the importance of the Resistance; it has been the shining example of the modern conscience.

The writer of stories or of novels settles on men and imitates them; he exhausts the possibilities of his characters.

Religious poetry, civic poetry, lyric or dramatic poetry are all categories of man's expression which are valid only if the endorsement of formal content is valid.

An exact poetic duplication of a man is for the poet a negation of the earth, an impossibility of being, even though his greatest desire is to speak to many men, to unite with them by means of harmonious verses about the truths of the mind or of things.

The poet does not fear death, not because he believes in the fantasy of heroes, but because death constantly visits his thoughts and is thus an image of a serene dialogue.

Religious power, which, as I have already said, frequently identifies itself with political power, has always been a protagonist of this bitter struggle, even when it seemingly was neutral.

The poet's other readers are the ancient poets, who look upon the freshly written pages from an incorruptible distance. Their poetic forms are permanent, and it is difficult to create new forms which can approach them.

Thus, the poet's word is beginning to strike forcefully upon the hearts of all men, while absolute men of letters think that they alone live in the real world.

As the poet has expected, the alarms now are sounded, for - and it must be said again - the birth of a poet is always a threat to the existing cultural order, because he attempts to break through the circle of literary castes to reach the center.

At the point when continuity was interrupted by the first nuclear explosion, it would have been too easy to recover the formal sediment which linked us with an age of poetic decorum, of a preoccupation with poetic sounds.

He passes from lyric to epic poetry in order to speak about the world and the torment in the world through man, rationally and emotionally. The poet then becomes a danger.

Even a polemic has some justification if one considers that my own first poetic experiments began during a dictatorship and mark the origin of the Hermetic movement.

The poet's spoken discourse often depends on a mystique, on the spiritual freedom that finds itself enslaved on earth.

From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.

After the turbulence of death, moral principles and even religious proofs are called into question.

To know that one has never really tried - that is the only death.

Let us eat and drink neither forgetting death unduly nor remembering it. The Lord hath mercy on whom he will have mercy, etc., and the less we think about it the better.

We're all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.

When you break up, your whole identity is shattered. It's like death.

Madame, all stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you.

Death comes not to the living soul, nor age to the loving heart.

Death is a distant rumor to the young.

For years the Trio did nothing but play for musicians and other hip people. We practically starved to death.

I don't sit in the corner waiting for death: death has to pursue me. I'm going strong. I hope to reach 100 and ask for an extension, just like my grandmother did.

On the plus side, death is one of the few things that can be done as easily lying down .

Because the Illinois death penalty system is arbitrary and capricious - and therefore immoral - I no longer shall tinker with the machinery of death.

I'm Irish. I think about death all the time.

I don't fear death because I don't fear anything I don't understand. When I start to think about it, I order a massage and it goes away.

The most dire disaster in love is the death of imagination.

Death doesn't frighten me; now I can think peacefully of ending a long life.

Death comes for us all. Even for kings he comes.

In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.

It has ever been since time began, and ever will be, till time lose breath, that love is a mood - no more - to man, and love to a woman is life or death.

Some people say my work is often depressing and pessimistic, with the emphasis on death, blood, overcrowding, strange beings and so on, but I don't really think it is.

In Goddess religion death is not feared, but is understood to be a part of life, followed by birth and renewal.

Death and life have their determined appointments; riches and honors depend upon heaven.

Most of the debate over the cultures of death and life is about process. The debate focuses on the technology available to determine how we prolong life and how and when we end it.

I think that the core doctrines of Christianity - the incarnation, the resurrection, life after death-these are as strong as ever. In fact, the belief in life after death has increased in this century.