They improve greatly, and sometimes I go and see the performances they do and I am consciously aware that there isn't enough work for the good dancers.

The dance world is too small in lots of ways - it's too intense, it rattles around itself, and it needs exposing to other ideas.

If I only made dances about my own experience in dance, it would always be on my track, and I don't want that, I want to be on the track of where dance can take me.

Then I came in twice a week - for my own enjoyment as well as to be a guide. And then we started to apply some of the splinters of the ideas back into the piece.

We need to think on a broader plane, we need to do more than we're doing.

One of our problems is our sense of discipline - dancers have an extraordinary sense of self-discipline.

On the other hand in London you can get an audience that desires dance to go as far as it can go: they've seen the bricks of ideas built over a period so therefore there is an acceptance of what otherwise might seem out on a limb.

The first 2 weeks, they didn't learn the piece - they went through the process of how the piece was made.

Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water.

We're talking about people who've already got 3-4, if not 5-6 years' experience or more, and it's about trying to help professionals develop, using us as a resource for that development.

Independent dance - and, fine, it's a very good thing that it remains independent - is a much tougher life: all dancers expect that, and accept that there will be periods of not being able to work, provided there are choice moments during the year when they really can work.

There's a mass of places, really, where the idea started.

I don't start a piece knowing exactly what effect it's going to have. There is a seed of an idea that I could never articulate, right at the beginning of the piece, literally like one cell.

Well, it's not full time - my dancers are only paid for six months of the year in two three-month blocks; but yes, it is possible we could do it in another year.

It's not just for its influence on us, but to know that we can play a part in it, to understand the influence that we have outside our own existence.

Yes - it's the same in any other work - the more you massage your thinking the more capable I believe you are of expanding how you go about things and learning.

They should be working, and there isn't enough work.

We could ask artists from abroad to come in too, so that there could be a mixing and matching of skills from Europe, America and here which would widen our world.

What we do now is to be valued - but we need to do more, so that it's more exciting to other people, and therefore that excitement shines back on us and we're able to have the energy to do more, to widen our creativity.

They improve greatly, and sometimes I go and see the performances they do and I am consciously aware that there isn't enough work for the good dancers.

I did work out every day. I needed it to have the endurance to do what needed to be done and not get hurt. I have such a new respect for action stars now.

Work is the meat of life, pleasure the dessert.

This is God's work. Therefore it must be triumphant. There is no place for misgiving or despondency.

Yeah, that's what kind of, we get the idea a little bit yeah, because other people from different countries also try as hard as they can to get a medal or a gold medal in the Olympic Games. And you know, if they can work hard, we can work hard as well.

The work which is manipulated looks a little boring to me. I think life is pretty strange anyway. It is wooo, wooo, wooo!

I am not stopped by low funds, physical exhaustion, mental exhaustion, or temptations to stop and work on some other production that would be more financially rewarding.

The artist need not know very much; best of all let him work instinctively and paint as naturally as he breathes or walks.

Corporate partners help UNICEF fund our programmes for children, advocate with us on their behalf, or facilitate our work through logistical, technical, research or supply support.

The productivity of work is not the responsibility of the worker but of the manager.

The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.

The work that we do during the winter is very important; we have a new bike and it's important to develop it during this time, and we start with this test.

What an artist learns matters little. What he himself discovers has a real worth for him, and gives him the necessary incitement to work.

I work to stay alive.

When it is time to get to work, I go away completely and don't do anything except the work. And that can be 16 hours a day.

Some people don't like competition because it makes them work harder, better.

Concentrate all your thoughts upon the work at hand. The sun's rays do not burn until brought to a focus.

Always, your work is the same: You have to tell a story, you have to make a character. It doesn't matter if there are thousands of dollars, millions behind it, or if there is nothing.

Style is as much under the words as in the words. It is as much the soul as it is the flesh of a work.

Yes, and I can sit down on a white piece of paper and work because I don't believe too much into inspiration, only I'm waiting for inspiration, work and then inspiration may come. It's a little too easy to say that.

I am always successful in my work.

Then I decided I couldn't just crawl in the corner and die, so I started putting pen to paper and wrote some songs. I had no idea what for or who I was going to work with. I tried to find my way and direction.

Much of my work has come from being lazy.

People are not perfect... very often the relationships that are strongest are those where people have worked through big crises, but they've had to work through them. So the challenge to us is to work through that.

Evidently the merit depends on the result of the work.

I am playing with the assumptions that we have in our everyday life when we are tripped up or fooled and we learn something, that makes things exciting - I am having fun with that stuff, but you have to manage it so it doesn't get too cute, that's what I trying to work toward.

Even if I don't have a job, I work on plays and scenes.

Only time, education and plenty of good schooling will make anti-segregation work.

In the kingdom of heaven it is His work that will be crowned, not yours. Anything in you that He has not wrought Himself will count for nothing.

Work is not man's punishment. It is his reward and his strength and his pleasure.